and makes his discoveries with joy. He passes to a school, which is supposed to exist for the purpose of answering these or cognate questions even before he asks them: and behold, he is not happy! Or, he is happy enough at play, or at doing in class the things that should not be done in class: his master writes home that he suffers in his school work “from having always more animal spirits than are required for his immediate purposes.” What is the trouble? You cannot explain it by homesickness: for it attacks day boys alike with boarders. You cannot explain it by saying that all true learning involves “drudgery,” unless you make that miserable word a mendicant and force it to beg the question. “Drudgery” is what you feel to be drudgery⁠—

Who sweeps a room, as for thy laws,
Makes that and th’ action fine.

—and, anyhow, this child learned one language⁠—English, a most difficult one⁠—eagerly. Of the nursery through which I passed only one sister wept while learning to read, and that was over a scholastic work entitled Reading Without Tears.

Do you know a chapter in Mr. William Canton’s book The Invisible Playmate in which, as Carlyle dealt in Sartor Resartus with an imaginary treatise by an imaginary Herr Teufelsdröckh, as Matthew Arnold in “Friendship’s Garland” with the imaginary letters of an imaginary Arminius (Germany in long-past happier days lent the world these playful philosophical spirits), so the later author invents an old village grandpapa, with the grandpapa-name of Altegans and a prose-poem printed in scarecrow duodecimo on paper-bag pages and entitled “Erster Schulgang,” “first school-going,” or “first day at school”?

The poem opens with a wonderful vision of children; delightful as it is unexpected; as romantic in presentment as it is commonplace in fact. All over the world⁠—and all under it too, when their time comes⁠—the children are trooping to school. The great globe swings round out of the dark into the sun; there is always morning somewhere; and forever in this shifting region of the morning-light the good Altegans sees the little ones afoot⁠—shining companies and groups, couples and bright solitary figures; for they all seem to have a soft heavenly light about them.

He sees them in country lanes and rustic villages; on lonely moorlands⁠ ⁠… he sees them on the hillsides⁠ ⁠… in the woods, on the stepping-stones that cross the brook in the glen, along the seacliffs and on the water-ribbed sands; trespassing on the railway lines, making shortcuts through the corn, sitting in the ferryboats; he sees them in the crowded streets of smoky cities, in small rocky islands, in places far inland where the sea is known only as a strange tradition.

The morning-side of the planet is alive with them: one hears their pattering footsteps everywhere. And as the vast continents sweep “eastering out of the high shadow which reaches beyond the moon”⁠ ⁠… and as new nations with their cities and villages, their fields, woods, mountains and seashores, rise up into the morning-side, lo! fresh troops, and still fresh troops, and yet again fresh troops of these school-going children of the dawn.

What are weather and season to this incessant panorama of childhood? The pygmy people trudge through the snow on moor and hillside; wade down flooded roads; are not to be daunted by wind or rain, frost or the white smother of “millers and bakers at fisticuffs.” Most beautiful picture of all, he sees them travelling schoolward by the late moonlight which now and again in the winter months precedes the tardy dawn.

That vision strikes me as being poetically true as well as delightful: by which I mean that it is not sentimental: we know that it ought to be true, that in a world well-ordered according to our best wishes for it, it would be naturally true. It expresses the natural love of Age, brooding on the natural eager joy of children. But that natural eager joy is just what our schools, in the matter of reading, conscientiously kill.

In this matter of reading⁠—of children’s reading⁠—we stand, just now, or halt just now, between two ways. The parent, I believe, has decisively won back to the right one which good mothers never quite forsook. There was an interval, lasting from the early years of the last century until midway in Queen Victoria’s reign and a little beyond, when children were mainly brought up on the assumption of natural vice. They might adore father and mother, and yearn to be better friends with papa: but there was the old Adam, a quickening evil spirit; there were his imps always in the way, confound them! I myself lived, with excellent grandparents, for several years on pretty close terms with Hell and an all-seeing Eye; until I grew so utterly weary of both that I have never since had the smallest use for either. Some of you may have read, as a curious book, the agreeable history called The Fairchild Family, in which Mr. Fairchild leads his naughty children afield to a gallows by a crossroad and seating them under the swinging corpse of a malefactor, deduces how easily they may come to this if they go on as they have been going. The authors of such monitory or cautionary tales understood but one form of development, the development of Original Sin. You stole a pin and proceeded, by fatal steps, to the penitentiary; you threw a stick at a pheasant, turned poacher, shot a gamekeeper and ended on the gallows. You were always Eric and it was always Little by Little with you.⁠ ⁠… Stay! memory preserves one gem from a Sunday school dialogue, one sharp-cut intaglio of childhood springing fully armed from the head of Satan:

Q. Where hast thou been this Sabbath morning?

A. I have been coursing of the squirrel.

Q. Art not afraid so to desecrate the Lord’s Day with idle sport?

A. By no means: for I should tell you that I am an Atheist.

I forget

Вы читаете On the Art of Reading
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату