waiting expectant for what he should say; but as likely as not he would just hold her to him for a moment, and then let go of her abruptly. Getting up he would turn to the house and his study, to spend all the rest of that day with his books.

A queer mixture, Sir Philip, part sportsman, part student. He had one of the finest libraries in England, and just lately he had taken to reading half the night, which had not hitherto been his custom. Alone in that grave-looking, quiet study, he would unlock a drawer in his ample desk, and would get out a slim volume recently acquired, and would read and reread it in the silence. The author was a German, Karl Heinrich Ulrichs, and reading, Sir Philip’s eyes would grow puzzled; then groping for a pencil he would make little notes all along the immaculate margins. Sometimes he would jump up and pace the room quickly, pausing now and again to stare at a picture⁠—the portrait of Stephen painted with her mother, by Millais, the previous year. He would notice the gracious beauty of Anna, so perfect a thing, so completely reassuring; and then that indefinable quality in Stephen that made her look wrong in the clothes she was wearing, as though she and they had no right to each other, but above all no right to Anna. After a while he would steal up to bed, being painfully careful to tread very softly, fearful of waking his wife who might question: “Philip darling, it’s so late⁠—what have you been reading?” He would not want to answer, he would not want to tell her; that was why he must tread very softly.

The next morning, he would be very tender to Anna⁠—but even more tender to Stephen.

V

As the spring waxed more lusty and strode into summer, Stephen grew conscious that Collins was changing. The change was almost intangible at first, but the instinct of children is not mocked. Came a day when Collins turned on her quite sharply, nor did she explain it by a reference to her knee.

“Don’t be always under my feet now, Miss Stephen. Don’t follow me about and don’t be always staring. I ’ates being watched⁠—you run up to the nursery, the basement’s no place for young ladies.” After which such rebuffs were of frequent occurrence, if Stephen went anywhere near her.

Miserable enigma! Stephen’s mind groped about it like a little blind mole that is always in darkness. She was utterly confounded, while her love grew the stronger for so much hard pruning, and she tried to woo Collins by offerings of bull’s-eyes and chocolate drops, which the maid took because she liked them. Nor was Collins so blameworthy as she appeared, for she, in her turn, was the puppet of emotion. The new footman was tall and exceedingly handsome. He had looked upon Collins with eyes of approval. He had said: “Stop that damned kid hanging around you; if you don’t she’ll go blabbing about us.”

And now Stephen knew very deep desolation because there was no one in whom to confide. She shrank from telling even her father⁠—he might not understand, he might smile, he might tease her⁠—if he teased her, however gently, she knew that she could not keep back her tears. Even Nelson had suddenly become quite remote. What was the good of trying to be Nelson? What was the good of dressing up any more⁠—what was the good of pretending? She turned from her food, growing pasty and languid; until, thoroughly alarmed, Anna sent for the doctor. He arrived, and prescribed a dose of Gregory powder, finding nothing much wrong with the patient. Stephen tossed off the foul brew without a murmur⁠—it was almost as though she liked it!

The end came abruptly as is often the way, and it came when the child was alone in the garden, still miserably puzzling over Collins, who had been avoiding her for days. Stephen had wandered to an old potting-shed, and there, whom should she see but Collins and the footman; they appeared to be talking very earnestly together, so earnestly that they failed to hear her. Then a really catastrophic thing happened, for Henry caught Collins roughly by the wrists, and he dragged her towards him, still handling her roughly, and he kissed her full on the lips. Stephen’s head felt suddenly hot and dizzy, she was filled with a blind, uncomprehending rage; she wanted to cry out, but her voice failed completely, so that all she could do was to splutter. But the very next moment she had seized a broken flowerpot and had hurled it hard and straight at the footman. It struck him in the face, cutting open his cheek, down which the blood trickled slowly. He stood as though stunned, gently mopping the cut, while Collins stared dumbly at Stephen. Neither of them spoke, they were feeling too guilty⁠—they were also too much astonished.

Then Stephen turned and fled from them wildly. Away and away, anyhow, anywhere, so long as she need not see them! She sobbed as she ran and covered her eyes, tearing her clothes on the shrubs in passing, tearing her stockings and the skin of her legs as she lunged against intercepting branches. But suddenly the child was caught in strong arms, and her face was pressing against her father, and Sir Philip was carrying her back to the house, and along the wide passage to his study. He held her on his knee, forbearing to question, and at first she crouched there like a little dumb creature that had somehow got itself wounded. But her heart was too young to contain this new trouble⁠—too heavy it felt, too much overburdened, so the trouble came bubbling up from her heart and was told on Sir Philip’s shoulder.

He listened very gravely, just stroking her hair. “Yes⁠—yes⁠—” he said softly; and then, “go on, Stephen.” And when she had finished he was

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