The treatment of sex by psychoanalysts is most instructive, for it flagrantly exhibits both the consequences of artificial simplification and the transformation of social results into psychic causes. Writers, usually male, hold forth on the psychology of woman, as if they were dealing with a Platonic universal entity, although they habitually treat men as individuals, varying with structure and environment. They treat phenomena which are peculiarly symptoms of the civilization of the West at the present time as if they were the necessary effects of fixed native impulses of human nature. Romantic love as it exists today, with all the varying perturbations it occasions, is as definitely a sign of specific historic conditions as are big battle ships with turbines, internal-combustion engines, and electrically driven machines. It would be as sensible to treat the latter as effects of a single psychic cause as to attribute the phenomena of disturbance and conflict which accompany present sexual relations as manifestations of an original single psychic force or libido. Upon this point at least a Marxian simplification is nearer the truth than that of Jung.
Again it is customary to suppose that there is a single instinct of fear, or at most a few well-defined subspecies of it. In reality, when one is afraid the whole being reacts, and this entire responding organism is never twice the same. In fact, also, every reaction takes place in a different environment, and its meaning is never twice alike, since the difference in environment makes a difference in consequences. It is only mythology which sets up a single, identical psychic force which “causes” all the reactions of fear, a force beginning and ending in itself. It is true enough that in all cases we are able to identify certain more or less separable characteristic acts—muscular contractions, withdrawals, evasions, concealments. But in the latter words we have already brought in an environment. Such terms as withdrawal and concealment have no meaning except as attitudes toward objects. There is no such thing as an environment in general; there are specific changing objects and events. Hence the kind of evasion or running away or shrinking up which takes place is directly correlated with specific surrounding conditions. There is no one fear having diverse manifestations; there are as many qualitatively different fears as there are objects responded to and different consequences sensed and observed.
Fear of the dark is different from fear of publicity, fear of the dentist from fear of ghosts, fear of conspicuous success from fear of humiliation, fear of a bat from fear of a bear. Cowardice, embarrassment, caution and reverence may all be regarded as forms of fear. They all have certain physical organic acts in common—those of organic shrinkage, gestures of hesitation and retreat. But each is qualitatively unique. Each is what it is in virtue of its total interactions or correlations with other acts and with the environing medium, with consequences. High explosives and the aeroplane have brought into being something new in conduct. There is no error in calling it fear. But there is error, even from a limited clinical standpoint, in permitting the classifying name to blot from view the difference between fear of bombs dropped from the sky and the fears which previously existed. The new fear is just as much and just as little original and native as a child’s fear of a stranger.
For any activity is original when it first occurs. As conditions are continually changing, new and primitive activities are continually occurring. The traditional psychology of instincts obscures recognition of this fact. It sets up a hard-and-fast preordained class under which specific acts are subsumed, so that their own quality and originality are lost from view. This is why the novelist and dramatist are so much more illuminating as well as more interesting commentators on conduct than the schematizing psychologist. The artist makes perceptible individual responses and thus displays a new phase of human nature evoked in new situations. In putting the case visibly and dramatically he reveals vital actualities. The scientific systematizer treats each act as merely another sample of some old principle, or as a mechanical combination of elements drawn from a ready-made inventory.
When we recognize the diversity of native activities and the varied ways in which they are modified through interactions with one another in response to different conditions, we are able to understand moral phenomena otherwise baffling. In the career of any impulse activity there are speaking generally three possibilities. It may find a surging, explosive discharge—blind, unintelligent. It may be sublimated—that is, become a factor coordinated intelligently with others in a continuing course of action. Thus a gust of anger may, because of its dynamic incorporation into disposition, be converted into an abiding conviction of social injustice to be remedied, and furnish the dynamic to carry the conviction into execution. Or an excitation of sexual attraction may reappear in art or in tranquil domestic attachments and services. Such an outcome represents the normal or desirable functioning of impulse; in which, to use our previous language, the impulse operates as a pivot, or reorganization of habit. Or again a released impulsive activity may be neither immediately expressed in isolated spasmodic action, nor indirectly employed in an enduring interest. It may be “suppressed.”
Suppression is not annihilation. “Psychic” energy is no more capable of being abolished than the forms we recognize as physical. If it is neither exploded nor converted, it is turned inwards, to lead a surreptitious, subterranean life. An isolated or spasmodic manifestation is
