the room in the tower,” it said. “I have been long waiting for you. At last you have come. Tonight I shall feast; before long we will feast together.”
And the quick breathing came closer to me; I could feel it on my neck.
At that the terror, which I think had paralyzed me for the moment, gave way to the wild instinct of self-preservation. I hit wildly with both arms, kicking out at the same moment, and heard a little animal-squeal, and something soft dropped with a thud beside me. I took a couple of steps forward, nearly tripping up over whatever it was that lay there, and by the merest good-luck found the handle of the door. In another second I ran out on the landing, and had banged the door behind me. Almost at the same moment I heard a door open somewhere below, and John Clinton, candle in hand, came running upstairs.
“What is it?” he said. “I sleep just below you, and heard a noise as if—Good heavens, there’s blood on your shoulder.”
I stood there, so he told me afterwards, swaying from side to side, white as a sheet, with the mark on my shoulder as if a hand covered with blood had been laid there.
“It’s in there,” I said, pointing. “She, you know. The portrait is in there, too, hanging up on the place we took it from.”
At that he laughed.
“My dear fellow, this is mere nightmare,” he said.
He pushed by me, and opened the door, I standing there simply inert with terror, unable to stop him, unable to move.
“Phew! What an awful smell,” he said.
Then there was silence; he had passed out of my sight behind the open door. Next moment he came out again, as white as myself, and instantly shut it.
“Yes, the portrait’s there,” he said, “and on the floor is a thing—a thing spotted with earth, like what they bury people in. Come away, quick, come away.”
How I got downstairs I hardly know. An awful shuddering and nausea of the spirit rather than of the flesh had seized me, and more than once he had to place my feet upon the steps, while every now and then he cast glances of terror and apprehension up the stairs. But in time we came to his dressing-room on the floor below, and there I told him what I have here described.
The sequel can be made short; indeed, some of my readers have perhaps already guessed what it was, if they remember that inexplicable affair of the churchyard at West Fawley, some eight years ago, where an attempt was made three times to bury the body of a certain woman who had committed suicide. On each occasion the coffin was found in the course of a few days again protruding from the ground. After the third attempt, in order that the thing should not be talked about, the body was buried elsewhere in unconsecrated ground. Where it was buried was just outside the iron gate of the garden belonging to the house where this woman had lived. She had committed suicide in a room at the top of the tower in that house. Her name was Julia Stone.
Subsequently the body was again secretly dug up, and the coffin was found to be full of blood.
The Dust-Cloud
The big French windows were open on to the lawn, and, dinner being over, two or three of the party who were staying for the week at the end of August with the Combe-Martins had strolled out on to the terrace to look at the sea, over which the moon, large and low, was just rising and tracing a path of pale gold from horizon to shore, while others, less lunar of inclination, had gone in search of bridge or billiards. Coffee had come round immediately after dessert, and the end of dinner, according to the delectable custom of the house, was as informal as the end of breakfast. Everyone, that is to say, remained or went away, smoked, drank port or abstained, according to his personal tastes. Thus, on this particular evening it so happened that Harry Combe-Martin and I were very soon left alone in the dining-room, because we were talking unmitigated motor “shop,” and the rest of the party (small wonder) were bored with it, and had left us. The shop was home-shop, so to speak, for it was almost entirely concerned with the manifold perfections of the new six-cylinder Napier which my host in a moment of extravagance, which he did not in the least regret, had just purchased; in which, too, he proposed to take me over to lunch at a friend’s house near Hunstanton on the following day. He observed with legitimate pride that an early start would not be necessary as the distance was only eighty miles and there were no police traps.
“Queer things these big motors are,” he said, relapsing into generalities as we rose to go. “Often I can scarcely believe that my new car is merely a machine. It seems to me to possess an independent life of its own. It is really much more like a thoroughbred with a wonderfully fine mouth.”
“And the moods of a thoroughbred?” I asked.
“No; it’s got an excellent temper, I’m glad to say. It doesn’t mind being checked, or even stopped, when it’s going its best. Some of these big cars can’t stand that. They get sulky—I assure you it is literally true—if they are checked too often.”
He paused on his way to ring the bell. “Guy Elphinstone’s car, for instance,” he said: “it was a bad-tempered brute, a violent, vicious beast of a car.”
“What make?” I asked.
“Twenty-five horsepower Amédée. They are a fretful strain of car; too thin, pot enough bone—and bone is very good for the nerves. The brute liked running over a chicken or a rabbit, though perhaps it was less the car’s ill-temper than Guy’s, poor chap. Well, he paid for it—he paid to the uttermost
