the hall for five or ten minutes, and then left.”

Shortly after Doctor Von Blon’s departure two other men from the Homicide Bureau arrived, and the next two hours were spent in interrogating the members of the household. But nobody, except Sibella, admitted even hearing the shot. Mrs. Greene was not questioned. When Miss Craven, the nurse, who slept on the third floor, was sent in to her, she reported that the old lady was sleeping soundly; and the Sergeant decided not to disturb her. Nor was Ada awakened: according to the nurse, the girl had been asleep since nine o’clock.

Rex Greene, however, when interviewed, contributed one vague and, as it seemed, contradictory bit of evidence. He had been lying awake, he said, at the time the snowfall ceased, which was a little after eleven. Then, about ten minutes later, he had imagined he heard a faint shuffling noise in the hall and the sound of a door closing softly. He had thought nothing of it, and only recalled it when pressed by Heath. A quarter of an hour afterward he had looked at his watch. It was then twenty-five minutes past eleven; and very soon after that he had fallen asleep.

“The only queer thing about his story,” commented Heath, “is the time. If he’s telling the tale straight, he heard this noise and the door shutting twenty minutes or so before the shot was fired. And nobody in the house was up at that time. I tried to shake him on the question of the exact hour, but he stuck to it like a leech. I compared his watch with mine, and it was OK. Anyhow, there’s nothing much to the story. The wind mighta blown a door shut, or he mighta heard a noise out in the street and thought it was in the hall.”

“Nevertheless, Sergeant,” put in Vance, “if I were you I’d file Rex’s story away for future meditation. Somehow it appeals to me.”

Heath looked up sharply and was about to ask a question; but he changed his mind and said merely: “It’s filed.” Then he finished his report to Markham.

After interrogating the occupants of the house he had gone back to the Bureau, leaving his men on guard, and set the machinery of his office in operation. He had returned to the Greene mansion early that morning, and was now waiting for the Medical Examiner, the fingerprint experts, and the official photographer. He had given orders for the servants to remain in their quarters, and had instructed Sproot to serve breakfast to all the members of the family in their own rooms.

“This thing’s going to take work, sir,” he concluded. “And it’s going to be touchy going, too.”

Markham nodded gravely, and glanced toward Vance, whose eyes were resting moodily on an old oil-painting of Tobias Greene.

“Does this new development help coordinate any of your former impressions?” he asked.

“It at least substantiates the feeling I had that this old house reeks with a deadly poison,” Vance replied. “This thing is like a witches’ sabbath.” He gave Markham a humorous smile. “I’m beginning to think your task is going to take on the nature of exorcising devils.”

Markham grunted.

“I’ll leave the magic potions to you.⁠ ⁠… Sergeant, suppose we take a look at the body before the Medical Examiner gets here.”

Heath led the way without a word. When we reached the head of the stairs he took a key from his pocket and unlocked the door of Chester’s room. The electric lights were still burning⁠—sickly yellow disks in the gray daylight which filtered in from the windows above the river.

The room, long and narrow, contained an anachronistic assortment of furniture. It was a typical man’s apartment, with an air of comfortable untidiness. Newspapers and sports magazines cluttered the table and desk; ashtrays were everywhere; an open cellaret stood in one corner; and a collection of golf-clubs lay on the tapestried Chesterfield. The bed, I noticed, had not been slept in.

In the centre of the room, beneath an old-fashioned cut-glass chandelier, was a Chippendale “knee-hole” desk, beside which stood a sleepy-hollow chair. It was in this chair that the body of Chester Greene, clad in dressing-gown and slippers, reclined. He was slumped a little forward, the head turned slightly back and resting against the tufted upholstery. The light from the chandelier cast a spectral illumination on his face; and the sight of it laid a spell of horror on me. The eyes, normally prominent, now seemed to be protruding from their sockets in a stare of unutterable amazement; and the sagging chin and flabby parted lips intensified this look of terrified wonder.

Vance was studying the dead man’s features intently.

“Would you say, Sergeant,” he asked, without looking up, “that Chester and Julia saw the same thing as they passed from this world?”

Heath coughed uneasily.

A plan of a bedroom. In the center of the room is a knee-hole desk and a chair labelled “arm chair in which Chester was shot.” The bed is against one wall, and on the opposite wall are doors leading to a closet and a bathroom.
Chester’s bedroom.

“Well,” he admitted, “something surprised them, and that’s a fact.”

“Surprised them! Sergeant, you should thank your Maker that you are not cursed with an imagination. The whole truth of this fiendish business lies in those bulbous eyes and that gaping mouth. Unlike Ada, both Julia and Chester saw the thing that menaced them; and it left them stunned and aghast.”

“Well, we can’t get any information outa them.” Heath’s practicality as usual was uppermost.

“Not oral information, certainly. But, as Hamlet put it, murder, though it have no tongue, will speak with most miraculous organ.”

“Come, come, Vance. Be tangible.” Markham spoke with acerbity. “What’s in your mind?”

“ ’Pon my word, I don’t know. It’s too vague.” He leaned over and picked up a small book from the floor just beneath where the dead man’s hand hung over the arm of the chair. “Chester apparently was immersed in literature at the time of

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