a runaway accident; how John found himself the sole executor of his late partner’s estate, and, save for a life provision for Mrs. Bixbee, the only legatee, and rich enough (if indeed with his own and his wife’s money he had not been so before) to live wherever he pleased. But as heretofore I have confined myself strictly to facts, I am, to be consistent, constrained to abide by them now. Indeed, I am too conscientious to do otherwise, notwithstanding the temptation to make what might be a more artistic ending to my story. David is not only living, but appears almost no older than when we first knew him, and is still just as likely to “git goin’ ” on occasion. Even “old Jinny” is still with us, though her master does most of his “joggin’ ’round” behind a younger horse. Whatever Mr. Harum’s testamentary intentions may be, or even whether he has made a will or not, nobody knows but himself and his attorney. Aunt Polly⁠—well, there is a little more of her than when we first made her acquaintance, say twenty pounds.

John and his wife live in a house which they built on the shore of the lake. It is a settled thing that David and his sister dine with them every Sunday. Mrs. Bixbee at first looked a little askance at the wine on the table, but she does not object to it now. Being a “son o’ temp’rence,” she has never been induced to taste any champagne, but on one occasion she was persuaded to take the smallest sip of claret. “Wa’al,” she remarked with a wry face, “I guess the’ can’t be much sin or danger ’n drinkin’ anythin’ ’t tastes the way that does.”

She and Mrs. Lenox took to each other from the first, and the latter has quite supplanted (and more) Miss Claricy (Mrs. Elton) with David. In fact, he said to our friend one day during the first year of the marriage, “Say, John, I ain’t sure but what we’ll have to hitch that wife o’ your’n on the off side.”

I had nearly forgotten one person whose conversation has yet to be recorded in print, but which is considered very interesting by at least four people. His name is David Lenox.

I think that’s all.

Colophon

The Standard Ebooks logo.

David Harum
was published in 1898 by
Edward Noyes Westcott.

This ebook was produced for
Standard Ebooks
by
Brad Taylor,
and is based on a transcription produced in 2006 by
David Garcia, Janet Blenkinship, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans from the
Internet Archive.

The cover page is adapted from
Bargaining for a Horse,
a painting completed in 1835 by
William Sidney Mount.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
March 27, 2024, 8:46 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/edward-noyes-westcott/david-harum.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you that you can’t do something. Unlike them, this Uncopyright page exists to tell you that the writing and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. The United States public domain represents our collective cultural heritage, and items in it are free for anyone in the United States to do almost anything at all with, without having to get permission.

Copyright laws are different all over the world, and the source text or artwork in this ebook may still be copyrighted in other countries. If you’re not located in the United States, you must check your local laws before using this ebook. Standard Ebooks makes no representations regarding the copyright status of the source text or artwork in this ebook in any country other than the United States.

Non-authorship activities performed on items that are in the public domain⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means that nobody can claim a new copyright on an item that is in the public domain for, among other things, work like digitization, markup, or typography. Regardless, the contributors to this ebook release their contributions under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the source text or artwork. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.

Вы читаете David Harum
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату