abstraction, not a sort of a something vaguely describable as “the Life Force,” but a very famous kinsman, of whom one is naively proud, and whom one is on the way to visit.⁠ ⁠… The point, in brief, is that His honor and yours are inextricably blended, and are both implicated in your behavior on the journey.

We nowadays can just cloudily imagine this viewing of life as a sort of boarding-school from which one eventually goes home, with an official report as to progress and deportment: and in retaliation for being debarred from the comforts of this view, the psychoanalysts have no doubt invented for it some opprobrious explanation. At all events, this Chivalry was a pragmatic hypothesis: it “worked,” and served society for a long while, not faultlessly of course, but by creating, like all the other codes of human conduct which men have yet tried, a tragicomic melee wherein contended “courtesy and humanity, friendliness, hardihood, love and friendship, and murder, hate, and virtue, and sin.”

III

For the rest, since good wine needs no bush, and an inferior beverage is not likely to be bettered by arboreal adornment, I elect to piece out my exordium (however lamely) with “The Printer’s Preface.” And it runs in this fashion:

“Here begins the volume called and entitled the Dizain of Queens, composed and extracted from divers chronicles and other sources of information, by that extremely venerable person and worshipful man, Messire Nicolas de Caen, priest and chaplain to the right noble, glorious and mighty prince in his time, Philippe, Duke of Burgundy, of Brabant, etc., in the year of the Incarnation of our Lord God a thousand four hundred and seventy: and imprinted by me, Colard Mansion, at Bruges, in the year of our said Lord God a thousand four hundred and seventy-one; at the commandment of the right high, mighty and virtuous Princess, my redoubted Lady, Isabella of Portugal, by the grace of God Duchess of Burgundy and Lotharingia, of Brabant and Limbourg, of Luxembourg and of Gueldres, Countess of Flanders, of Artois, and of Burgundy, Palatine of Hainault, of Holland, of Zealand and of Namur, Marquesse of the Holy Empire, and Lady of Frisia, of Salins and of Mechlin; whom I beseech Almighty God less to increase than to continue in her virtuous disposition in this world, and after our poor fleet existence to receive eternally. Amen.”

Chivalry

Dizain des Reines

The Prologue

“Afin que les entreprises honorables et les nobles aventures et faicts d’armes soyent noblement enregistrés et conservés, je vais traiter et raconter et inventer ung galimatias.”

The Dizain of Queens of that noble maker in the French tongue, Messire Nicolas de Caen, dedicated to the most illustrious Isabella of Portugal, of the house of the indomitable Alfonso Henriques, and Duchess Dowager of Burgundy. Here begins in auspicious wise the prologue.

A Sa Dame

Inasmuch as it was by your command, illustrious and exalted lady, that I have gathered together these stories to form the present little book, you should the less readily suppose I have presumed to dedicate to your Serenity this trivial offering because of my esteeming it to be not undeserving of your acceptance. The truth is otherwise: your postulant approaches not spurred toward you by vainglory, but rather by equity, and equity’s plain need to acknowledge that he who seeks to write of noble ladies must necessarily implore at outset the patronage of her who is the light and mainstay of our age. I humbly bring my book to you as Phidyle approached another and less sacred shrine, farre pio et saliente mica, and lay before you this my valueless mean tribute not as appropriate to you but as the best I have to offer.

It is a little book wherein I treat of divers queens and of their love-business; and with necessitated candor I concede my chosen field to have been harvested, and scrupulously gleaned, by many writers of innumerable conditions. Since Dares Phrygius wrote of Queen Heleine, and Virgil (that shrewd necromancer) of Queen Dido, a preponderating mass of clerks, in casting about for high and serious matter, have chosen, as though it were by common instinct, to dilate upon the amours of royal women. Even in romance we scribblers must contrive it so that the fair Nicolete shall be discovered in the end to be no less than the King’s daughter of Carthage, and that Sir Doön of Mayence shall never sink in his love affairs beneath the degree of a Saracen princess; and we are backed in this old procedure not only by the authority of Aristotle but, oddly enough, by that of reason.

Kings have their policies and wars wherewith to drug each human appetite. But their consorts are denied these makeshifts; and love may rationally be defined as the pivot of each normal woman’s life, and in consequence as the arbiter of that ensuing life which is eternal. Because⁠—as anciently Propertius demanded, though not, to speak the truth, of any woman⁠—

Quo fugis? ah demens! nulla est fuga, tu licet usque
Ad Tanaim fugias, usque sequetur amor.

And a dairymaid, let us say, may love whom she will, and nobody else be a penny the worse for her mistaking of the preferable nail whereon to hang her affections; whereas with a queen this choice is more portentous. She plays the game of life upon a loftier table, ruthlessly illuminated, she stakes by her least movement a tall pile of counters, some of which are, of necessity, the lives and happiness of persons whom she knows not, unless it be by vague report. Grandeur sells itself at this hard price, and at no other. A queen must always play, in fine, as the vicar of destiny, free to choose but very certainly compelled in the ensuing action to justify that choice: as is strikingly manifested by the authentic histories of Brunhalt, and of Guenevere, and of swart

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