And then it was but to whistle for a couple of light open carriages, which, in this city of pleasure, stand in every street, tempting the idler to excursionize; to call together the half-dozen chosen friends of the moment, and away to the favourite restaurant to order a private room and a little dinner, bien soigné, and one’s particular brand of champagne, and then, hey for a drive in the merry greenwood, while the marmitonsare perspiring over their casseroles, and anon back to a noisy feast, eaten in the open air, perhaps, under the afternoon sunshine, for La Chicot has to be at her theatre before seven, since at eight all Bohemian Paris will be waiting, eager and open-mouthed, to see the dancer with wild eyes and floating hair come bounding on to the stage. La Chicot was growing more and more like a Thracian Maenad as time went on. Her dancing was more audacious, her gestures more electrical. There was a kind of inspiration in those wild movements, but it was the inspiration of a Bacchante, not the calm grace of dryad or sea-nymph. You could fancy her whirling round Pentheus, mixed with the savage throng of her sister Maenads, thirsting for vengeance and murder; a creature to be beheld from afar with wondering admiration, but a being to be shunned by all lovers of peaceful lives and tranquil paths. Those who knew her best used to speak pretty freely about her in the second year of her wedded life, and her third season at the Théâtre des étudiants.
“La Chicot begins to drink like a fish,” said Antoine, of the orchestra, to Gilbert, who played the comic fathers; “I wonder whether she beats her husband when she has had too much champagne?”
“They lead but a cat and dog sort of life, I believe,” answered the comedian; “one day all sunshine, the next stormy weather. Renaud, the painter, who has a room on the same story, tells me that it sometimes hails cups and saucers and empty champagne bottles when the weather is stormy in the Chicot domicile. But those two are desperately fond of each other all the same.”
“I should not appreciate such fondness,” said the fiddler; “when I marry it will not be for beauty. I would not have as handsome a wife as La Chicot if I could have her for the asking. A woman of that stamp is created to be the torment of her husband’s life. I find that this Jack is not the fellow he used to be before he married. C’est un garçon bémolisé par le mariage.”
When the Chicots had been man and wife for about three years—a long apprenticeship of bliss or woe—the lady’s power of attracting an audience to the little theatre in the students’ quarter began visibly to wane. The parterre grew thin, the students yawned or talked to each other in loud whispers while the dancer was executing her most brilliant steps. Even her beauty had ceased to charm. The habitués of the theatre knew that beauty by heart.
“C’est cliché comme une tartine de journal,” said one. “C’est connu comme le dôme des Invalides,” said another. “Cela fatigue; on commence à se désillusionner sur La Chicot.”
La Chicot saw the decline of her star, and that lively temper of hers, which had been growing more and more impulsive during the last three years, took reverse of fortune in no good spirit. She used to come home from the theatre in a diabolical humour, after having danced to empty benches and a languid audience, and Jack Chicot had to pay the cost. She would quarrel with him about a straw, a nothing, on these occasions. She abused the students who stayed away from the theatre in roundest and strongest phraseology. She was still more angry with those who came and did not applaud. She upbraided Jack for his helplessness. Was there ever such a husband? He could not advance her interests in the smallest degree. Had she married anyone else—one of those little gentlemen who wrote for the papers, for instance, she would have been engaged at one of the Boulevard theatres before now. She would be the rage among the best people in Paris. She would be earning thousands. But her husband had no influence with managers or newspapers, not enough to get a puff paragraph inserted in the lowest of the little journals. It was desolating.
This upbraiding was not without its effect upon Jack Chicot. He was a good-tempered fellow by nature, prone to take life easily. In all their quarrels it was his wife who took the leading part. When the cups and saucers and empty bottles went flying, she was the Jove who hurled those thunderbolts. Jack was too brave to strike a woman, too proud to lower himself to the level of his wife’s degradation. He suffered and was silent. He had found out his mistake long ago. The delusion had been brief, the repentance was long. He knew that he had bound himself to a lowborn, lowbred fury. He knew that his only chance of escaping suicide was to shut his eyes to his surroundings, and to take what pleasure he could out of a disreputable existence. His wife’s reproaches stung him into activity. He wrote half a dozen
