Captain Bulstrode offered a handful of broken glass to the man who drove him to the East Cliff, and then confusedly substituted about fifteen shillings worth of silver coin for that abnormal species of payment. There must have been two or three earthquakes and an eclipse or so going on in some part of the globe, he thought, for this jog-trot planet seemed all tumult and confusion to Talbot Bulstrode. The world was all Brighton, and Brighton was all blue moonlight, and steel-coloured sea, and glancing, dazzling gaslight, and hare-soup and cod and oysters, and Aurora Floyd. Yes, Aurora Floyd, who wore a white silk dress, and a thick circlet of dull gold upon her hair, who looked more like Cleopatra tonight than ever, and who suffered Mr. John Mellish to take her down to dinner. How Talbot hated the Yorkshireman’s big fair face, and blue eyes, and white teeth, as he watched the two young people across a phalanx of glass and silver, and flowers and wax-candles, and pickles, and other Fortnum-and-Mason ware! Here was a golden opportunity lost, thought the discontented captain, forgetful that he could scarcely have proposed to Miss Floyd at the dinner-table, amidst the jingle of glasses and popping of corks, and with a big powdered footman charging at him with a side-dish or a sauce-tureen while he put the fatal question. The desired moment came a few hours afterwards, and Talbot had no longer any excuse for delay.
The November evening was mild, and the three windows in the drawing-room were open from floor to ceiling. It was pleasant to look out from the hot gaslight upon that wide sweep of moonlit ocean, with a white sail glimmering here and there against the purple night. Captain Bulstrode sat near one of the open windows, watching that tranquil scene, with, I fear, very little appreciation of its beauty. He was wishing that the people would drop off and leave him alone with Aurora. It was close upon eleven o’clock, and high time they went. John Mellish would of course insist upon waiting for Talbot; this was what a man had to endure on account of some old schoolboy acquaintance. All Rugby might turn up against him in a day or two, and dispute with him for Aurora’s smiles. But John Mellish was engaged in a very animated conversation with Archibald Floyd, having contrived with consummate artifice to ingratiate himself in the old man’s favour, and the visitors having one by one dropped off, Aurora, with a listless yawn that she took little pains to conceal, strolled out on to the broad iron balcony. Lucy was sitting at a table at the other end of the room, looking at a book of beauty. Oh, my poor Lucy! how much did you see of the Honourable Miss Brownsmith’s high forehead and Roman nose? Did not that young lady’s handsome face stare up at you dimly through a blinding mist of tears that you were a great deal too well educated to shed? The chance had come at last. If life had been a Haymarket comedy, and the entrances and exits arranged by Mr. Buckstone himself, it could have fallen out no better than this. Talbot Bulstrode followed Aurora on to the balcony; John Mellish went on with his story about the Beverley foxhounds; and Lucy, holding her breath at the other end of the room, knew as well what was going to happen as the captain himself.
Is not life altogether a long comedy, with Fate for the stage-manager, and Passion, Inclination, Love, Hate, Revenge, Ambition, and Avarice by turns in the prompter’s box? A tiresome comedy sometimes, with dreary, talkee-talkee front scenes which come to nothing, but only serve to make the audience more impatient as they wait while the stage is set and the great people change their dresses; or a “sensation” comedy, with unlooked-for tableaux and unexpected dénouements; but a comedy to the end of the chapter, for the sorrows which seem tragic to us are very funny when seen from the other side of the footlights; and our friends in the pit are as much amused with our trumpery griefs as the Haymarket habitués when Mr. Box finds his gridiron empty, or Mr. Cox misses his rasher. What can be funnier than other people’s anguish? Why do we enjoy Mr. Maddison Morton’s farces, and laugh till the tears run down our cheek at the comedian who enacts them? Because there is scarcely a farce upon the British stage which is not, from the rising to the dropping of the curtain, a record of human anguish and undeserved misery. Yes, undeserved and unnecessary torture—there is the special charm of the entertainment. If the man who was weak enough to send his wife to Camberwell had crushed a baby behind a chest of drawers, his sufferings wouldn’t be half so delightful to an intellectual audience. If the gentleman who became embroiled with his laundress had murdered the young lady in the green boots, where would be the fun of that old Adelphi farce in which poor Wright was wont to delight us? And so it is with our friends
