brisk little movement of settling herself to attend. The doors were being closed. The sound of the waves was muffled. They were beating and washing outside in the sunlight. The gaslit interior was a pier pavilion. It was like the inside of a bathing-machine, gloomy, cool, sodden with sea-damp, a happy caravan. Outside was the blaze of the open day, pale and blinding. When they went out into it it would be a bright unlimited jewel, getting brighter and brighter, all its colours fresher and deeper until it turned to clear deep live opal and softened down and down to darkness dotted with little pinlike jewellings of light along the esplanade; the dark luminous waves washing against the black beach until dawn.⁠ ⁠… The curtain was drawing away from a spring scene⁠ ⁠… the fresh green of trees feathered up into a blue sky. There were boughs of apple-blossom. Bright green grass sprouted along the edge of a pathway. A woman floundered in from the side in a pink silk evening dress. She stood in the centre of the scene preparing to sing, rearing her gold-wigged head and smiling at the audience. Perhaps the players were not ready. It was a solo. She would get through it and then the play would begin. She smiled promisingly. She had bright large teeth and the kind of mouth that would say chahld for child. The orchestra played a few bars. She took a deep breath. “Bring back⁠—the yahs⁠—that are⁠—dead!”⁠—she screamed violently.

She was followed by two men in shabby tennis flannels with little hard glazed tarpaulin hats who asked each other riddles. Their jerky broken voices fell into cold space and echoed about the shabby pavilion. The scattered audience sat silent and still, listening for the voices⁠ ⁠… cabmen wrangling in a gutter. The green scene stared stiffly⁠—harsh cardboard, thin harsh paint. The imagined scene moving and flowing in front of it was going on somewhere out in the world. The muffled waves sounded near and clear. The sunlight was dancing on them. When the men had scrambled away and the applause had died down, the sound of the waves brought dancing gliding figures across the stage, waving balancing arms and unconscious feet gliding and dreaming. A man was standing in the middle of the platform with a roll of music⁠—bald-headed and grave and important. The orchestra played the overture to “The Harbour Bar.” But whilst he unrolled his music and cleared his throat his angry voice filled the pavilion: “it’s all your own fault⁠ ⁠… you get talking and gossiping and filling yer head with a lot of nonsense⁠ ⁠… now you needn’t begin it all over again twisting and turning everything I say.” And no sound in the room but the sound of eating. His singing was pompous anger, appetite. Shame shone from his rim of hair. He was ashamed, but did not know that he showed it.


They could always walk home along the smooth grey warm esplanade to tea in an easy silence. The light blossoming from the horizon behind them was enough. Everything ahead dreamed in it, at peace. Visitors were streaming homewards along the parade lit like flowers. Along the edge of the tide the town children were paddling and shouting. After tea they would come out into the sheltering twilight at peace, and stroll up and down until it was time to go to the flying performance of The Pawnbroker’s Daughter.


They were late for tea and had it by themselves at a table in the window of the little smoking-room looking out on the garden. Miss Meldrum called cheerily down through the house to tell them when they came in. They went into the little unknown room and the cook brought up a small silver teapot and a bright cosy. Outside was the stretch of lawn where the group had been taken in the morning a year ago. It had been a seaside town lawn, shabby and brown, with the town behind it; unnoticed because the fresh open sea and sky were waiting on the other side of the house⁠ ⁠… seaside town gardens were not gardens⁠ ⁠… the small squares of greenery were helpless against the bright sea⁠ ⁠… and even against shabby rooms, when the sun came into the rooms off the sea⁠ ⁠… sea-rooms.⁠ ⁠… The little smoking-room was screened by the shade of a tree against whose solid trunk half of the French window was thrown back.

When the cook shut the door of the little room the house disappeared. The front rooms bathed in bright light and hot with the afternoon heat, the wide afterglow along the front, the vast open lid of the sky, were in another world.⁠ ⁠… Miriam pushed back the other half of the window and they sat down in a green twilight on the edge of the garden. If others had been there Mrs. Henderson would have remarked on the pleasantness of the situation and tried to respond to it and been dreadfully downcast at her failure and brave. Miriam held her breath as they settled themselves. No remark came. The secret was safe. When she lifted the cosy the little teapot shone silver-white in the strange light. A thick grey screen of sky must be there, above the trees, for the garden was an intensity of deep brilliance, deep bright green and calceolarias and geraniums and lobelias, shining in a brilliant gloom. It was not a seaside garden⁠ ⁠… it was a garden⁠ ⁠… all gardens. They took their meal quietly and slowly, speaking in low tones. The silent motionless brilliance was a guest at their feast. The mealtime, so terrible in the hopelessness of home, such an effort in the mocking glare of the boardinghouse was a great adventure. Mrs. Henderson ate almost half as much as Miriam, serenely. Miriam felt that a new world might be opening.


“The storm has cleared the air wonderfully.”

“Yes; isn’t it a blessing.”

“Perhaps I shan’t want the beef-tea tonight.” Miriam hung up her dress in the cupboard, listening to the serene tone. The

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