this Stephen stooped down and touched it for a moment. Then she whispered: “Sleep peacefully, Raftery.”

She could not weep, for a great desolation too deep for tears lay over her spirit⁠—the great desolation of things that pass, of things that pass away in our lifetime. And then of what good, after all, are our tears, since they cannot hold back this passing away⁠—no, not for so much as a moment? She looked round her now at the empty stables, the unwanted, uncared for stables of Morton. So proud they had been that were now so humbled, even unto cobwebs and dust were they humbled; and they had the feeling of all disused places that have once teemed with life, they felt pitifully lonely. She closed her eyes so as not to see them. Then the thought came to Stephen that this was the end, the end of her courage and patient endurance⁠—that this was somehow the end of Morton. She must not see the place any more; she must, she would, go a long way away. Raftery had gone a long way away⁠—she had sent him beyond all hope of recall⁠—but she could not follow him over that merciful frontier, for her God was more stern than Raftery’s; and yet she must fly from her love for Morton. Turning, she hurriedly left the stables.

V

Anna was standing at the foot of the stairs. “Are you leaving now, Stephen?”

“Yes⁠—I’m going, Mother.”

“A short visit!”

“Yes, I must get back to work.”

“I see.⁠ ⁠…” Then after a long, awkward pause: “Where would you like him buried?”

“In the large north paddock where he died⁠—I’ve told Jim.”

“Very well, I’ll see that they carry out your orders.” She hesitated, as though suddenly shy of Stephen again, as she had been in the past; but after a moment she went on quickly: “I thought⁠—I wondered, would you like a small stone with his name and some sort of inscription on it, just to mark the place?”

“If you’d care to put one⁠—I shan’t need any stone to remember.”

The carriage was waiting to drive her to Malvern. “Goodbye, Mother.”

“Goodbye⁠—I shall put up that stone.”

“Thanks, it’s a very kind thought of yours.”

Anna said: “I’m so sorry about this, Stephen.”

But Stephen had hurried into the brougham⁠—the door closed, and she did not hear her mother.

XXX

I

At an old-fashioned, Kensington luncheon party, not very long after Raftery’s death, Stephen met and renewed her acquaintance with Jonathan Brockett, the playwright. Her mother had wished her to go to this luncheon, for the Carringtons were old family friends, and Anna insisted that from time to time her daughter should accept their invitations. At their house it was that Stephen had first seen this young man, rather over a year ago. Brockett was a connection of the Carringtons; had he not been Stephen might never have met him, for such gatherings bored him exceedingly, and therefore it was not his habit to attend them. But on that occasion he had not been bored, for his sharp, grey eyes had lit upon Stephen; and as soon as he well could, the meal being over, he had made his way to her side and had remained there. She had found him exceedingly easy to talk to, as indeed he had wished her to find him.

This first meeting had led to one or two rides in the Row together, since they both rode early. Brockett had joined her quite casually one morning; after which he had called, and had talked to Puddle as if he had come on purpose to see her and her only⁠—he had charming and thoughtful manners towards all elderly people. Puddle had accepted him while disliking his clothes, which were always just a trifle too careful; moreover she had disapproved of his cufflinks⁠—platinum links set with tiny emeralds. All the same, she had made him feel very welcome, for to her it had been any port in a storm just then⁠—she would gladly have welcomed the devil himself, had she thought that he might rouse Stephen.

But Stephen was never able to decide whether Jonathan Brockett attracted or repelled her. Brilliant he could be at certain times, yet curiously foolish and puerile at others; and his hands were as white and soft as a woman’s⁠—she would feel a queer little sense of outrage creeping over her when she looked at his hands. For those hands of his went so ill with him somehow; he was tall, broad-shouldered, and of an extreme thinness. His clean-shaven face was slightly sardonic and almost disconcertingly clever; an inquisitive face too⁠—one felt that it pried into everyone’s secrets without shame or mercy. It may have been genuine liking on his part or mere curiosity that had made him persist in thrusting his friendship on Stephen. But whatever it had been it had taken the form of ringing her up almost daily at one time; of worrying her to lunch or dine with him, of inviting himself to her flat in Chelsea, or what was still worse, of dropping in on her whenever the spirit moved him. His work never seemed to worry him at all, and Stephen often wondered when his fine plays got written, for Brockett very seldom if ever discussed them and apparently very seldom wrote them; yet they always appeared at the critical moment when their author had run short of money.

Once, for the sake of peace, she had dined with him in a species of glorified cellar. He had just then discovered the queer little place down in Seven Dials, and was very proud of it; indeed, he was making it rather the fashion among certain literary people. He had taken a great deal of trouble that evening to make Stephen feel that she belonged to these people by right of her talent, and had introduced her as “Stephen Gordon, the author of The Furrow.” But all the while he had secretly watched her with his sharp

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