been so⁠—when there was no danger; and if in spite of her intentions she had faltered, the faltering had at least served as a lesson which she would never need to learn again. Over the cinders of her youth she would write a Requiescat. Her girlhood had been her own to give, but her womanhood she had pledged to another.

As she thought of these things she wondered at her husband. He had done what she had hardly dared to expect⁠—he had observed their antenuptial agreement to the letter. A brother could not have treated her with greater respect. Surely if ever a man set out to win his wife’s affection he had chosen the surest way. And why had he so acted if it were not as he had said, that given time and opportunity he would win her affection. He was doing so, Maida felt, and with infinitely greater speed than she had ever deemed possible. Beside, if the mangled remnants of her heart seemed attractive, why should he be debarred from their possession? Yet, that was precisely the point; he did not know of the mangled remnants, he thought her heart-whole and virginal. But what would he do if he learned the truth? And as she wondered, suddenly the consciousness came to her that she was living with a stranger.

Heretofore she had not puzzled over the possible intricacies of her husband’s inner nature. She had known that he was of a grave and silent disposition, and as such she had been content to accept him, without question or query. But as she collected some of the scattered threads and memories of their life in common, it seemed to her that latterly he had become even graver and more silent than before. And this merely when they were alone. In the presence of a third person, when they went abroad as guests, or when they remained at home as hosts, he put his gravity aside like a garment. He encouraged her in whatever conversation she might have engaged in, he aided her with a word or a suggestion, he made a point of consulting her openly, and smiled approvingly at any bright remark she chanced to make.

But when they were alone, unless she personally addressed him, he seldom spoke, and the answers that he gave her, while perfectly courteous in tone and couching, struck her, now that she reflected, as automatic, like phrases learned by rote. It is true they were rarely alone. In the mornings he busied himself with his correspondence, and in the afternoons she found herself fully occupied with shops and visits, while in the evenings there was usually a dinner, a play, or a reception, sometimes all three. Since the season had begun, it was only now and then, once in ten days perhaps, that an evening was passed en tête-à-tête. On such occasions he would take up a book and read persistently, or he would smoke, flicking the ashes from the cigar abstractedly with his little finger, and so sit motionless for hours, his eyes fixed on the cornice.

It was this silence that puzzled her. It was evident that he was thinking of something, but of what? It could not be archaeology, he seemed to have given it up, and he was not a metaphysician, the only thinker, be it said, to whom silence is at all times permissible.

At first she feared that his preoccupation might in some way be connected with the episodes at Biarritz, but this fear faded. Mr. Incoul had been made a member of the Cercle des Capucines, and now and then looked in there ostensibly to glance at the papers or to take a hand at whist. One day he said casually, “I saw your friend Leigh at the club. You might ask him to dinner.” The invitation was sent, but Lenox had regretted. After that incident it was impossible for her to suppose that her husband’s preoccupation was in anywise connected with the intimacy which had subsisted between the young man and herself.

There seemed left to her then but one tenable supposition. Her husband had been indulgence personified. He had been courteous, refined and foreseeing, in fact a gentleman, and, if silent, was it not possible that the silence was due to a self-restraining delicacy, to a feeling that did he speak he would plead, and that, perhaps, when pleading would be distasteful to her?

To this solution Maida inclined. It was indeed the only one at which she could arrive, and, moreover, it conveyed that little bouquet of flattery which has been found grateful by many far less young and feminine than she. And so, one evening, for the further elucidation of the enigma, and with the idea that perhaps it needed but a word from her to cause her husband to say something of that which was on his mind, and which she was at once longing and dreading to hear⁠—one evening when he had seemed particularly abstracted, she bent forward and said, “Harmon, of what are you thinking?”

She had never called him by his given name before. He started, and half turned.

“Of you,” he answered.

But Maida’s heart sank. She saw that his eyes were not in hers, that they looked over and beyond her, as though they followed the fringes of an escaping dream.

XIII

What May Be Heard in a Greenroom

One evening in November a new ballet was given at the Opéra. Its production had been heralded in the manner which has found most favor with Parisian impressarii. The dead walls of the capital were not adorned with colored lithographs. The advertising sheets held no notice of the coming performance. But for several weeks previous the columns of the liveliest journals had teemed with items and discreet indiscretions.

Through these measures the curiosity of the Tout-Paris had been coerced afresh, and, when the curtain, after falling on the second act of the Favorite parted again before

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