I love to see the big white moon,
A-shining in the sky;
I love to see the little stars,
When the shadow clouds go by.
I love the rain drops falling
On my roof-top in the night;
I love the soft wind’s sighing,
Before the dawn’s gray light.
I love the deepness of the blue,
In my Lord’s heaven above;
But better than all these things I think,
I love my lady love.
The lazy, laughing South
With blood on its mouth.
The sunny-faced South,
Beast-strong,
Idiot-brained.
The child-minded South
Scratching in the dead fire’s ashes
For a Negro’s bones.
Cotton and the moon,
Warmth, earth, warmth,
The sky, the sun, the stars,
The magnolia-scented South.
Beautiful, like a woman,
Seductive as a dark-eyed whore,
Passionate, cruel,
Honey-lipped, syphilitic—
That is the South.
And I, who am black, would love her
But she spits in my face.
And I, who am black,
Would give her many rare gifts
But she turns her back upon me.
So now I seek the North—
The cold-faced North,
For she, they say,
Is a kinder mistress,
And in her house my children
May escape the spell of the South.
Dream singers,
Story tellers,
Dancers,
Loud laughers in the hands of Fate—
My people.
Dish-washers,
Elevator-boys,
Ladies’ maids,
Crap-shooters,
Cooks,
Waiters,
Jazzers,
Nurses of babies,
Loaders of ships,
Rounders,
Number writers,
Comedians in vaudeville
And band-men in circuses—
Dream-singers all—
My people.
Story-tellers all—
My people.
Dancers—
God! What dancers!
Singers—
God! What singers!
Singers and dancers,
Dancers and laughers.
Laughers?
Yes, laughers … laughers … laughers—
Loud-mouthed laughers in the hands
Of Fate.
The low beating of the tom-toms,
The slow beating of the tom-toms,
Low … slow
Slow … low—
Stirs your blood.
Dance!
A night-veiled girl
Whirls softly into a
Circle of light.
Whirls softly … slowly,
Like a wisp of smoke around the fire—
And the tom-toms beat,
And the tom-toms beat,
And the low beating of the tom-toms
Stirs your blood.
Now,
In June,
When the night is a vast softness
Filled with blue stars,
And broken shafts of moon-glimmer
Fall upon the earth,
Am I too old to see the fairies dance?
I cannot find them any more.
What is there within this beggar lad
That I can neither hear nor feel nor see,
That I can neither know nor understand
And still it calls to me?
Is not he but a shadow in the sun—
A bit of clay, brown, ugly, given life?
And yet he plays upon his flute a wild free tune
As if Fate had not bled him with her knife!
Shake your brown feet, honey,
Shake your brown feet, chile,
Shake your brown feet, honey,
Shake ’em swift and wil’—
Get way back, honey,
Do that low-down step.
Walk on over, darling,
Now! Come out
With your left.
Shake your brown feet, honey,
Shake ’em, honey chile.
Sun’s going down this evening—
Might never rise no mo’.
The sun’s going down this very night—
Might never rise no mo’—
So dance with swift feet, honey,
(The banjo’s sobbing low)
Dance with swift feet, honey—
Might never dance no mo’.
Shake your brown feet, Liza,
Shake ’em, Liza, chile,
Shake your brown feet, Liza,
(The music’s soft and wil’)
Shake your brown feet, Liza,
(The banjo’s sobbing low)
The sun’s going down this very night—
Might never rise no mo’.
Well, son, I’ll tell you:
Life for me ain’t been no crystal stair.
It’s had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare;
But all the time
I’se been a-climbin’ on,
And reachin’ landin’s,
And turnin’ corners,
And sometimes goin’ in the dark,
Where there ain’t been no light.
So boy, don’t you turn back;
Don’t you sit down on the steps,
’Cause you finds it’s kinder hard;
Don’t you fall now—
For I’se still goin’, honey,
I’se still climbin’,
And life for me ain’t been no crystal stair.
When Susanna Jones wears red
Her face is like an ancient cameo
Turned brown by the ages.
Come with a blast of trumpets,
Jesus!
When Susanna Jones wears red
A queen from some time-dead Egyptian night
Walks once again.
Blow trumpets, Jesus!
And the beauty of Susanna Jones in red
Burns in my heart a love-fire sharp like pain.
Sweet silver trumpets,
Jesus!
I am a black Pierrot:
She did not love me,
So I crept away into the night
And the night was black, too.
I am a black Pierrot:
She did not love me,
So I wept until the red dawn
Dripped blood over the eastern hills
And my heart was bleeding, too.
I am a black Pierrot:
She did not love me,
So with my once gay-colored soul
Shrunken like a balloon without air,
I went forth in the morning
To seek a new brown love.
That Justice is a blind goddess
Is a thing to which we black are wise.
Her bandage hides two festering sores
That once, perhaps, were eyes.
Today like yesterday
Tomorrow like today;
The drip, drip, drip,
Of monotony
Is wearing my life away;
Today like yesterday,
Tomorrow like today.
Hold fast to dreams, my son,
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams, O boy,
For when dreams go
Life is a barren field
Frozen with snow.
For the Portrait of an African Boy After the Manner of Gauguin
All the tom-toms of the jungles beat in my blood,
And all the wild hot moons of the jungles shine in my soul.
I am afraid of this civilization—
So hard,
So strong,
So cold.
Poem for a Decorative Panel
We should have a land of sun,
Of gorgeous sun,
And a land of fragrant water
Where the twilight
Is a soft bandanna handkerchief
Of rose and gold,
And not this land where life is cold.
We should have a land of trees,
Of tall thick trees
Bowed down with chattering parrots
Brilliant as the day,
And not this land where birds are grey.
Ah, we should have a land of joy,
Of love and joy and wine and song,
And not this land where joy is wrong.
Oh, sweet, away!
Ah, my beloved one, away!
