as to himself.

Later on he was to discover the impassable distance which divided these men from Olivier. In their way of judging others they were entirely Italian, incapable of the effort necessary to see beyond themselves, rooted in the ideas of their race. At bottom, in all good faith, in foreign literature they only sought what their national instinct was willing to find in it; often they only took out of it what they themselves had unconsciously read into it. Mediocre as critics, and as psychologists contemptible, they were too single-minded, too full of themselves and their passions, even when they were the most enamored of truth. Italian idealism cannot forget itself: it is not interested in the impersonal dreams of the North; it leads everything back to itself, its desires, its pride of race, and transfigures them. Consciously or unconsciously, it is always toiling for the terza Roma. It must be said that for many centuries it has not taken much trouble to realize it. These splendid Italians, who are cut out for action, only act through passion, and soon weary of it: but when the breath of passion rushes in their veins it raises them higher than all other nations; as has been seen, for example, in their Risorgimento.⁠—Some such great wind as that had begun to pass over the young men of Italy of all parties: nationalists, socialists, neo-Catholics, free idealists, all the unyielding Italians, all, in hope and will, citizens of Imperial Rome, Queen of the universe.

At first Christophe saw only their generous ardor and the common antipathies which united him and them. They could not but join with him in their contempt for the fashionable society, against which Christophe raged on account of Grazia’s preferences. More than he they hated the spirit of prudence, the apathy, the compromise, and buffoonery, the things half said, the amphibious thoughts, the subtle dawdling of the mind between all possibilities, without deciding on any one, the fine phrases, the sweetness of it all. They were all self-taught men who had pieced themselves together with everything they could lay their hands on, but had had neither means nor leisure to put the finishing touch to their work, and they were prone to exaggerate their natural coarseness and their rather bitter tone fitting to rough contadini. They wished to provoke active hostility. Anything rather than indifference. In order to rouse the energy of their race they would gladly have consented to be among the first victims to it.

Meanwhile they were not liked, and they did nothing to gain liking. Christophe met with but small success when he tried to talk to Grazia of his new friends. They were repugnant to her order-loving, peace-loving nature. He had to recognize when he was with her that they had a way of upholding the best of causes which sometimes provoked a desire in the best of people to declare themselves hostile to it. They were ironical and aggressive, in criticism harsh to the point of insult, even with people whom they had no desire to hurt. Having reached the sphere of publication before they had come to maturity, they passed with equal intolerance from one infatuation to another. Passionately sincere, giving themselves unreservedly, without stint or thought of economy, they were consumed by their excessive intellectuality, their precocious and blindly obstinate endeavors. It is not well for young ideas, hardly out of the pod, to be exposed to the raw sunlight. The soul is scorched by it. Nothing is made fruitful save with time and silence. Time and silence these men had not allowed themselves. It is the misfortune of only too many Italian talents. Violent, hasty action is an intoxicant. The mind that has once tasted it is hard put to it to break the habit; and its normal growth is then in great peril of being forced and forever twisted.

Christophe appreciated the acid freshness of such green frankness in contrast with the insipidity of the people who frequented the middle way, the via di mezzo, who are in perpetual fear of being compromised, and have a subtle talent for saying neither “Yes” nor “No.” But very soon he came to see that such people also, with their calm, courteous minds, have their worth. The perpetual state of conflict in which his new friends lived was very tiring. Christophe began by thinking it his duty to go to Grazia’s house to defend them. Sometimes he went there to forget them. No doubt he was like them, too much like them. They were now what he had been twenty years ago. And life never goes back. At heart Christophe well knew that, for his own part, he had forever said goodbye to such violence, and that he was going towards peace, whose secret seemed to lie for him in Grazia’s eyes. Why, then, was he in revolt against her?⁠ ⁠… Ah! In the egoism of his love he longed to be the only one to enjoy her peace. He could not bear Grazia to dispense its benefits without marking how to all comers she extended the same prodigally gracious welcome.


She read his thoughts, and, with her charming frankness, she said to him one day:

“You are angry with me for being what I am? You must not idealize me, my dear. I am a woman, and no better than another. I don’t go out of my way for society; but I admit that I like it, just as I like going sometimes to an indifferent play, or reading foolish books, which you despise, though I find them soothing and amusing. I cannot refuse anything.”

“How can you endure these idiots?”

“Life has taught me not to be too nice. One must not ask too much. It is a good deal, I assure you, when one finds honest people, with no harm in them, kindly people.⁠ ⁠… (naturally, of course, supposing one expects nothing of them; I know perfectly well that if I had

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