as poor Captain Ramsay or some other victim was manfully trying to do his duty.

In such a mood as this she had once drunk champagne, one glass only, the first she had ever tasted. She had gulped it all down in sheer desperation⁠—the result had not been Dutch courage but hiccups. Violent, insistent, incorrigible hiccups had echoed along the whole length of the table. One of those weird conversational lulls had been filled, as it were, to the brim with her hiccups. Then Anna had started to talk very loudly; Mrs. Antrim had smiled and so had their hostess. Their hostess had finally beckoned to the butler: “Give Miss Gordon a glass of water,” she had whispered. After that Stephen shunned champagne like the plague⁠—better hopeless depression, she decided, than hiccups!

It was strange how little her fine brain seemed able to help her when she was trying to be social; in spite of her confident boasting to Raftery, it did not seem able to help her at all. Perhaps is was the clothes, for she lost all conceit the moment she was dressed as Anna would have her; at this period clothes greatly influenced Stephen, giving her confidence or the reverse. But be that as it might, people thought her peculiar, and with them that was tantamount to disapproval.

And thus, it was being borne in upon Stephen, that for her there was no real abiding city beyond the strong, friendly old gates of Morton, and she clung more and more to her home and to her father. Perplexed and unhappy she would seek out her father on all social occasions and would sit down beside him. Like a very small child this large muscular creature would sit down beside him because she felt lonely, and because youth most rightly resents isolation, and because she had not yet learnt her hard lesson⁠—she had not yet learnt that the loneliest place in this world is the no-man’s-land of sex.

IX

I

Sir Philip and his daughter had a new common interest; they could now discuss books and the making of books and the feel and the smell and the essence of books⁠—a mighty bond this, and one full of enchantment. They could talk of these things with mutual understanding; they did so for hours in the father’s study, and Sir Philip discovered a secret ambition that had lain in the girl like a seed in deep soil; and he, the good gardener of her body and spirit, hoed the soil and watered this seed of ambition. Stephen would show him her queer compositions, and would wait very breathless and still while he read them; then one evening he looked up and saw her expression, and he smiled:

“So that’s it, you want to be a writer. Well, why not? You’ve got plenty of talent, Stephen; I should be a proud man if you were a writer.” After which their discussions on the making of books held an even more vital enchantment.

But Anna came less and less often to the study, and she would be sitting alone and idle. Puddle, upstairs at work in the schoolroom, might be swatting at her Greek to keep pace with Stephen, but Anna would be sitting with her hands in her lap in the vast drawing-room so beautifully proportioned, so restfully furnished in old polished walnut, so redolent of beeswax and orris root and violets⁠—all alone in its vastness would Anna be sitting, with her white hands folded and idle.

A lovely and most comfortable woman she had been, and still was, in spite of her gentle ageing, but not learned, oh, no, very far from learned⁠—that, indeed, was why Sir Philip had loved her, that was why he had found her so infinitely restful, that was why he still loved her after very many years; her simplicity was stronger to hold him than learning. But now Anna went less and less often to the study.

It was not that they failed to make her feel welcome, but rather that they could not conceal their deep interest in subjects of which she knew little or nothing. What did she know of or care for the Classics? What interest had she in the works of Erasmus? Her theology needed no erudite discussion, her philosophy consisted of a home swept and garnished, and as for the poets, she liked simple verses; for the rest her poetry lay in her husband. All this she well knew and had no wish to alter, yet lately there had come upon Anna an aching, a tormenting aching that she dared give no name to. It nagged at her heart when she went to that study and saw Sir Philip together with their daughter, and knew that her presence contributed nothing to his happiness when he sat reading to Stephen.

Staring at the girl she would see the strange resemblance, the invidious likeness of the child to the father, she would notice their movements so grotesquely alike; their hands were alike, they made the same gestures, and her mind would recoil with that nameless resentment, the while she reproached herself, penitent and trembling. Yet penitent and trembling though Anna might be, she would sometimes hear herself speaking to Stephen in a way that would make her feel secretly ashamed. She would hear herself covertly, cleverly gibing, with such skill that the girl would look up at her bewildered; with such skill that even Sir Philip himself could not well take exception to what she was saying; then, as like as not, she would laugh if off lightly, as though all the time she had only been jesting, and Stephen would laugh too, a big, friendly laugh. But Sir Philip would not laugh, and his eyes would seek Anna’s, questioning, amazed, incredulous and angry. That was why she now went so seldom to the study when Sir Philip and his daughter were together.

But sometimes, when she was alone with her husband, Anna would suddenly

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