feet,
(Roses are red in her red-gold hair)
And O where her bosom and girdle meet
Red roses are hidden there.
Fair is the knight who lieth slain
Amid the rush and reed,
See the lean fishes that are fain
Upon dead men to feed.
Sweet is the page that lieth there,
(Cloth of gold is goodly prey,)
See the black ravens in the air,
Black, O black as the night are they.
What do they there so stark and dead?
(There is blood upon her hand)
Why are the lilies flecked with red?
(There is blood on the river sand.)
There are two that ride from the south and east,
And two from the north and west,
For the black raven a goodly feast,
For the King’s daughter rest.
There is one man who loves her true,
(Red, O red, is the stain of gore!)
He hath duggen a grave by the darksome yew,
(One grave will do for four.)
No moon in the still heaven,
In the black water none,
The sins on her soul are seven,
The sin upon his is one.
Amor Intellectualis
Oft have we trod the vales of Castaly
And heard sweet notes of sylvan music blown
From antique reeds to common folk unknown:
And often launched our bark upon that sea
Which the nine Muses hold in empery,
And ploughed free furrows through the wave and foam,
Nor spread reluctant sail for more safe home
Till we had freighted well our argosy.
Of which despoilèd treasures these remain,
Sordello’s passion, and the honeyed line
Of young Endymion, lordly Tamburlaine
Driving his pampered jades, and more than these,
The seven-fold vision of the Florentine,
And grave-browed Milton’s solemn harmonies.
Santa Decca
The Gods are dead: no longer do we bring
To grey-eyed Pallas crowns of olive-leaves!
Demeter’s child no more hath tithe of sheaves,
And in the noon the careless shepherds sing,
For Pan is dead, and all the wantoning
By secret glade and devious haunt is o’er:
Young Hylas seeks the water-springs no more;
Great Pan is dead, and Mary’s son is King.
And yet—perchance in this sea-trancèd isle,
Chewing the bitter fruit of memory,
Some God lies hidden in the asphodel.
Ah Love! if such there be, then it were well
For us to fly his anger: nay, but see,
The leaves are stirring: let us watch awhile.
A Vision
Two crownèd Kings, and One that stood alone
With no green weight of laurels round his head,
But with sad eyes as one uncomforted,
And wearied with man’s never-ceasing moan
For sins no bleating victim can atone,
And sweet long lips with tears and kisses fed.
Girt was he in a garment black and red,
And at his feet I marked a broken stone
Which sent up lilies, dove-like, to his knees.
Now at their sight, my heart being lit with flame,
I cried to Beatricé, “Who are these?”
And she made answer, knowing well each name,
“Aeschylos first, the second Sophokles,
And last (wide stream of tears!) Euripides.”
Impression de Voyage
The sea was sapphire coloured, and the sky
Burned like a heated opal through the air;
We hoisted sail; the wind was blowing fair
For the blue lands that to the eastward lie.
From the steep prow I marked with quickening eye
Zakynthos, every olive grove and creek,
Ithaca’s cliff, Lycaon’s snowy peak,
And all the flower-strewn hills of Arcady.
The flapping of the sail against the mast,
The ripple of the water on the side,
The ripple of girls’ laughter at the stern,
The only sounds:—when ’gan the West to burn,
And a red sun upon the seas to ride,
I stood upon the soil of Greece at last!
The Grave of Shelley
Like burnt-out torches by a sick man’s bed
Gaunt cypress-trees stand round the sun-bleached stone;
Here doth the little night-owl make her throne,
And the slight lizard show his jewelled head.
And, where the chaliced poppies flame to red,
In the still chamber of yon pyramid
Surely some Old-World Sphinx lurks darkly hid,
Grim warder of this pleasaunce of the dead.
Ah! sweet indeed to rest within the womb
Of Earth, great mother of eternal sleep,
But sweeter far for thee a restless tomb
In the blue cavern of an echoing deep,
Or where the tall ships founder in the gloom
Against the rocks of some wave-shattered steep.
By the Arno
The oleander on the wall
Grows crimson in the dawning light,
Though the grey shadows of the night
Lie yet on Florence like a pall.
The dew is bright upon the hill,
And bright the blossoms overhead,
But ah! the grasshoppers have fled,
The little Attic song is still.
Only the leaves are gently stirred
By the soft breathing of the gale,
And in the almond-scented vale
The lonely nightingale is heard.
The day will make thee silent soon,
O nightingale sing on for love!
While yet upon the shadowy grove
Splinter the arrows of the moon.
Before across the silent lawn
In sea-green vest the morning steals,
And to love’s frightened eyes reveals
The long white fingers of the dawn
Fast climbing up the eastern sky
To grasp and slay the shuddering night,
All careless of my heart’s delight,
Or if the nightingale should die.
Impressions de Théâtre
Fabien Dei Franchi
To My Friend Henry Irving
The silent room, the heavy creeping shade,
The dead that travel fast, the opening door,
The murdered brother rising through the floor,
The ghost’s white fingers on thy shoulders laid,
And then the lonely duel in the glade,
The broken swords, the stifled scream, the gore,
Thy grand revengeful eyes when all is o’er—
These things are well enough—but thou wert made
For more august creation! frenzied Lear
Should at thy bidding wander on the heath
With the shrill fool to mock him, Romeo
For thee should lure his love, and desperate fear
Pluck Richard’s recreant dagger from its sheath—
Thou trumpet set for Shakespeare’s lips to blow!
Phèdre
To Sarah Bernhardt
How vain and dull this common world must seem
To such a One as thou, who should’st have talked
At Florence with Mirandola, or walked
Through the cool olives
