The log burned quite through to its core, and fell asunder, a bristling mass of embers. They had been looking at it with downcast heads. Now they lifted their faces, and saw the pity in each other’s eyes, and the beautiful girl impulsively kissed the pretty woman good night.
V
Colville fell asleep with the flattered sense which abounds in the heart of a young man after his first successful evening in society, but which can visit maturer life only upon some such conditions of long exile and return as had been realised in his. The looks of these two charming women followed him into his dreams; he knew he must have pleased them, the dramatic homage of the child was evidence of that; and though it had been many years since he had found it sufficient cause of happiness to have pleased a woman, the desire to do so was by no means extinct in him. The eyes of the girl hovered above him like stars; he felt in their soft gaze that he was a romance to her young heart, and this made him laugh; it also made him sigh.
He woke at dawn with a sharp twinge in his shoulder, and he rose to give himself the pleasure of making his own fire with those fagots of broom and pine twigs which he had enjoyed the night before, promising himself to get back into bed when the fire was well going, and sleep late. While he stood before the open stove, the jangling of a small bell outside called him to the window, and he saw a procession which had just issued from the church going to administer the extreme unction to some dying person across the piazza. The parish priest went first, bearing the consecrated wafer in its vessel, and at his side an acolyte holding a yellow silk umbrella over the Eucharist; after them came a number of facchini in white robes and white hoods that hid their faces; their tapers burned sallow and lifeless in the new morning light; the bell jangled dismally.
“They even die dramatically in this country,” thought Colville, in whom the artist was taken with the effectiveness of the spectacle before his human pity was stirred for the poor soul who was passing. He reproached himself for that, and instead of getting back to bed, he dressed and waited for the mature hour which he had ordered his breakfast for. When it came at last, picturesquely borne on the open hand of Giovanni, steaming coffee, hot milk, sweet butter in delicate disks, and two white eggs coyly tucked in the fold of a napkin, and all grouped upon the wide salver, it brought him a measure of the consolation which good cheer imparts to the ridiculous human heart even in the house where death is. But the sad incident tempered his mind with a sort of pensiveness that lasted throughout the morning, and quite till lunch. He spent the time in going about the churches; but the sunshine which the day began with was overcast, as it was the day before, and the churches were rather too dark and cold in the afternoon. He went to Viesseux’s reading-room and looked over the English papers, which he did not care for much; and he also made a diligent search of the catalogue for some book about Florence for little Effie Bowen: he thought he would like to surprise her mother with his interest in the matter. As the day waned toward dark, he felt more and more tempted to take her at her word, when she had said that any day was her day to him, and go to see her. If he had been a younger man he would have anxiously considered this indulgence and denied himself, but after forty a man denies himself no reasonable and harmless indulgence; he has learned by that time that it is a pity and a folly to do so.
Colville found Mrs. Bowen’s room half full of arriving and departing visitors, and then he remembered that it was this day she had named to him on the Ponte Vecchio, and when Miss Graham thanked him for coming his first Thursday, he made a merit of not having forgotten it, and said he was going to come every Thursday during the winter. Miss Graham drew him a cup of tea from the Russian samovar which replaces in some Florentine houses the teapot of Occidental civilisation, and Colville smiled upon it and upon her, bending over the brazen urn with a flowerlike tilt of her beautiful head. She wore an aesthetic dress of creamy camel’s-hair, whose colour pleased the eye as its softness would have flattered the touch.
“What a very Turgenevish effect the samovar gives!” he said, taking a biscuit from the basket Effie Bowen brought him, shrinking with redoubled shyness from the eyebrows which he arched at her. “I wonder you can keep from calling me Fedor Colvillitch. Where is your mother, Effie Bowenovna?” he asked of the child, with a temptation to say Imogene Grahamovna.
They both looked mystified, but Miss Graham said, “I’m sorry to say you won’t see Mrs. Bowen today. She has a very bad headache, and has left Effie and me to receive. We feel very incompetent, but she says it will do us good.”
There were some people there of the night before, and Colville had to talk to them. One of the ladies asked him if he had met the Inglehart boys as he came in.
“The Inglehart boys? No. What are the Inglehart boys?”
“They were here all last winter, and they’ve just got back. It’s rather exciting for Florence.” She gave him a rapid sketch of that interesting exodus of a score of young painters from the art school at Munich, under the head of the singular and fascinating genius by whose name they became known. “They had their own school for a
