Here it is the important point that the Magi, who stand for mysticism and philosophy, are truly conceived as seeking something new and even as finding something unexpected. That tense sense of crisis which still tingles in the Christmas story, and even in every Christmas celebration, accentuates the idea of a search and a discovery. The discovery is, in this case, truly a scientific discovery. For the other mystical figures in the miracle play, for the angel and the mother, the shepherds and the soldiers of Herod, there may be aspects both simpler and more supernatural, more elemental or more emotional. But the Wise Men must be seeking wisdom; and for them there must be a light also in the intellect. And this is the light: that the Catholic creed is catholic and that nothing else is catholic. The philosophy of the Church is universal. The philosophy of the philosophers was not universal. Had Plato and Pythagoras and Aristotle stood for an instant in the light that came out of that little cave, they would have known that their own light was not universal. It is far from certain, indeed, that they did not know it already. Philosophy also, like mythology, had very much the air of a search. It is the realisation of this truth that gives its traditional majesty and mystery to the figures of the Three Kings; the discovery that religion is broader than philosophy and that this is the broadest of religions, contained within this narrow space. The Magicians were gazing at the strange pentacle with the human triangle reversed; and they have never come to the end of their calculations about it. For it is the paradox of that group in the cave, that while our emotions about it are of childish simplicity, our thoughts about it can branch with a never-ending complexity. And we can never reach the end even of our own ideas about the child who was a father and the mother who was a child.
We might well be content to say that mythology had come with the shepherds and philosophy with the philosophers; and that it only remained for them to combine in the recognisation of religion. But there was a third element that must not be ignored and one which that religion forever refuses to ignore, in any revel or reconciliation. There was present in the primary scenes of the drama that Enemy that had rotted the legends with lust and frozen the theories into atheism, but which answered the direct challenge with something of that more direct method which we have seen in the conscious cult of the demons. In the description of that demon-worship, of the devouring detestation of innocence shown in the works of its witchcraft and the most inhuman of its human sacrifice, I have said less of its indirect and secret penetration of the saner paganism; the soaking of mythological imagination with sex; the rise of imperial pride into insanity. But both the indirect and the direct influence make themselves felt in the drama of