My mind crawled away towards another subject: probably the two visitors whom I expected, Charles Hope and the medium whom he was bringing with him, were in the same train as I, and I ran over in my mind all that he had told me of Mrs. Forrest. It was certainly an odd story he had brought me two days before. Mrs. Forrest was a medium of considerable reputation in psychical circles, and had produced some very extraordinary book-tests which, by all accounts, seemed inexplicable, except on a spiritualistic hypothesis, and no imputation of trickery had, at any rate as yet, come near her. When in trance, she spoke and wrote, as is invariably the case with mediums, under the direction of a certain “control”—that is to say, a spiritual and discarnate intelligence which for the time was in possession of her. But lately there had been signs that a fresh control had inspired her, the nature of whom, his name, and his identity was at present unknown. And then came the following queer incident.
Last week only when in trance, and apparently under the direction of this new control, she began describing in considerable detail a certain house where the control said that he had work to do. At first the description aroused no association in Charles Hope’s mind, but as it went on, it suddenly struck him that Mrs. Forrest was speaking of my house in Tilling. She gave its general features, its position in a small town on a hill, its walled-in garden, and then went on to speak with great minuteness of a rather peculiar feature in the house. She described a big room built out in the garden a few yards away from the house itself at right-angles to its front, and approached by half a dozen stone steps. There was a railing, so she said, on each side of them, and into the railing were twisted, like snake coils, the stems of a tree which bore pale mauve flowers. This was all a correct description of my garden room and the wistaria which writhes in and out of the railings which line the steps. She then went on to speak of the interior of the room. At one end was a fireplace, at the other a big bow-window looking out on to the street and the front of the house, and there were two other windows opposite each other, in one of which was a table, while the other, looking out on to the garden, was shadowed by the tree that twisted itself about the railings. Bookcases lined the walls, and there was a big sofa at right-angles to the fire. …
Now all this, though it was a perfectly accurate description of a place that, as far as could be ascertained, Mrs. Forrest had never seen, might conceivably have been derived from Charles Hope’s mind, since he knew the room well, having often stayed with me. But the medium added a detail which could not conceivably have been thus derived, for Charles believed it to be incorrect. She said that there was a big piano near the bow-window, while he was sure that there was not. But oddly enough I had hired a piano only a week or so ago, and it stood in the place that she mentioned. The control then repeated that there was work for him to do in that house. There was some situation or complication there in which he could help, and he could “get through” better (that is, make a clearer communication) if the medium could hold a séance there. Charles Hope then told the control that he believed he knew the house that he had been speaking of, and promised to do his best. Shortly afterwards Mrs. Forrest came out of trance, and, as usual, had no recollection of what had passed.
So Charles came to me with the story exactly as I have given it here, and though I could not think of any situation or complication in which an unknown control of a medium I had never seen could be of assistance, the whole thing (and in especial that detail about the piano) was so odd that I asked him to bring the medium down for a sitting or a series of sittings. The day of their arrival was arranged, but when three days ago Parkes had to go into hospital, I was inclined to put them off. But a