that the most successful practitioners of the art of life, often unknown people by the way, somehow contrive to synchronize the sixty or seventy different times which beat simultaneously in every normal human system so that when eleven strikes, all the rest chime in unison, and the present is neither a violent disruption nor completely forgotten in the past. Of them we can justly say that they live precisely the sixty-eight or seventy-two years allotted them on the tombstone. Of the rest some we know to be dead though they walk among us; some are not yet born though they go through the forms of life; others are hundreds of years old though they call themselves thirty-six. The true length of a person’s life, whatever the Dictionary of National Biography may say, is always a matter of dispute. For it is a difficult business⁠—this timekeeping; nothing more quickly disorders it than contact with any of the arts; and it may have been her love of poetry that was to blame for making Orlando lose her shopping list and start home without the sardines, the bath salts, or the boots. Now as she stood with her hand on the door of her motorcar, the present again struck her on the head. Eleven times she was violently assaulted.

“Confound it all!” she cried, for it is a great shock to the nervous system, hearing a clock strike⁠—so much so that for some time now there is nothing to be said of her save that she frowned slightly, changed her gears admirably, and cried out, as before, “Look where you’re going!” “Don’t you know your own mind?” “Why didn’t you say so, then?” while the motorcar shot, swung, squeezed, and slid, for she was an expert driver, down Regent Street, down Haymarket, down Northumberland Avenue, over Westminster Bridge, to the left, straight on, to the right, straight on again.⁠ ⁠…

The Old Kent Road was very crowded on Thursday, the eleventh of October 1928. People spilt off the pavement. There were women with shopping bags. Children ran out. There were sales at drapers’ shops. Streets widened and narrowed. Long vistas steadily shrunk together. Here was a market. Here a funeral. Here a procession with banners upon which was written “Ra⁠—Un,” but what else? Meat was very red. Butchers stood at the door. Women almost had their heels sliced off. Amor Vin⁠—that was over a porch. A woman looked out of a bedroom window, profoundly contemplative, and very still. Applejohn and Applebed, Undert⁠—. Nothing could be seen whole or read from start to finish. What was seen begun⁠—like two friends starting to meet each other across the street⁠—was never seen ended. After twenty minutes the body and mind were like scraps of torn paper tumbling from a sack and, indeed, the process of motoring fast out of London so much resembles the chopping up small of identity which precedes unconsciousness and perhaps death itself that it is an open question in what sense Orlando can be said to have existed at the present moment. Indeed we should have given her over for a person entirely disassembled were it not that here, at last, one green screen was held out on the right, against which the little bits of paper fell more slowly; and then another was held out on the left so that one could see the separate scraps now turning over by themselves in the air; and then green screens were held continuously on either side, so that her mind regained the illusion of holding things within itself and she saw a cottage, a farmyard, and four cows, all precisely life-size.

When this happened, Orlando heaved a sigh of relief, lit a cigarette, and puffed for a minute or two in silence. Then she called hesitatingly, as if the person she wanted might not be there, “Orlando?” For if there are (at a venture) seventy-six different times all ticking in the mind at once, how many different people are there not⁠—Heaven help us⁠—all having lodgement at one time or another in the human spirit? Some say two thousand and fifty-two. So that it is the most usual thing in the world for a person to call, directly they are alone, Orlando? (if that is one’s name) meaning by that, Come, come! I’m sick to death of this particular self. I want another. Hence the astonishing changes we see in our friends. But it is not altogether plain sailing, either, for though one may say, as Orlando said (being out in the country and needing another self presumably) Orlando? still the Orlando she needs may not come; these selves of which we are built up, one on top of another, as plates are piled on a waiter’s hand, have attachments elsewhere, sympathies, little constitutions and rights of their own, call them what you will (and for many of these things there is no name) so that one will only come if it is raining, another in a room with green curtains, another when Mrs. Jones is not there, another if you can promise it a glass of wine⁠—and so on; for everybody can multiply from his own experience the different terms which his different selves have made with him⁠—and some are too wildly ridiculous to be mentioned in print at all.

So Orlando, at the turn by the barn, called “Orlando?” with a note of interrogation in her voice and waited. Orlando did not come.

“All right, then,” Orlando said, with a good humour people practise on these occasions; and tried another. For she had a great variety of selves to call upon, far more than we have been able to find room for, since a biography is considered complete if it merely accounts for six or seven selves, whereas a person may well have as many thousand. Choosing, then, only those selves we have found room for, Orlando may now have called on the boy who cut the nigger’s head down; the boy who strung it up again;

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