children. Long ago she had petrified into a character which nothing under heaven could change, and which, if death is to take us as it finds us, and the future life to keep us as it takes us, promised anything but eternal felicity to those with whom she might associate after this life. Tom Delamere had been heard to say, profanely, that if his Aunt Polly went to heaven, he would let his mansion in the skies on a long lease, at a low figure.

When the carriage drove up with Mrs. Carteret, her aunt was seated on the little front piazza, with her wrinkled hands folded in her lap, dozing the afternoon away in fitful slumber.

“Tie the horse, William,” said Mrs. Carteret, “and then go in and wake Aunt Polly, and tell her I want her to come and drive with me.”

Mrs. Ochiltree had not observed her niece’s approach, nor did she look up when William drew near. Her eyes were closed, and she would let her head sink slowly forward, recovering it now and then with a spasmodic jerk.

“Colonel Ochiltree,” she muttered, “was shot at the battle of Culpepper Court House, and left me a widow for the second time. But I would not have married any man on earth after him.”

“Mis’ Ochiltree!” cried William, raising his voice, “oh, Mis’ Ochiltree!”

“If I had found a man⁠—a real man⁠—I might have married again. I did not care for weaklings. I could have married John Delamere if I had wanted him. But pshaw! I could have wound him round”⁠—

“Go round to the kitchen, William,” interrupted Mrs. Carteret impatiently, “and tell Aunt Dinah to come and wake her up.”

William returned in a few moments with a fat, comfortable looking black woman, who curtsied to Mrs. Carteret at the gate, and then going up to her mistress seized her by the shoulder and shook her vigorously.

“Wake up dere, Mis’ Polly,” she screamed, as harshly as her mellow voice would permit. “Mis’ ’Livy wants you ter go drivin’ wid ’er!”

“Dinah,” exclaimed the old lady, sitting suddenly upright with a defiant assumption of wakefulness, “why do you take so long to come when I call? Bring me my bonnet and shawl. Don’t you see my niece waiting for me at the gate?”

“Hyuh dey is, hyuh dey is!” returned Dinah, producing the bonnet and shawl, and assisting Mrs. Ochiltree to put them on.

Leaning on William’s arm, the old lady went slowly down the walk, and was handed to the rear seat with Mrs. Carteret.

“How’s the baby today, Olivia, and why didn’t you bring him?”

“He has a cold today, and is a little hoarse,” replied Mrs. Carteret, “so I thought it best not to bring him out. Drive out the Weldon road, William, and back by Pine Street.”

The drive led past an eminence crowned by a handsome brick building of modern construction, evidently an institution of some kind, surrounded on three sides by a grove of venerable oaks.

“Hugh Poindexter,” Mrs. Ochiltree exclaimed explosively, after a considerable silence, “has been building a new house, in place of the old family mansion burned during the war.”

“It isn’t Mr. Poindexter’s house, Aunt Polly. That is the new colored hospital built by the colored doctor.”

“The new colored hospital, indeed, and the colored doctor! Before the war the negroes were all healthy, and when they got sick we took care of them ourselves! Hugh Poindexter has sold the graves of his ancestors to a negro⁠—I should have starved first!”

“He had his grandfather’s grave opened, and there was nothing to remove, except a few bits of heart-pine from the coffin. All the rest had crumbled into dust.”

“And he sold the dust to a negro! The world is upside down.”

“He had the tombstone transferred to the white cemetery, Aunt Polly, and he has moved away.”

“Esau sold his birthright for a mess of pottage. When I die, if you outlive me, Olivia, which is not likely, I shall leave my house and land to this child! He is a Carteret⁠—he would never sell them to a negro. I can’t trust Tom Delamere, I’m afraid.”

The carriage had skirted the hill, passing to the rear of the new building.

“Turn to the right, William,” ordered Mrs. Carteret, addressing the coachman, “and come back past the other side of the hospital.”

A turn to the right into another road soon brought them to the front of the building, which stood slightly back from the street, with no intervening fence or enclosure. A sorrel pony in a light buggy was fastened to a hitching-post near the entrance. As they drove past, a lady came out of the front door and descended the steps, holding by the hand a very pretty child about six years old.

“Who is that woman, Olivia?” asked Mrs. Ochiltree abruptly, with signs of agitation.

The lady coming down the steps darted at the approaching carriage a look which lingered involuntarily.

Mrs. Carteret, perceiving this glance, turned away coldly.

With a sudden hardening of her own features the other woman lifted the little boy into the buggy and drove sharply away in the direction opposite to that taken by Mrs. Carteret’s carriage.

“Who is that woman, Olivia?” repeated Mrs. Ochiltree, with marked emotion.

“I have not the honor of her acquaintance,” returned Mrs. Carteret sharply. “Drive faster, William.”

“I want to know who that woman is,” persisted Mrs. Ochiltree querulously. “William,” she cried shrilly, poking the coachman in the back with the end of her cane, “who is that woman?”

“Dat’s Mis’ Miller, ma’am,” returned the coachman, touching his hat; “Doctuh Miller’s wife.”

“What was her mother’s name?”

“Her mother’s name wuz Julia Brown. She’s be’n dead dese twenty years er mo’. Why, you knowed Julia, Mis’ Polly!⁠—she used ter b’long ter yo’ own father befo’ de wah; an’ after de wah she kep’ house fer”⁠—

“Look to your horses, William!” exclaimed Mrs. Carteret sharply.

“It’s that hussy’s child,” said Mrs. Ochiltree, turning to her niece with great excitement. “When your father died, I turned the mother and the child out into the street. The mother died and went to⁠—the

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