tray this morning and a letter addressed to her in a bold unknown hand. She sipped her coffee at once and put the overwhelming letter aside on her blue coverlet. It was an overweight, something thrown in on the surface of the tide on which she had awakened in the soft fresh harmonies of rose and blue of her curtained room. It could wait. It had come out of the world for her; but she felt independent of it. It did not disturb her. Its overwhelming quality was in the fact that she had called it to her out of the world. It was as if she had herself addressed the large bold envelope. She left it. Her sipped coffee steered her into the tide of the downstairs life. There was breakfast downstairs, steaming coffee and entrée dishes for Mr. Corrie and the Kronens, and they were all going off by the early train.

C’est si bon,” sang Mrs. Kronen in a deep baritone, as Miriam drank her coffee; “de con‑fon‑dre en un, deu‑eux bai‑sers.” She sang it out through the quiet upstairs rooms, she met with it the bustle of preparation downstairs. It was a world she lived in that made her able to carry off these things without being disturbed by them, a rosy secret world in which she lived secure. A richness at the heart of things. She was there. She possessed it with her large strong brick-red and rose-white frame and her strong yellow hair. Did she, really? At any rate she wanted to suggest that she did⁠—that that secret richness was the heart of things. She flung out boldly that it was and that she was there, but a sort of soft horrible slurring flatness in her voice suggested evil, as if a sort of restless acceptance of something evil was the price of her carelessness. Perhaps that was how things were. Perhaps that was part of taking each fair mask for what it shows itself. She made everyone else seem cloudy and shrivelled and dim. Miriam took up the stupendous envelope and held its solid weight in her hand as Mrs. Kronen sang on. “All right,” she said, and smiled at it, feeling daring and strong. Its arrival would have been quite different if Mrs. Kronen had not been there; this curious powerful independent morning in the rose-blue room would not have happened in the same way without Mrs. Kronen.⁠ ⁠… Live, don’t worry.⁠ ⁠… I’ve always been worrying and bothering. I’m going to be like Mrs. Kronen; but quite different, because she hasn’t the least idea how beautiful things really are. She doesn’t know that everyone is living a beautiful strange life that has never been lived before. If she did she would not be ashamed of herself. Miriam gave a great sigh and smiled.


Her breakfast was a feast. Sitting back under the softly tinted canopy with the soft folds of the bed curtains hanging near on either side she stared at the bright light pouring in through the lattices. Her room was a great square of happy light⁠ ⁠… happy, happy. She gathered up all the sadness she had ever known and flung it from her. All the dark things of the past flashed with a strange beauty as she flung them out. The light had been there all the time; but she had known it only at moments. Now she knew what she wanted. Bright mornings, beautiful bright rooms, a wilderness of beauty all round her all the time⁠—at any cost. Any life that had not these things she would refuse.⁠ ⁠… Roses in her blood and gold in her hair⁠ ⁠… it was something belonging to them, something that made them gleam. It was her right; even if they gleamed only for her. They gleamed, she knew it. Youth, the glory of youth. So strong. She had got herself into this beautiful life, found her way to it; she would stay in it forever, work in it, make money and when she was old, have soft, pink curtains and fragrant things to remind her, as long as she could lift her hand. No more ugliness, no more schools or mean little houses. Luxuries, beautiful gleaming things⁠ ⁠… a secret happy life.

She smiled securely, with her eyes, the strange happy smile that had come in the brougham.⁠ ⁠…


How strong Mrs. Kronen was.⁠ ⁠… How huge and strong she had looked standing in the hall while Mr. Corrie said cruel laughing little things about the billiard-room floor.⁠ ⁠… “She’ll paint Madonna lilies on the table next.”⁠ ⁠… Mrs. Kronen saying nothing, smiling more and more without moving her face, growing bigger and stronger and taller as Mr. Corrie grumbled and Mr. Kronen fidgeted, cross and disappointed by the hall fire and then suddenly lifting her head and singing, a great flourish of clear strong notes filling the hall and pealing up through the house as she swept into the drawing-room.

Singing song after song to her own loud accompaniment, great emphatic sweeps of song, so that everyone came and sat about in the room listening and waiting, the men staring at the back of her head as she sat at the piano. Waiting, for music⁠—they did not know they were waiting for music, waiting for her to stop getting between them and the music. They admired her, her magnificent singing and waited, unsatisfied, in the sweetness of the lamplit flower-filled room that her music did not touch. She sang on and on and they all grew smaller and smaller in the great sea of sound, more and more hopelessly waiting.


And Mrs. Corrie had sat deep in her large chair, dead and drowned. Dead because of something she had never known. Dead in ignorance and living bravely on⁠—her sweet thin voice rising above the gloom where she lay hid⁠—a gloom where there were no thoughts. Nearly all women were like that, living in a gloom where there were no thoughts. If anyone could persuade her that she was alive she would

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