―To me!
Siopold!
Consumed.
Come. Well sung. All clapped. She ought to. Come. To me, to him, to her, you too, me, us.
―Bravo! Clapclap. Goodman, Simon. Clappyclapclap. Encore! Clapclipclap. Sound as a bell. Bravo, Simon! Clapclopclap. Encore, enclap, said, cried, clapped all, Ben Dollard, Lydia Douce, George Lidwell, Pat, Mina, two gentlemen with two tankards, Cowley, first gent with tank and bronze Miss Douce and gold Miss Mina.
Blazes Boylan’s smart tan shoes creaked on the barfloor, said before. Jingle by monuments of sir John Gray, Horatio onehandled Nelson, reverend father Theobald Matthew, jaunted as said before just now. Atrot, in heat, heatseated. Cloche. Sonnez la. Cloche. Sonnez la. Slower the mare went up the hill by the Rotunda, Rutland square. Too slow for Boylan, blazes Boylan, impatience Boylan, joggled the mare.
An afterclang of Cowley’s chords closed, died on the air made richer.
And Richie Goulding drank his Power and Leopold Bloom his cider drank, Lidwell his Guinness, second gentleman said they would partake of two more tankards if she did not mind. Miss Kennedy smirked, disserving, coral lips, at first, at second. She did not mind.
―Seven days in jail, Ben Dollard said, on bread and water. Then you’d sing, Simon, like a garden thrush.
Lionel Simon, singer, laughed. Father Bob Cowley played. Mina Kennedy served. Second gentleman paid. Tom Kernan strutted in Lydia, admired, admired. But Bloom sang dumb.
Admiring.
Richie, admiring, descanted on that man’s glorious voice. He remembered one night long ago. Never forget that night. Si sang ’Twas rank and fame:
in Ned Lambert’s ’twas. Good God he never heard in all his life a note like that he never did then false one we had better part
so clear so God he never heard since love lives not
a clinking voice ask Lambert he can tell you too.
Goulding, a flush struggling in his pale, told Mr Bloom, face of the night, Si in Ned Lambert’s, Dedalus house, sang ’Twas rank and fame.
He, Mr Bloom, listened while he, Richie Goulding, told him, Mr Bloom, of the night he, Richie, heard him, Si Dedalus, sing ’Twas rank and fame
in his, Ned Lambert’s house.
Brothers-in-law: relations. We never speak as we pass by. Rift in the lute I think. Treats him with scorn. See. He admires him all the more. The night Si sang. The human voice, two tiny silky cords. Wonderful, more than all the others.
That voice was a lamentation. Calmer now. It’s in the silence you feel you hear. Vibrations. Now silent air.
Bloom ungyved his crisscrossed hands and with slack fingers plucked the slender catgut thong. He drew and plucked. It buzz, it twanged. While Goulding talked of Barraclough’s voice production, while Tom Kernan, harking back in a retrospective sort of arrangement, talked to listening Father Cowley who played a voluntary, who nodded as he played. While big Ben Dollard talked with Simon Dedalus lighting, who nodded as he smoked, who smoked.
Thou lost one. All songs on that theme. Yet more Bloom stretched his string. Cruel it seems. Let people get fond of each other: lure them on. Then tear asunder. Death. Explos. Knock on the head. Outtohelloutofthat. Human life. Dignam. Ugh, that rat’s tail wriggling! Five bob I gave. Corpus paradisum. Corncrake croaker: belly like a poisoned pup. Gone. They sing. Forgotten. I too. And one day she with. Leave her: get tired. Suffer then. Snivel. Big Spanishy eyes goggling at nothing. Her wavyavyeavyheavyeavyevyevy hair un comb: ’d.
Yet too much happy bores. He stretched more, more. Are you not happy in your? Twang. It snapped.
Jingle into Dorset street.
Miss Douce withdrew her satiny arm, reproachful, pleased.
―Don’t make half so free, said she, till we are better acquainted.
George Lidwell told her really and truly: but she did not believe.
First gentleman told Mina that was so. She asked him was that so. And second tankard told her so. That that was so.
Miss Douce, Miss Lydia, did not believe: Miss Kennedy, Mina, did not believe: George Lidwell, no: Miss Dou did not: the first, the first: gent with the tank: believe, no, no: did not, Miss Kenn: Lidlydiawell: the tank.
Better write it here. Quills in the postoffice chewed and twisted.
Bald Pat at a sign drew nigh. A pen and ink. He went. A pad. He went. A pad to blot. He heard, deaf Pat.
―Yes, Mr Bloom said, teasing the curling catgut line. It certainly is.
Few lines will do. My present. All that Italian florid music is. Who is this wrote? Know the name you know better. Take out sheet notepaper, envelope: unconcerned. It’s so characteristic.
―Grandest number in the whole opera, Goulding said.
―It is, Bloom said.
Numbers it is. All music when you come to think. Two multiplied by two divided by half is twice one. Vibrations: chords those are. One plus two plus six is seven. Do anything you like with figures juggling. Always find out this equal to that, symmetry under a cemetery wall. He doesn’t see my mourning. Callous: all for his own gut. Musemathematics. And you think you’re listening to the etherial. But suppose you said it like: Martha, seven times nine minus x is thirtyfive thousand. Fall quite flat. It’s on account of the sounds it is.
Instance he’s playing now. Improvising. Might be what you like till you hear the words. Want to listen sharp. Hard. Begin all right: then hear chords a bit off: feel lost a bit. In and out of sacks over barrels, through wirefences, obstacle race. Time makes the tune. Question of mood you’re in. Still always nice to hear. Except scales up and down, girls learning. Two together nextdoor neighbours. Ought to invent dummy pianos for that. Blumenlied
I bought for her. The name. Playing it slow, a girl, night I came home, the girl. Door of the stables near Cecilia street. Milly no taste. Queer because we both I mean.
Bald deaf Pat brought quite flat pad ink. Pat set with ink pen quite flat pad. Pat took plate dish knife fork. Pat went.
It was the only language Mr Dedalus
