If our social relations and records retain their continuity, if men really learn to apply reason to the accumulating facts of so crushing a story, it would seem that sooner or later even its enemies will learn from their incessant and interminable disappointments not to look for anything so simple as its death. They may continue to war with it, but it will be as they war with nature; as they war with the landscape, as they war with the skies. “Heaven and earth shall pass away, but my words shall not pass away.” They will watch for it to stumble; they will watch for it to err; they will no longer watch for it to end. Insensibly, even unconsciously, they will in their own silent anticipations fulfil the relative terms of that astounding prophecy; they will forget to watch for the mere extinction of what has so often been vainly extinguished; and will learn instinctively to look first for the coming of the comet or the freezing of the star.
Conclusion
The Summary of This Book
I have taken the liberty once or twice of borrowing the excellent phrase about an Outline of History; though this study of a special truth and a special error can of course claim no sort of comparison with the rich and many-sided encyclopedia of history, for which that name was chosen. And yet there is a certain reason in the reference; and a sense in which the one thing touches and even cuts across the other. For the story of the world as told by Mr. Wells could here only be criticised as an outline. And, strangely enough, it seems to me that it is only wrong as an outline. It is admirable as an accumulation of history; it is splendid as a storehouse or treasury of history; it is a fascinating disquisition on history; it is most attractive as an amplification of history; but it is quite false as an outline of history. The one thing that seems to me quite wrong about it is the outline; the sort of outline that can really be a single line, like that which makes all the difference between a caricature of the profile of Mr. Winston Churchill and of Sir Alfred Mond. In simple and homely language, I mean the things that stick out; the things that make the simplicity of a silhouette. I think the proportions are wrong; the proportions of what is certain as compared with what is uncertain, of what played a great part as compared with what played a smaller part, of what is ordinary and what is extraordinary, of what really lies level with an average and what stands out as an exception.
I do not say it as a small criticism of a great writer, and I have no reason to do so; for in my own much smaller task I feel I have failed in very much the same way. I am very doubtful whether I have conveyed to the reader the main point I meant about the proportions of history, and why I have dwelt so much more on some things than others. I doubt whether I have clearly fulfilled the plan that I set out in the introductory chapter; and for that reason I add these lines as a sort of summary in a concluding chapter. I do believe that the things on which I have insisted are more essential to an outline of history than the things which I have subordinated or dismissed. I do not believe that the past is most truly pictured as a thing in which humanity merely fades away into nature, or civilisation merely fades away into barbarism, or religion fades away into mythology, or our own religion fades away into the religions of the world. In short I do not believe that the best way to produce an outline of history is to rub out the lines. I believe that, of the two, it would be far nearer the truth to tell the tale very simply, like a primitive myth about a man who made the sun and stars or a god who entered the body of a sacred monkey. I will therefore sum up all that has gone before in what seems to me a realistic and reasonably proportioned statement; the short story of mankind.
In the land lit by that neighbouring star, whose blaze is the broad daylight, there are many and very various things, motionless and moving. There moves among them a race that is in its relation to the others a race of gods. The fact is not lessened but emphasised because it can behave like a race of demons. Its distinction is not an individual illusion, like one bird pluming itself on its own plumes; it is a solid and a many-sided thing. It is demonstrated in the very speculations that have led to its being denied. That men, the gods of this lower world, are linked with it in various ways is true; but it is another aspect of the same truth. That they grow as the grass grows and walk as the beasts walk is a secondary necessity that sharpens the primary distinction. It is like saying that a magician must after all have the appearance of a man; or that even the fairies could not dance without feet. It has lately been the fashion to focus the mind entirely on these mild and subordinate resemblances and to forget the main fact altogether. It is customary to insist that man resembles the other creatures. Yes; and that very resemblance he alone can see. The fish does not trace the fish-bone pattern in the fowls of the air; or the elephant and the emu compare skeletons. Even in
