But though it was probably cowardice, or love of hot ale, that led Mr. Dupper to imagine his Lordship safe among the tombs so that he need not go in search of him, it may well have been that Mr. Dupper was right. Orlando now took a strange delight in thoughts of death and decay, and, after pacing the long galleries and ballrooms with a taper in his hand, looking at picture after picture as if he sought the likeness of somebody whom he could not find, would mount into the family pew and sit for hours watching the banners stir and the moonlight waver with a bat or death’s-head moth to keep him company. Even this was not enough for him, but he must descend into the crypt where his ancestors lay, coffin piled upon coffin, for ten generations together. The place was so seldom visited that the rats had made free with the lead work, and now a thigh bone would catch at his cloak as he passed, or he would crack the skull of some old Sir Malise as it rolled beneath his foot. It was a ghastly sepulchre; dug deep beneath the foundations of the house as if the first Lord of the family, who had come from France with the Conqueror, had wished to testify how all pomp is built upon corruption; how the skeleton lies beneath the flesh; how we that dance and sing above must lie below; how the crimson velvet turns to dust; how the ring (here Orlando, stooping his lantern, would pick up a gold circle lacking a stone, that had rolled into a corner) loses its ruby and the eye which was so lustrous shines no more. “Nothing remains of all these Princes,” Orlando would say, indulging in some pardonable exaggeration of their rank, “except one digit,” and he would take a skeleton hand in his and bend the joints this way and that. “Whose hand was it?” he went on to ask. “The right or the left? The hand of man or woman, of age or youth? Had it urged the war horse, or plied the needle? Had it plucked the rose, or grasped cold steel? Had it—?” but here either his invention failed him or, what is more likely, provided him with so many instances of what a hand can do that he shrank, as his wont was, from the cardinal labour of composition, which is excision, and he put it with the other bones, thinking how there was a writer called Thomas Browne, a Doctor of Norwich, whose writing upon such subjects took his fancy amazingly.
So, taking his lantern and seeing that the bones were in order, for though romantic, he was singularly methodical and detested nothing so much as a ball of string on the floor, let alone the skull of an ancestor, he returned to that curious, moody pacing down the galleries, looking for something among the pictures, which was interrupted at length by a veritable spasm of sobbing, at the sight of a Dutch snow scene by an unknown artist. Then it seemed to him that life was not worth living any more. Forgetting the bones of his ancestors and how life is founded on a grave, he stood there shaken with sobs, all for the desire of a woman in Russian trousers, with slanting eyes, a pouting mouth, and pearls about her neck. She had gone. She had left him. He was never to see her again. And so he sobbed. And so he found his way back to his own rooms;