it commands what is good, it hinders and spoils it, just because it commands it, and because every command provokes and excites the legitimate revolts of liberty; and because the good, from the moment that it is commanded, becomes evil from the point of view of true morality, of human morality (doubtless not of divine), from the point of view of human respect and of liberty. Liberty, morality, and the human dignity of man consist precisely in this, that he does good, not because it is commanded, but because he conceives it, wills it and loves it.

We do not find in Bakunin’s works a clear picture of the society at which he aimed, or any argument to prove that such a society could be stable. If we wish to understand Anarchism we must turn to his followers, and especially to Kropotkin⁠—like him, a Russian aristocrat familiar with the prisons of Europe, and, like him, an Anarchist who, in spite of his internationalism, is imbued with a fiery hatred of the Germans.

Kropotkin has devoted much of his writing to technical questions of production. In Fields, Factories and Workshops and The Conquest of Bread he has set himself to prove that, if production were more scientific and better organized, a comparatively small amount of quite agreeable work would suffice to keep the whole population in comfort. Even assuming, as we probably must, that he somewhat exaggerates what is possible with our present scientific knowledge, it must nevertheless be conceded that his contentions contain a very large measure of truth. In attacking the subject of production he has shown that he knows what is the really crucial question. If civilization and progress are to be compatible with equality, it is necessary that equality should not involve long hours of painful toil for little more than the necessaries of life, since, where there is no leisure, art and science will die and all progress will become impossible. The objection which some feel to Socialism and Anarchism alike on this ground cannot be upheld in view of the possible productivity of labor.

The system at which Kropotkin aims, whether or not it be possible, is certainly one which demands a very great improvement in the methods of production above what is common at present. He desires to abolish wholly the system of wages, not only, as most Socialists do, in the sense that a man is to be paid rather for his willingness to work than for the actual work demanded of him, but in a more fundamental sense: there is to be no obligation to work, and all things are to be shared in equal proportions among the whole population. Kropotkin relies upon the possibility of making work pleasant: he holds that, in such a community as he foresees, practically everyone will prefer work to idleness, because work will not involve overwork or slavery, or that excessive specialization that industrialism has brought about, but will be merely a pleasant activity for certain hours of the day, giving a man an outlet for his spontaneous constructive impulses. There is to be no compulsion, no law, no government exercising force; there will still be acts of the community, but these are to spring from universal consent, not from any enforced submission of even the smallest minority. We shall examine in a later chapter how far such an ideal is realizable, but it cannot be denied that Kropotkin presents it with extraordinary persuasiveness and charm.

We should be doing more than justice to Anarchism if we did not say something of its darker side, the side which has brought it into conflict with the police and made it a word of terror to ordinary citizens. In its general doctrines there is nothing essentially involving violent methods or a virulent hatred of the rich, and many who adopt these general doctrines are personally gentle and temperamentally averse from violence. But the general tone of the Anarchist press and public is bitter to a degree that seems scarcely sane, and the appeal, especially in Latin countries, is rather to envy of the fortunate than to pity for the unfortunate. A vivid and readable, though not wholly reliable, account, from a hostile point of view, is given in a book called Le Péril Anarchiste, by Félix Dubois,17 which incidentally reproduces a number of cartoons from anarchist journals. The revolt against law naturally leads, except in those who are controlled by a real passion for humanity, to a relaxation of all the usually accepted moral rules, and to a bitter spirit of retaliatory cruelty out of which good can hardly come.

One of the most curious features of popular Anarchism is its martyrology, aping Christian forms, with the guillotine (in France) in place of the cross. Many who have suffered death at the hands of the authorities on account of acts of violence were no doubt genuine sufferers for their belief in a cause, but others, equally honored, are more questionable. One of the most curious examples of this outlet for the repressed religious impulse is the cult of Ravachol, who was guillotined in 1892 on account of various dynamite outrages. His past was dubious, but he died defiantly; his last words were three lines from a well-known Anarchist song, the “Chant du Père Duchesne”:⁠—

Si tu veux etre heureux,
Nom de Dieu!
Pends ton proprietaire.

As was natural, the leading Anarchists took no part in the canonization of his memory; nevertheless it proceeded, with the most amazing extravagances.

It would be wholly unfair to judge Anarchist doctrine, or the views of its leading exponents, by such phenomena; but it remains a fact that Anarchism attracts to itself much that lies on the borderland of insanity and common crime.18 This must be remembered in exculpation of the authorities and the thoughtless public, who often confound in a common detestation the parasites of the movement and the truly heroic and high-minded men who have

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