Lillian’s eyes widened. “So that’s why Mom’s so sharp about sign-talk. She’s been doing it all his life.” Then she remembered what she had come out to show him, and held out the clipboard. “You know how that analyzer of mine works? Well, here’s what Ayesha’s going to do. After breaking a sound into frequency bands instead of being photographed and projected, each band goes to an analyzer of its own, and is projected on its own screen. There’ll be forty of them, each for a band of a hundred cycles, from zero to four thousand. That seems to be the Svant vocal range.”
The diagram passed from hand to hand during cocktail time, before dinner. Bennet Fayon had been working all day dissecting the animal they were all calling a domsee, a name which would stick even if and when they learned the native name. He glanced disinterestedly at the drawing, then looked again, more closely. Then he set down the drink he was holding in his other hand and studied it intently.
“You know what you have here?” he asked. “This is a very close analogy to the hearing organs of that animal I was working on. The comb, as we’ve assumed, is the external organ. It’s covered with small flaps and fissures. Back of each fissure is a long, narrow membrane; they’re paired, one on each side of the comb, and from them nerves lead to clusters of small round membranes. Nerves lead from them to a complex nerve-cable at the bottom of the comb and into the brain at the base of the skull. I couldn’t understand how the system functioned, but now I see it. Each of the larger membranes on the outside responds to a sound-frequency band, and the small ones on the inside break the bands down to individual frequencies.”
“How many of the little ones are there?” Ayesha asked.
“Thousands of them; the inner comb is simply packed with them. Wait; I’ll show you.”
He rose and went away, returning with a sheaf of photo-enlargements and a number of blocks of lucite in which specimens were mounted. Everybody examined them. Anna de Jong, as a practicing psychologist, had an M.D. and to get that she’d had to know a modicum of anatomy; she was puzzled.
“I can’t understand how they hear with those things. I’ll grant that the membranes will respond to sound, but I can’t see how they transmit it.”
“But they do hear,” Meillard said. “Their musical instruments, their reactions to our voices, the way they are affected by sounds like gunfire—”
“They hear, but they don’t hear in the same way we do,” Fayon replied. “If you can’t be convinced by anything else, look at these things, and compare them with the structure of the human ear, or the ear of any member of any other sapient race we’re ever contacted. That’s what I’ve been saying from the beginning.”
“They have sound-perception to an extent that makes ours look almost like deafness,” Ayesha Keithley said. “I wish I could design a sound-detector one-tenth as good as this must be.”
Yes. The way the Lord Mayor said fwoonk and the way Paul Meillard said it sounded entirely different to them. Of course, fwoonk and pwink and tweelt and kroosh sounded alike to them, but let’s don’t be too picky about things.
There were no hot showers that evening; Dave Questell’s gang had trouble with the pump and needed some new parts made up aboard the ship. They were still working on it the next morning. He had meant to start teaching Sonny blacksmithing, but during the evening Lillian and Anna had decided to try teaching Mom a nonphonetic, ideographic, alphabet, and in the morning they co-opted Sonny to help. Deprived of his disciple, he strolled over to watch the work on the pump. About twenty Svants had come in from the fields and were also watching, from the meadow.
After a while, the job was finished. The petty officer in charge of the work pushed in the switch, and the pump started, sucking dry with a harsh racket. The natives twittered in surprise. Then the water came, and the pump settled down to a steady thugg-thugg, thugg-thugg.
The Svants seemed to like the new sound; they grimaced in pleasure and moved closer; within forty or fifty feet, they all squatted on the ground and sat entranced. Others came in from the fields, drawn by the sound. They, too, came up and squatted, until there was a semicircle of them. The tank took a long time to fill; until it did, they all sat immobile and fascinated. Even after it stopped, many remained, hoping that it would start again. Paul Meillard began wondering, a trifle uneasily, if that would happen every time the pump went on.
“They get a positive pleasure from it. It affects them the same way Luis’ voice does.”
“Mean I have a voice like a pump?” Gofredo demanded.
“Well, I’m going to find out,” Ayesha Keithley said. “The next time that starts, I’m going to make a recording, and compare it with your voice-recording. I’ll give five to one there’ll be a similarity.”
Questell got the foundation for the sonics lab dug, and began pouring concrete. That took water, and the pump ran continuously that afternoon. Concrete-mixing took more water the next day, and by noon the whole village population, down to the smallest child, was massed at the pumphouse, enthralled. Mom was snared by the sound like any of the rest; only Sonny was unaffected. Lillian and Ayesha compared recordings of the voices of the team with the pump-sound; in Gofredo’s they found an identical frequency-pattern.
“We’ll need the new apparatus to be positive about it, but it’s there, all right,” Ayesha said. “That’s why Luis’ voice pleases them.”
“That tags me; Old Pump-Mouth,” Gofredo said. “It’ll get all through the Corps, and
