Now, compared to these wanderers the life of Jesus went as swift and straight as a thunderbolt. It was above all things dramatic; it did above all things consist in doing something that had to be done. It emphatically would not have been done if Jesus had walked about the world forever doing nothing except tell the truth. And even the external movement of it must not be described as a wandering in the sense of forgetting that it was a journey. This is where it was a fulfilment of the myths rather than of the philosophies; it is a journey with a goal and an object, like Jason going to find the Golden Fleece, or Hercules the golden apples of the Hesperides. The gold that he was seeking was death. The primary thing that he was going to do was to die. He was going to do other things equally definite and objective; we might almost say equally external and material. But from first to last the most definite fact is that he is going to die. No two things could possibly be more different than the death of Socrates and the death of Christ. We are meant to feel that the death of Socrates was, from the point of view of his friends at least, a stupid muddle and miscarriage of justice interfering with the flow of a humane and lucid, I had almost said a light philosophy. We are meant to feel that Death was the bride of Christ as Poverty was the bride of St. Francis. We are meant to feel that his life was in that sense a sort of love-affair with death, a romance of the pursuit of the ultimate sacrifice. From the moment when the star goes up like a birthday rocket to the moment when the sun is extinguished like a funeral torch, the whole story moves on wings with the speed and direction of a drama, ending in an act beyond words.
Therefore the story of Christ is the story of a journey, almost in the manner of a military march; certainly in the manner of the quest of a hero moving to his achievement or his doom. It is a story that begins in the paradise of Galilee, a pastoral and peaceful land having really some hint of Eden, and gradually climbs the rising country into the mountains that are nearer to the storm-clouds and the stars, as to a Mountain of Purgatory. He may be met as if straying in strange places, or stopped on the way for discussion or dispute; but his face is set towards the mountain city. That is the meaning of that great culmination when he crested the ridge and stood at the turning of the road and suddenly cried aloud, lamenting over Jerusalem. Some light touch of that lament is in every patriotic poem; or if it is absent, the patriotism stinks with vulgarity. That is the meaning of the stirring and startling incident at the gates of the Temple, when the tables were hurled like lumber down the steps, and the rich merchants driven forth with bodily blows; the incident that must be at least as much of a puzzle to the pacifists as any paradox about nonresistance can be to any of the militarists. I have compared the quest to the journey of Jason, but we must never forget that in a deeper sense it is rather to be compared to the journey of Ulysses. It was not only a romance of travel but a romance of return; and of the end of a usurpation. No healthy boy reading the story regards the rout of the Ithacan suitors as anything but a happy ending. But there are doubtless some who regard the rout of the Jewish merchants and moneychangers with that refined repugnance which never fails to move them in the presence of violence, and especially of violence against the well-to-do. The point here, however, is that all these incidents have in them a character of mounting crisis. In other words, these incidents are not incidental. When Apollonius the ideal philosopher is brought before the judgment-seat of Domitian and vanishes by magic, the miracle is entirely incidental. It might have occurred at any time in the wandering life of the Tyanean; indeed, I believe it is doubtful in date as well as in substance. The ideal philosopher merely vanished, and resumed his ideal existence somewhere else for an indefinite period. It is characteristic of the contrast perhaps that Apollonius was supposed to have lived to an almost miraculous old age. Jesus of Nazareth was less prudent in his miracles. When Jesus was brought before the judgment-seat of Pontius Pilate, he did not vanish. It was the crisis and the goal; it was the hour and the power of darkness. It was the supremely supernatural act, of all his miraculous life, that he did not vanish.
Every attempt to amplify that story has diminished it. The task has been attempted by many men of real genius and eloquence as well as by only too many vulgar sentimentalists and self-conscious rhetoricians. The tale has been retold with patronising pathos by elegant sceptics and with fluent enthusiasm by boisterous bestsellers. It will not be retold here. The grinding power of the plain words of the Gospel story is like the power of millstones; and those who can read them simply enough will feel as if rocks had been rolled upon them. Criticism is only words about words; and of what use are words about such words as these? What is the use of word-painting about the dark garden filled suddenly with torchlight and furious faces? “Are you come out with swords and staves as against a robber? All day I sat in your temple teaching, and you took me not.” Can anything be added to the massive and gathered restraint of that irony; like a great wave lifted to the sky and refusing to
