Kirk entered the house thoughtfully. Somehow this last piece of news had put the coping-stone on the edifice of his—his what? Depression? It was hardly that. No, it was rather a kind of vague regret for the life which had so definitely ended, the feeling which the Romans called desiderium and the Greeks pathos. The defection of George Pennicut was a small thing in itself, but it meant the removal of another landmark.
“We had some bully good times in that studio,” he said.
The words were a requiem.
The first person whom he met in this great house, in the kingdom of which he was to be king-consort, was a butler of incredible stateliness. This was none other than Steve’s friend Keggs. But round the outlying portions of this official he had perceived, as the door opened, a section of a woman in a brown dress.
The butler moving to one side, he found himself confronting Mrs. Lora Delane Porter.
If other things in Kirk’s world had changed, time had wrought in vain upon the great authoress. She looked as masterful, as unyielding, and as efficient as she had looked at the time of his departure. She took his hand without emotion and inspected him keenly.
“You are thinner,” she remarked.
“I said that, Aunt Lora,” said Ruth. “Poor boy, he’s a skeleton.”
“You are not so robust.”
“I have been ill.”
Ruth interposed.
“He’s had fever, Aunt Lora, and you are not to tease him.”
“I should be the last person to tease any man. What sort of fever?”
“I think it was a blend of all sorts,” replied Kirk. “A kind of Irish stew of a fever.”
“You are not infectious?”
“Certainly not.”
Mrs. Porter checked Ruth as she was about to speak.
“We owe it to William to be careful,” she explained. “After all the trouble we have taken to exclude him from germs it is only reasonable to make these inquiries.”
“Come along, dear,” said Ruth, “and I’ll show you the house. Don’t mind Aunt Lora,” she whispered; “she means well, and she really is splendid with Bill.”
Kirk followed her. He was feeling chilled again. His old mistrust of Mrs. Porter revived. If their brief interview was to be taken as evidence, she seemed to have regained entirely her old ascendancy over Ruth. He felt vaguely uneasy, as a man might who walks in a powder magazine.
“Aunt Lora lives here now,” observed Ruth casually, as they went upstairs.
Kirk started.
“Literally, do you mean? Is this her home?”
Ruth smiled at him over her shoulder.
“She won’t interfere with you,” she said. “Surely this great house is large enough for the three of us. Besides, she’s so devoted to Bill. She looks after him all the time; of course, nowadays I don’t get quite so much time to be with him myself. One has an awful lot of calls on one. I feel Bill is so safe with Aunt Lora on the premises.”
She stopped at a door on the first floor.
“This is Bill’s nursery. He’s out just now. Mamie takes him for a drive every morning when it’s fine.”
Something impelled Kirk to speak.
“Don’t you ever take him for walks in the morning now?” he asked. “He used to love it.”
“Silly! Of course I do, when I can manage it. For drives, rather. Aunt Lora is rather against his walking much in the city. He might so easily catch something, you know.”
She opened the door.
“There!” she said. “What do you think of that for a nursery?”
If Kirk had spoken his mind he would have said that of all the ghastly nurseries the human brain could have conceived this was the ghastliest. It was a large, square room, and to Kirk’s startled eyes had much the appearance of an operating theatre at a hospital.
There was no carpet on the tiled floor. The walls, likewise tiled, were so bare that the eye ached contemplating them. In the corner by the window stood the little white cot. Beside it on the wall hung a large thermometer. Various knobs of brass decorated the opposite wall. At the farther end of the room was a bath, complete with shower and all the other apparatus of a modern tub.
It was probably the most horrible room in all New York.
“Well, what do you think of it?” demanded Ruth proudly.
Kirk gazed at her, speechless. This, he said to himself, was Ruth, his wife, who had housed his son in the spare bedroom of the studio and allowed a shaggy Irish terrier to sleep on his bed; who had permitted him to play by the hour in the dust of the studio floor, who had even assisted him to do so by descending into the dust herself in the role of a bear or a snake.
What had happened to this world from which he had been absent but one short year? Was everybody mad, or was he hopelessly behind the times?
“Well?” Ruth reminded him.
Kirk eyed the dreadful room.
“It looks clean,” he said at last.
“It is clean,” said the voice of Lora Delane Porter proudly behind him. She had followed them up the stairs to do the honours of the nursery, the centre of her world. “It is essentially clean. There is not an object in that room which is not carefully sterilized night and morning with a weak solution of boric acid!”
“Even Mamie?” inquired Kirk.
It had been his intention to be mildly jocular, but Mrs. Porter’s reply showed him that in jest he had spoken the truth.
“Certainly. Have you any idea, Kirk, of the number of germs there are on the surface of the human body? It runs into billions. You”—she fixed him with her steely eye—“you are at the present moment one mass of microbes.”
“I sneaked through quarantine all right.”
“To the adult there is not so much danger in these microbes, provided he or she maintains a reasonable degree of personal cleanliness. That is why adults may be permitted
