The light of the winter evening had faded fast, and when I crossed the footbridge on my return the dusk had gathered. To my right, just beside the path, lay the cottage, the whitewashed walls of which gleamed whitely in the gloaming; and as I turned my glance back from it to the rather narrow plank which bridged the stream I thought I caught out of the tail of my eye some light from one of its windows, which thus disproved my theory that it was untenanted. But when I looked directly at it again I saw that I was mistaken: some reflection in the glass of the red lines of sunset in the west must have deceived me, for in the inclement twilight it looked more desolate than ever. Yet I lingered by the wicket gate in its low palings, for though all exterior evidence bore witness to its emptiness, some inexplicable feeling assured me, quite irrationally, that this was not so, and that there was somebody there. Certainly there was nobody visible, but, so this absurd idea informed me, he might be at the back of the cottage concealed from me by the intervening structure, and, still oddly, still unreasonably, it became a matter of importance to my mind to ascertain whether this was so or not, so clearly had my perceptions told me that the place was empty, and so firmly had some conviction assured me that it was tenanted. To cover my inquisitiveness, in case there was someone there, I could inquire whether this path was a shortcut to the house at which I was staying, and, rather rebelling at what I was doing, I went through the small garden, and rapped at the door. There was no answer, and, after waiting for a response to a second summons, and having tried the door and found it locked, I made the circuit of the house. Of course there was no one there, and I told myself that I was just like a man who looks under his bed for a burglar and would be beyond measure astonished if he found one.
My hosts were at the house when I arrived, and we spent a cheerful two hours before dinner in such desultory and eager conversation as is proper between friends who have not met for some time. Between Hugh Grainger and his wife it is always impossible to light on a subject which does not vividly interest one or other of them, and golf, politics, the needs of Russia, cooking, ghosts, the possible victory over Mount Everest, and the income tax were among the topics which we passionately discussed. With all these plates spinning, it was easy to whip up any one of them, and the subject of spooks generally was lighted upon again and again.
“Margaret is on the high road to madness,” remarked Hugh on one of these occasions, “for she has begun using planchette. If you use planchette for six months, I am told, most careful doctors will conscientiously certify you as insane. She’s got five months more before she goes to Bedlam.”
“Does it work?” I asked.
“Yes, it says most interesting things,” said Margaret. “It says things that never entered my head. We’ll try it tonight.”
“Oh, not tonight,” said Hugh. “Let’s have an evening off.”
Margaret disregarded this.
“It’s no use asking planchette questions,” she went on, “because there is in your mind some sort of answer to them. If I ask whether it will be fine tomorrow, for instance, it is probably I—though indeed I don’t mean to push—who makes the pencil say ‘yes.’ ”
“And then it usually rains,” remarked Hugh.
“Not always: don’t interrupt. The interesting thing is to let the pencil write what it chooses. Very often it only makes loops and curves—though they may mean something—and every now and then a word comes, of the significance of which I have no idea whatever, so I clearly couldn’t have suggested it. Yesterday evening, for instance, it wrote ‘gardener’ over and over again. Now what