to him that it might depend on how mankind chose to go on; and that its course was not a straight line or an upward or downward curve, but a track like that of a man across a valley, going where he liked and stopping where he chose, going into a church or falling drunk in a ditch. The life of man is a story; an adventure story; and in our vision the same is true even of the story of God.

The Catholic faith is the reconciliation because it is the realisation both of mythology and philosophy. It is a story and in that sense one of a hundred stories; only it is a true story. It is a philosophy and in that sense one of a hundred philosophies; only it is a philosophy that is like life. But above all, it is a reconciliation because it is something that can only be called the philosophy of stories. That normal narrative instinct which produced all the fairytales is something that is neglected by all the philosophies⁠—except one. The Faith is the justification of that popular instinct; the finding of a philosophy for it or the analysis of the philosophy in it. Exactly as a man in an adventure story has to pass various tests to save his life, so the man in this philosophy has to pass several tests and save his soul. In both there is an idea of free will operating under conditions of design; in other words, there is an aim and it is the business of a man to aim at it; we therefore watch to see whether he will hit it. Now this deep and democratic and dramatic instinct is derided and dismissed in all the other philosophies. For all the other philosophies avowedly end where they begin; and it is the definition of a story that it ends differently; that it begins in one place and ends in another. From Buddha and his wheel to Akhenaten and his disc, from Pythagoras with his abstraction of number to Confucius with his religion of routine, there is not one of them that does not in some way sin against the soul of a story. There is none of them that really grasps this human notion of the tale, the test, the adventure; the ordeal of the free man. Each of them starves the story-telling instinct, so to speak, and does something to spoil human life considered as a romance; either by fatalism (pessimist or optimist) and that destiny that is the death of adventure; or by indifference and that detachment that is the death of drama; or by a fundamental scepticism that dissolves the actors into atoms; or by a materialistic limitation blocking the vista of moral consequences; or a mechanical recurrence making even moral tests monotonous; or a bottomless relativity making even practical tests insecure. There is such a thing as a human story; and there is such a thing as the divine story which is also a human story. But there is no such thing as a Hegelian story or a Monist story or a relativist story or a determinist story. For every story, yes, even a penny dreadful or a cheap novelette, has something in it that belongs to our universe and not theirs. Every short story does truly begin with creation and end with a last judgment.

And that is the reason why the myths and the philosophers were at war until Christ came. That is why the Athenian democracy killed Socrates out of respect for the gods; and why every strolling sophist gave himself the airs of a Socrates whenever he could talk in a superior fashion of the gods; and why the heretic Pharaoh wrecked his huge idols and temples for an abstraction and why the priests could return in triumph and trample his dynasty under foot; and why Buddhism had to divide itself from Brahminism, and why in every age and country outside Christendom there has been a feud forever between the philosopher and the priest. It is easy enough to say that the philosopher is generally the more rational; it is easier still to forget that the priest is always the more popular. For the priest told the people stories; and the philosopher did not understand the philosophy of stories. It came into the world with the story of Christ.

And this is why it had to be a revelation or vision given from above. Anyone who will think of the theory of stories or pictures will easily see the point. The true story of the world must be told by somebody to somebody else. By the very nature of a story it cannot be left to occur to anybody. A story has proportions, variations, surprises, particular dispositions, which cannot be worked out by rule in the abstract, like a sum. We could not deduce whether or no Achilles would give back the body of Hector from a Pythagorean theory of number or recurrence; and we could not infer for ourselves in what way the world would get back the body of Christ, merely from being told that all things go round and round upon the wheel of Buddha. A man might perhaps work out a proposition of Euclid without having heard of Euclid; but he would not work out the precise legend of Eurydice without having heard of Eurydice. At any rate he would not be certain how the story would end and whether Orpheus was ultimately defeated. Still less could he guess the end of our story; or the legend of our Orpheus rising, not defeated, from the dead.

To sum up; the sanity of the world was restored and the soul of man offered salvation by something which did indeed satisfy the two warring tendencies of the past; which had never been satisfied in full and most certainly never satisfied together. It met the mythological search for romance by being a story and the philosophical search for truth

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