Meanwhile, it was bedtime, and he soon found his hands too full with his dormitory to enable him to think out the phrasing of that letter. The dormitory, which was recruited entirely from the junior day-room, had heard of Drummond’s departure with rejoicings. They liked Drummond, but he was a good deal too fond of the iron hand for their tastes. A night with Sheen in charge should prove a welcome change.
A deafening uproar was going on when Sheen arrived, and as he came into the room somebody turned the gas out. He found some matches on the chest of drawers, and lit it again just in time to see a sportive youth tearing the clothes off his bed and piling them on the floor. A month before he would not have known how to grapple with such a situation, but his evenings with Joe Bevan had given him the habit of making up his mind and acting rapidly. Drummond was wont to keep a swagger-stick by his bedside for the better observance of law and order. Sheen possessed himself of this swagger-stick, and reasoned with the sportive youth. The rest of the dormitory looked on in interested silence. It was a critical moment, and on his handling of it depended Sheen’s victory or defeat. If he did not keep his head he was lost. A dormitory is merciless to a prefect whose weakness they have discovered.
Sheen kept his head. In a quiet, pleasant voice, fingering the swagger-stick, as he spoke, in an absent manner, he requested his young friend to remake the bed—rapidly and completely. For the space of five minutes no sound broke the silence except the rustle of sheets and blankets. At the end of that period the bed looked as good as new.
“Thanks,” said Sheen gratefully. “That’s very kind of you.”
He turned to the rest of the dormitory.
“Don’t let me detain you,” he said politely. “Get into bed as soon as you like.”
The dormitory got into bed sooner than they liked. For some reason the colossal rag they had planned had fizzled out. They were thoughtful as they crept between the sheets. Could these things be?
After much deliberation Sheen sent his letter to Drummond on the following day. It was not a long letter, but it was carefully worded. It explained that he had taken up boxing of late, and ended with a request that he might be allowed to act as Drummond’s understudy in the House competitions.
It was late that evening when the infirmary attendant came over with the answer.
Like the original letter, the answer was brief.
“Dear Sheen,” wrote Drummond, “thanks for the offer. I am afraid I can’t accept it. We must have the best man. Linton is going to box for the House in the Lightweights.”
XVII
Seymour’s One Success
This polite epistle, it may be mentioned, was a revised version of the one which Drummond originally wrote in reply to Sheen’s request. His first impulse had been to answer in the four brief words, “Don’t be a fool”; for Sheen’s letter had struck him as nothing more than a contemptible piece of posing, and he had all the hatred for poses which is a characteristic of the plain and straightforward type of mind. It seemed to him that Sheen, as he expressed it to himself, was trying to “do the boy hero.” In the school library, which had been stocked during the dark ages, when that type of story was popular, there were numerous school stories in which the hero retrieved a rocky reputation by thrashing the bully, displaying in the encounter an intuitive but overwhelming skill with his fists. Drummond could not help feeling that Sheen must have been reading one of these stories. It was all very fine and noble of him to want to show that he was No Coward After All, like Leo Cholmondeley or whatever his beastly name was, in The Lads of St. Ethelberta’s or some such piffling book; but, thought Drummond in his cold, practical way, what about the house? If Sheen thought that Seymour’s was going to chuck away all chance of winning one of the inter-house events, simply in order to give him an opportunity of doing the Young Hero, the sooner he got rid of that sort of idea, the better. If he wanted to do the Leo Cholmondeley business, let him go and chuck a kid into the river, and jump in and save him. But he wasn’t going to have the house let in for twenty Sheens.
Such were the meditations of Drummond when the infirmary attendant brought Sheen’s letter to him; and he seized pencil and paper and wrote, “Don’t be a fool.” But pity succeeded contempt, and he tore up the writing. After all, however much he had deserved it, the man had had a bad time. It was no use jumping on him. And at one time they had been pals. Might as well do the thing politely.
All of which reflections would have been prevented had Sheen thought of mentioning the simple fact that it was Joe Bevan who had given him the lessons to which he referred in his letter. But he had decided not to do so, wishing to avoid long explanations. And there was, he felt, a chance that the letter might come into other hands than those of Drummond. So he had preserved silence on that point, thereby wrecking his entire scheme.
It struck him that he might go to Linton, explain his position, and ask him to withdraw in his favour, but there were difficulties in the way of that course. There is a great deal of red tape about the athletic arrangements of a house at a public
