Very calmly Elena Barry-Smith regarded the Bay of Naples; very calmly she turned to the Taj Mahal. “An obese young Lochinvar,” she reflected aloud, “who has seen me twice, unblushingly assumes he is about to marry me! Of course,” she sighed, quite tolerantly, “I know he is clean out of his head, for otherwise—”
“Yes—otherwise?” I prompted.
“—he would never ask me to wear an opal. Why,” she cried in horror, “I couldn’t think of it!”
“You mean—?” said I.
She closed the album, with firmness. “Why, you are just a child,” said Mrs. Barry-Smith. “We are utter strangers to each other. Please remember that, for all you know, I may have an unbridled temper, or an imported complexion, or a liking for old man Ibsen. What you ask—only you don’t, you simply assume it—is preposterous. And besides, opals are unlucky.”
“Desire o’ the world,” I said, in dolorous wise, “I have just remembered the black-lace mitts and reticule you left upon the dinner-table. Oh, truly, I had meant to bring ’em to you—Only do you think it quite good form to put on those cloth-sided shoes when you’ve been invited to a real party?”
For a moment Mrs. Barry-Smith regarded me critically. Then she shook her head, and tried to frown, and reopened the album, and inspected the crater of Vesuvius, and quite frankly laughed. And a tender, pink-tipped hand rested upon my arm for an instant—a brief instant, yet pulsing with a sense of many lights and of music playing somewhere, and of a man’s heart keeping time to it.
“If you were to make it an onyx—” said Mrs. Barry-Smith.
XXI
He Is Urged to Desert His Galley
I
She had been a widow even when I first encountered her in Liége. I may have passed her dozens of times, only she was in mourning then, for Barry-Smith, and so I never really saw her.
It seems, though, that “in the second year” it is permissible to wear pink garments in the privacy of your own apartments, and that if people see you in them, accidentally, it is simply their own fault.
And very often they are punished for it; as most certainly was I, for Elena led me a devil’s dance of jealousy, and rapture, and abject misery, and suspicion, and supreme content, that next four months. She and her mother had rented a house on Regis Avenue for the winter; and I frequented it with zeal. Mrs. Vokins said I “came reg’lar as the milkman.”
II
Now of Mrs. Vokins I desire to speak with the greatest respect, if only for the reason that she was Elena Barry-Smith’s mother. Mrs. Vokins had, no doubt, the kindest heart in the world; but she had spent the first thirty years of her life in a mountain-girdled village, and after her husband’s wonderful luck—if you will permit me her vernacular—in being “let in on the groundfloor” when the Amalgamated Tobacco Company was organised, I believe that Mrs. Vokins was never again quite at ease.
I am abysmally sure she never grew accustomed to being waited on by any servant other than a girl who “came in by the day”; though, oddly enough, she was incessantly harassed by the suspicion that one or another “good-for-nothing nigger was getting ready to quit.” Her time was about equally devoted to tending her canary, Bill Bryan, and to furthering an apparently diurnal desire to have supper served a quarter of an hour earlier tonight, “so that the servants can get off.”
Finally Mrs. Vokins considered that “a good woman’s place was right in her own home, with a nice clean kitchen,” and was used to declare that the fummadiddles of Mrs. Carrie Nation—who was in New York that winter, you may remember, advocating Prohibition—would never have been stood for where Mrs. Vokins was riz. Them Yankee hussies, she estimated, did beat her time.
III
It was, and is, the oddest thing I ever knew of that Elena could have been her daughter. Though, mind you, even today, I cannot commit myself to any statement whatever as concerns Elena Barry-Smith, beyond asserting that she was beautiful. I am willing to concede that since the world’s creation there may have lived, say, six or seven women who were equally good to look upon; but at the bottom of my heart I know the concession is simply verbal. For she was not pretty; she was not handsome; she was beautiful. Indeed, I sometimes thought her beauty overshadowed any serious consideration of the woman who wore it, just as in admiration of a picture you rarely think to wonder what sort of canvas it is painted on.
Yes, I am quite sure, upon reflection, that to Elena Barry-Smith her beauty was a sort of tyrant. She devoted her life, I think, to the retention of her charms; and what with the fixed seven hours for sleep—no more and not a moment less—the rigid limits of her diet, the walking of exactly five miles a day, and her mathematical adherence to a predetermined programme of massage and hair-treatment and manicuring and face-creams and so on, Elena had hardly two hours in a day at her own disposal.
She would as soon have thought of sacrificing her afternoon walk to the Musgrave Monument and back, as of having a front-tooth unnecessarily removed; and would as willingly have partaken of prussic acid as of candy or potatoes. She was, in fine, an artist of the truest type, in that she immolated her body, and her own preferences, in the cause of beauty.
Nor was she vain, or stupid
