live together at Morton.⁠ ⁠… One of us must go, which of us shall it be?” The subtlety, the craftiness of that question which in common decency could have but one answer! Oh, well, she had gone and would go even farther. Raftery was dead, there was nothing to hold her, she was free⁠—what a terrible thing could be freedom. Trees were free when they were uprooted by the wind; ships were free when they were torn from their moorings; men were free when they were cast out of their homes⁠—free to starve, free to perish of cold and hunger.

At Morton there lived an ageing woman with sorrowful eyes now a little dim from gazing for so long into the distance. Only once, since her gaze had been fixed on the dead, had this woman turned it full on her daughter; and then her eyes had been changed into something accusing, ruthless, abominably cruel. Through looking upon what had seemed abominable to them, they themselves had become an abomination. Horrible! And yet how dared they accuse? What right had a mother to abominate the child that had sprung from her own secret moments of passion? She the honoured, the fulfilled, the fruitful, the loving and loved, had despised the fruit of her love. Its fruit? No, rather its victim.

She thought of her mother’s protected life that had never had to face this terrible freedom. Like a vine that clings to a warm southern wall it had clung to her father⁠—it still clung to Morton. In the spring had come gentle and nurturing rains, in the summer the strong and health-giving sunshine, in the winter a deep, soft covering of snow⁠—cold yet protecting the delicate tendrils. All, all she had had. She had never gone empty of love in the days of her youthful ardour; had never known longing, shame, degradation, but rather great joy and great pride in her loving. Her love had been pure in the eyes of the world, for she had been able to indulge it with honour. Still with honour, she had borne a child to her mate⁠—but a child who, unlike her, must go unfulfilled all her days, or else live in abject dishonour. Oh, but a hard and pitiless woman this mother must be for all her soft beauty; shamelessly finding shame in her offspring. “I would rather see you dead at my feet.⁠ ⁠…” “Too late, too late, your love gave me life. Here am I the creature you made through your loving; by your passion you created the thing that I am. Who are you to deny me the right to love? But for you I need never have known existence.”

And now there crept into Stephen’s brain the worst torment of all, a doubt of her father. He had known and knowing he had not told her; he had pitied and pitying had not protected; he had feared and fearing had saved only himself. Had she had a coward for a father? She sprang up and began to pace the room. Not this⁠—she could not face this new torment. She had stained her love, the love of the lover⁠—she dared not stain this one thing that remained, the love of the child for the father. If this light went out the engulfing darkness would consume her, destroying her entirely. Man could not live by darkness alone, one point of light he must have for salvation⁠—one point of light. The most perfect Being of all had cried out for light in His darkness⁠—even He, the most perfect Being of all. And then as though in answer to prayer, to some prayer that her trembling lips had not uttered, came the memory of a patient, protective back, bowed as though bearing another’s burden. Came the memory of horrible, soul-sickening pain: “No⁠—not that⁠—something urgent⁠—I want⁠—to say. No drugs⁠—I know I’m⁠—dying⁠—Evans.” And again an heroic and tortured effort: “Anna⁠—it’s Stephen⁠—listen.” Stephen suddenly held out her arms to this man who, though dead, was still her father.

But even in this blessed moment of easement, her heart hardened again at the thought of her mother. A fresh wave of bitterness flooded her soul so that the light seemed all but extinguished; very faintly it gleamed like the little lantern on a buoy that is tossed by tempest. Sitting down at her desk she found pen and paper.

She wrote: “Mother, I am going abroad quite soon, but I shall not see you to say goodbye, because I don’t want to come back to Morton. These visits of mine have always been painful, and now my work is beginning to suffer⁠—that I can not allow; I live only for my work and so I intend to guard it in future. There can now be no question of gossip or scandal, for everyone knows that I am a writer and as such may have occasion to travel. But in any case I care very little these days for the gossip of neighbours. For nearly three years I have borne your yoke⁠—I have tried to be patient and understanding. I have tried to think that your yoke was a just one, a just punishment, perhaps, for my being what I am, the creature whom you and my father created; but now I am going to bear it no longer. If my father had lived he would have shown pity, whereas you showed me none, and yet you were my mother. In my hour of great need you utterly failed me; you turned me away like some unclean thing that was unfit to live any longer at Morton. You insulted what to me seemed both natural and sacred. I went, but now I shall not come back any more to you or to Morton. Puddle will be with me because she loves me; if I’m saved at all it is she who has saved me, and so for as long as she wishes to throw in her lot with mine I shall let her. Only

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