The dinner went off pleasantly enough. Colonel Maddison attacked the side-dishes specially provided for him, and praised the Mellish-Park cook. Mr. Lofthouse explained to Aurora the plan of a new schoolhouse which she intended to build for the improvement of John’s native parish. She listened patiently to the rather wearisome details, in which a bakehouse and a washhouse and a Tudor chimney seemed the leading features. She had heard so much of this before; for there was scarcely a church, or a hospital, or a model lodging-house, or a refuge for any misery or destitution whatever, that had been lately elevated to adorn this earth, for which the banker’s daughter had not helped to pay. But her heart was wide enough for them all, and she was always glad to hear of the bakehouse and washhouse and the Tudor chimney all over again. If she was a little less interested upon this occasion than usual, Mr. Lofthouse did not observe her inattention, for in the simple earnestness of his own mind, he thought it scarcely possible that the schoolhouse topic could fail to be interesting. Nothing is so difficult as to make people understand that you don’t care for what they themselves especially affect. John Mellish could not believe that the entries for the Great Ebor were not interesting to Mr. Lofthouse, and the country clergyman was fully convinced that the details of his philanthropic schemes for the regeneration of his parish could not be otherwise than delightful to his host. But the master of Mellish Park was very silent, and sat with his glass in his hand, looking across the dinner-table and Mrs. Lofthouse’s head, at the sunlit treetops between the lawn and the north lodge. Aurora, from her end of the table, saw that gloomy glance, and a resolute shadow darkened her face, expressive of the strengthening of some rooted purpose deep hidden in her heart. She sat so long at dessert, with her eyes fixed upon an apricot in her plate, and the shadow upon her face deepening every moment, that poor Mrs. Lofthouse was in utter despair of getting the significant look which was to release her from the bondage of hearing her father’s stories of tiger-shooting and pig-sticking for the two or three hundredth time. Perhaps she never would have got that feminine signal, had not Mrs. Powell, with a significant “hem!” made some observation about the sinking sun.
The ensign’s widow was one of those people who declare that there is a perceptible difference in the length of the days upon the twenty-third or twenty-fourth of June, and who go on announcing the same fact until the long winter evenings come with the twenty-first of December, and it is time for them to declare the converse of their late proposition. It was some remark of this kind that aroused Mrs. Mellish from her reverie, and caused her to start up suddenly, quite forgetful of the conventional simpering beck to her guest.
“Past eight!” she said; “no, it’s surely not so late?”
“Yes, it is, Lolly,” John Mellish answered, looking at his watch; “a quarter past.”
“Indeed! I beg your pardon, Mrs. Lofthouse; shall we go into the drawing-room?”
“Yes, dear, do,” said the clergyman’s wife, “and let’s have a nice chat. Papa will drink too much claret if he tells the pig-sticking stories,” she added in a confidential whisper. “Ask your dear, kind husband not to let him have too much claret; because he’s sure to suffer with his liver tomorrow, and say that Lofthouse ought to have restrained him. He always says that it’s poor Reginald’s fault for not restraining him.”
John looked anxiously after his wife, as he stood with the door in his hand, while the three ladies crossed the hall. He bit his lip as he noticed Mrs. Powell’s unpleasantly-precise figure close to Aurora’s shoulder.
“I think I spoke pretty plainly, though, this morning,” he thought, as he closed the door and returned to his friends.
A quarter-past eight; twenty minutes past; five-and-twenty minutes past. Mrs. Lofthouse was rather a brilliant pianist, and was never happier than when interpreting Thalberg and Benedict upon her friends’ Collard-and-Collards. There were old-fashioned people round Doncaster who believed in Collard and Collard, and were thankful for the melody to be got out of a good honest grand, in a solid rosewood case, unadorned with carved glorification, or ormolu fretwork. At seven-and-twenty minutes past eight Mrs. Lofthouse was seated at Aurora’s piano, in the first agonies of a prelude in six flats; a prelude which demanded such extraordinary uses of the left hand across the right, and the right over the left, and such exercise of the thumbs in all sorts of positions—in which, according to all orthodox theories of the pre-Thalberg-ite school, no pianist’s thumbs should ever be used—that Mrs. Mellish felt that her friend’s attention was not very likely to wander from the keys.
Within the long, low-roofed drawing-room at Mellish Park there was a snug little apartment, hung with innocent rosebud-sprinkled chintzes, and furnished with maple-wood chairs and tables. Mrs. Lofthouse had not been seated at the piano more than five minutes when Aurora strolled from the drawing-room to this inner chamber, leaving her guest with no audience but Mrs. Powell. She lingered for a moment on the threshold to look back at the ensign’s widow, who sat near the piano in an attitude of rapt attention.
“She is watching me,” thought Aurora, “though her pink eyelids are drooping over her eyes, and she seems to be looking at the border of her pocket-handkerchief. She sees me with her chin or her nose, perhaps. How do I know? She is all eyes! Bah! am I going to be afraid of her, when I was never afraid of him? What should I fear except”—(her head changed from its defiant attitude to a drooping
