Or leave the children out altogether and talk to him, man to man, about the book. She could not do that. Everything she said would hurt her, poisoned by the hidden sore of her incapability to do anything for his children. He ought to send them to school. But they would not go to a school where anything real was taught. Science, strange things about India and Ireland, the aesthetic movement, Ruskin; making things beautiful. How far away all that seemed, that sacred life of her old school—forgotten. The thought of it was like a breath in the room. Did he know of these things? That sort of school would take the children away, out of this kind of society life. Make them think—for themselves. He did not think or approve of thought. Even the hard Banbury Park people would be nearer to him than any of those things. … That was the world. Nearly everyone seemed to be in it. He was whimsically trying to read the title of her book with the little half-smile he shared with the boy.
People came in and they both rose. It was over. She sank back miserably into the offering of the moment, retiring into a lamplit corner with her book, enclosing herself in its promise.
She sat long that night over her fire dipping into the strange book, reading passages here and there; feeling them come nearer to her than anything she had read before. She knew at once that she did not want to read the book through; that it was what people called a tragedy, that the author had deliberately made it a tragedy; something black and twisted and painful, painful came to her out of every page; but seriously to read it right through and be excited about the tragic story seemed silly and pitiful. The thought of Mrs. Corrie and Joey doing this annoyed her and impatiently she wanted to tell them that there was nothing in it, nothing in the things the author wanted to make them believe; that was fraud, humbug … they missed everything. They could not see through it, they read through to the happy ending or the sad ending and took it all seriously.
She struggled in thought to discover why it was she felt that these people did not read books and that she herself did. She felt that she could look at the end, and read here and there a little and know; know something, something they did not know. People thought it was silly, almost wrong to look at the end of a book. But if it spoilt a book, there was something wrong about the book. If it was finished and the interest gone when you know who married who, what was the good of reading at all? It was a sort of trick, a sell. Like a puzzle that was no more fun when you had found it out. There was something more in books than that … even Rosa Nouchette Carey and Mrs. Hungerford, something that came to you out of the book, any bit of it, a page, even a sentence—and the “stronger” the author was the more came. That was why Ouida put those others in the shade, not, not, not because her books were improper. It was her, herself somehow. Then you read books to find the author! That was it. That was the difference … that was how one was different from most people. … Dear Eve; I have just discovered that I don’t read books for the story, but as a psychological study of the author … she must write that to Eve at once; tomorrow. It was rather awful and strange. It meant never being able to agree with people about books, never liking them for the same reasons as other people. … But it was true and exciting. It meant … things coming to you out of books, people, not the people in the books, but knowing, absolutely, everything about the author. She clung to the volume in her hand with a sense of wealth. Its very binding, the feeling of it, the sight of the slender serried edges of the closed leaves came to her as having a sacredness … and the world was full of books. … It did not matter that people went about talking about nice books, interesting books, sad books, “stories”—they would never be that to her. They were people. More real than actual people. They came nearer. In life everything was so scrappy and mixed up. In a book the author was there in every word.
Why did this strange book come so near, nearer than any others, so that you felt the writing, felt the sentences as if you were writing them yourself? He was a sad pained man, all wrong; bothered and tragic about things, believing in sad black horror. Then why did he come so near? Perhaps because life was sad. Perhaps life was really sad. No; it was somehow the writing, the clearness. That was the thing. He himself must be all right, if he was so clear.
