small estate, hoping there to enjoy the life whose lease would be renewed by the long sea voyage.

As he sat reading, the cabin door opened, and appeared an angular female form. This was Mrs. Stannard, the stewardess, and Mrs. Stannard meant bedtime.

“Dicky,” said Mr. Lestrange, closing his book, and raising the tablecloth a few inches, “bedtime.”

“Oh, not yet, daddy!” came a sleep-freighted voice from under the table; “I ain’t ready. I dunno want to go to bed, I⁠—Hi yow!”

Mrs. Stannard, who knew her work, had stooped under the table, seized him by the foot, and hauled him out kicking and fighting and blubbering all at the same time.

As for Emmeline, she having glanced up and recognised the inevitable, rose to her feet, and, holding the hideous rag-doll she had been nursing, head down and dangling in one hand, she stood waiting till Dicky, after a few last perfunctory bellows, suddenly dried his eyes and held up a tear-wet face for his father to kiss. Then she presented her brow solemnly to her uncle, received a kiss and vanished, led by the hand into a cabin on the port side of the saloon.

Mr. Lestrange returned to his book, but he had not read for long when the cabin door was opened, and Emmeline, in her nightdress, reappeared, holding a brown paper parcel in her hand, a parcel of about the same size as the book you are reading.

“My box,” said she; and as she spoke, holding it up as if to prove its safety, the little plain face altered to the face of an angel.

She had smiled.

When Emmeline Lestrange smiled it was absolutely as if the light of Paradise had suddenly flashed upon her face: the happiest form of childish beauty suddenly appeared before your eyes, dazzled them⁠—and was gone.

Then she vanished with her box, and Mr. Lestrange resumed his book.

This box of Emmeline’s, I may say in parenthesis, had given more trouble aboard ship than all of the rest of the passengers’ luggage put together.

It had been presented to her on her departure from Boston by a lady friend, and what it contained was a dark secret to all on board, save its owner and her uncle; she was a woman, or, at all events, the beginning of a woman, yet she kept this secret to herself⁠—a fact which you will please note.

The trouble of the thing was that it was frequently being lost. Suspecting herself, maybe, as an unpractical dreamer in a world filled with robbers, she would cart it about with her for safety, sit down behind a coil of rope and fall into a fit of abstraction: be recalled to life by the evolutions of the crew reefing or furling or whatnot, rise to superintend the operations⁠—and then suddenly find she had lost her box.

Then she would absolutely haunt the ship. Wide-eyed and distressed of face she would wander hither and thither, peeping into the galley, peeping down the forescuttle, never uttering a word or wail, searching like an uneasy ghost, but dumb.

She seemed ashamed to tell of her loss, ashamed to let anyone know of it; but everyone knew of it directly they saw her, to use Mr. Button’s expression, “on the wandher,” and everyone hunted for it.

Strangely enough it was Paddy Button who usually found it. He who was always doing the wrong thing in the eyes of men, generally did the right thing in the eyes of children. Children, in fact, when they could get at Mr. Button, went for him con amore. He was as attractive to them as a Punch and Judy show or a German band⁠—almost.

Mr. Lestrange after a while closed the book he was reading, looked around him and sighed.

The cabin of the Northumberland was a cheerful enough place, pierced by the polished shaft of the mizzen mast, carpeted with an Axminster carpet, and garnished with mirrors let into the white pine panelling. Lestrange was staring at the reflection of his own face in one of these mirrors fixed just opposite to where he sat.

His emaciation was terrible, and it was just perhaps at this moment that he first recognised the fact that he must not only die, but die soon.

He turned from the mirror and sat for a while with his chin resting upon his hand, and his eyes fixed on an ink spot upon the tablecloth; then he arose, and crossing the cabin climbed laboriously up the companionway to the deck.

As he leaned against the bulwark rail to recover his breath, the splendour and beauty of the Southern night struck him to the heart with a cruel pang. He took his seat on a deck chair and gazed up at the Milky Way, that great triumphal arch built of suns that the dawn would sweep away like a dream.

In the Milky Way, near the Southern Cross, occurs a terrible circular abyss, the Coal Sack. So sharply defined is it, so suggestive of a void and bottomless cavern, that the contemplation of it afflicts the imaginative mind with vertigo. To the naked eye it is as black and as dismal as death, but the smallest telescope reveals it beautiful and populous with stars.

Lestrange’s eyes travelled from this mystery to the burning cross, and the nameless and numberless stars reaching to the sea-line, where they paled and vanished in the light of the rising moon. Then he became aware of a figure promenading the quarterdeck. It was the “Old Man.”

A sea captain is always the “old man,” be his age what it may. Captain Le Farges’ age might have been forty-five. He was a sailor of the Jean Bart type, of French descent, but a naturalised American.

“I don’t know where the wind’s gone,” said the captain as he drew near the man in the deck chair. “I guess it’s blown a hole in the firmament, and escaped somewheres to the back of beyond.”

“It’s been a long voyage,” said Lestrange; “and I’m thinking, Captain, it will be a very long

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