His mind, in spite of his outward placidity, was tinged with a great seeking. Wealth, in the beginning, had seemed the only goal, to which had been added the beauty of women. And now art, for art’s sake—the first faint radiance of a rosy dawn—had begun to shine in upon him, and to the beauty of womanhood he was beginning to see how necessary it was to add the beauty of life—the beauty of material background—how, in fact, the only background for great beauty was great art. This girl, this Aileen Butler, her raw youth and radiance, was nevertheless creating in him a sense of the distinguished and a need for it which had never existed in him before to the same degree. It is impossible to define these subtleties of reaction, temperament on temperament, for no one knows to what degree we are marked by the things which attract us. A love affair such as this had proved to be was little less or more than a drop of coloring added to a glass of clear water, or a foreign chemical agent introduced into a delicate chemical formula.
In short, for all her crudeness, Aileen Butler was a definite force personally. Her nature, in a way, a protest against the clumsy conditions by which she found herself surrounded, was almost irrationally ambitious. To think that for so long, having been born into the Butler family, she had been the subject, as well as the victim of such commonplace and inartistic illusions and conditions, whereas now, owing to her contact with, and mental subordination to Cowperwood, she was learning so many wonderful phases of social, as well as financial, refinement of which previously she had guessed nothing. The wonder, for instance, of a future social career as the wife of such a man as Frank Cowperwood. The beauty and resourcefulness of his mind, which, after hours of intimate contact with her, he was pleased to reveal, and which, so definite were his comments and instructions, she could not fail to sense. The wonder of his financial and artistic and future social dreams. And, oh, oh, she was his, and he was hers. She was actually beside herself at times with the glory, as well as the delight of all this.
At the same time, her father’s local reputation as a quondam garbage contractor (“slop-collector” was the unfeeling comment of the vulgarian cognoscenti); her own unavailing efforts to right a condition of material vulgarity or artistic anarchy in her own home; the hopelessness of ever being admitted to those distinguished portals which she recognized afar off as the last sanctum sanctorum of established respectability and social distinction, had bred in her, even at this early age, a feeling of deadly opposition to her home conditions as they stood. Such a house compared to Cowperwood’s! Her dear, but ignorant, father! And this great man, her lover, had now condescended to love her—see in her his future wife. Oh, God, that it might not fail! Through the Cowperwoods at first she had hoped to meet a few people, young men and women—and particularly men—who were above the station in which she found herself, and to whom her beauty and prospective fortune would commend her; but this had not been the case. The Cowperwoods themselves, in spite of Frank Cowperwood’s artistic proclivities and growing wealth, had not penetrated the inner circle as yet. In fact, aside from the subtle, preliminary consideration which they were receiving, they were a long way off.
None the less, and instinctively in Cowperwood Aileen recognized a way out—a door—and by the same token a subtle, impending artistic future of great magnificence. This man would rise beyond anything he now dreamed of—she felt it. There was in him, in some nebulous, unrecognizable form, a great artistic reality which was finer than anything she could plan for herself. She wanted luxury, magnificence, social station. Well, if she could get this man they would come to her. There were, apparently, insuperable barriers in the way; but hers was no weakling nature, and neither was his. They ran together temperamentally from the first like two leopards. Her own thoughts—crude, half formulated, half spoken—nevertheless matched his to a degree in the equality of their force and their raw directness.
“I don’t think papa knows how to do,” she said to him, one day. “It isn’t his fault. He can’t help it. He knows that he can’t. And he knows that I know it. For years I wanted him to move out of that old house there. He knows that he ought to. But even that wouldn’t do much good.”
She paused, looking at him with a straight, clear, vigorous glance. He liked the medallion sharpness of her features—their smooth, Greek modeling.
“Never mind, pet,” he replied. “We will arrange all these things later. I don’t see my way out of this just now; but I think the best thing to do is to confess to Lillian some day, and see if some other plan can’t be arranged. I want to fix it so the children won’t suffer. I can provide for them amply, and I wouldn’t be at all surprised if Lillian would be willing to let me go. She certainly wouldn’t want any publicity.”
He was counting practically, and man-fashion, on her love for her children.
Aileen looked at him with clear, questioning, uncertain eyes. She was not wholly without sympathy, but in a way this situation did not appeal to her as needing much. Mrs. Cowperwood was not friendly in her mood toward her. It was not based on anything save a difference in their point of view. Mrs. Cowperwood could never understand how a girl could carry her head so high and “put on such airs,” and Aileen could not understand how anyone could
