(and as long as she thinks of a man, nobody objects to a woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk and Sunday dusk will come; and the gamekeeper will whistle under the window⁠—all of which is, of course, the very stuff of life and the only possible subject for fiction. Surely Orlando must have done one of these things? Alas⁠—a thousand times, alas, Orlando did none of them. Must it then be admitted that Orlando was one of those monsters of iniquity who do not love? She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love⁠—as the male novelists define it⁠—and who, after all, speak with greater authority?⁠—has nothing whatever to do with kindness, fidelity, generosity, or poetry. Love is slipping off one’s petticoat and⁠—But we all know what love is. Did Orlando do that? Truth compels us to say no, she did not. If then, the subject of one’s biography will neither love nor kill, but will only think and imagine, we may conclude that he or she is no better than a corpse and so leave her.

The only resource now left us is to look out of the window. There were sparrows; there were starlings; there were a number of doves, and one or two rooks, all occupied after their fashion. One finds a worm, another a snail. One flutters to a branch, another takes a little run on the turf. Then a servant crosses the courtyard, wearing a green baize apron. Presumably he is engaged on some intrigue with one of the maids in the pantry, but as no visible proof is offered us, in the courtyard, we can but hope for the best and leave it. Clouds pass, thin or thick, with some disturbance of the colour of the grass beneath. The sundial registers the hour in its usual cryptic way. One’s mind begins tossing up a question or two, idly, vainly, about this same life. Life, it sings, or croons rather, like a kettle on a hob, Life, life, what art thou? Light or darkness, the baize apron of the under footman or the shadow of the starling on the grass?

Let us go, then, exploring, this summer morning, when all are adoring the plum blossom and the bee. And humming and hawing, let us ask of the starling (who is a more sociable bird than the lark) what he may think on the brink of the dustbin, whence he picks among the sticks combings of scullion’s hair. What’s life, we ask, leaning on the farmyard gate; Life, Life, Life! cries the bird, as if he had heard, and knew precisely, what we meant by this bothering prying habit of ours of asking questions indoors and out and peeping and picking at daisies as the way is of writers when they don’t know what to say next. Then they come here, says the bird, and ask me what life is; Life, Life, Life!

We trudge on then by the moor path, to the high brow of the wine-blue purple-dark hill, and fling ourselves down there, and dream there and see there a grasshopper, carting back to his home in the hollow, a straw. And he says (if sawings like his can be given a name so sacred and tender) Life’s labour, or so we interpret the whirr of his dust-choked gullet. And the ant agrees and the bees, but if we lie here long enough to ask the moths, when they come at evening, stealing among the paler heather bells, they will breathe in our ears such wild nonsense as one hears from telegraph wires in snow storms; tee hee, haw haw. Laughter, Laughter! the moths say.

Having asked then of man and of bird and the insects, for fish, men tell us, who have lived in green caves, solitary for years to hear them speak, never, never say, and so perhaps know what life is⁠—having asked them all and grown no wiser, but only older and colder (for did we not pray once in a way to wrap up in a book something so hard, so rare, one could swear it was life’s meaning?) back we must go and say straight out to the reader who waits a-tiptoe to hear what life is⁠—alas, we don’t know.


At this moment, but only just in time to save the book from extinction, Orlando pushed away her chair, stretched her arms, dropped her pen, came to the window, and exclaimed, “Done!”

She was almost felled to the ground by the extraordinary sight which now met her eyes. There was the garden and some birds. The world was going on as usual. All the time she was writing the world had continued.

“And if I were dead, it would be just the same!” she exclaimed.

Such was the intensity of her feelings that she could even imagine that she had suffered dissolution, and perhaps some faintness actually attacked her. For a moment she stood looking at the fair, indifferent spectacle with staring eyes. At length she was revived in a singular way. The manuscript which reposed above her heart began shuffling and beating as if it were a living thing, and, what was still odder, and showed how fine a sympathy was between them, Orlando, by inclining her head, could make out what it was that it was saying. It wanted to be read. It must be read. It would die in her bosom if it were not read. For the first time in her life she turned with violence against nature. Elkhounds and rose bushes were about her in profusion. But elkhounds and rose bushes can none of them read. It is a lamentable oversight on the part of Providence which had never struck her before. Human beings alone are thus gifted. Human beings had become

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