Neither Mrs. Bowen nor Imogene was altogether silent. The one helped on at times wearily, and the other broke at times from her abstraction. Doubtless the girl had undertaken too much in insisting upon a party of pleasure with her mind full of so many things, and doubtless Mrs. Bowen was sore with a rankling resentment at her insistence, and vexed at herself for having yielded to it. If at her time of life and with all her experience of it, she could not rise under this inner load, Imogene must have been crushed by it.
Her starts from the dreamy oppression, if that were what kept her silent, took the form of aggression, when she disagreed with Colville about things he was saying, or attacked him for this or that thing which he had said in times past. It was an unhappy and unamiable self-assertion, which he was not able to compassionate so much when she resisted or defied Mrs. Bowen, as she seemed seeking to do at every point. Perhaps another would not have felt it so; it must have been largely in his consciousness; the young clergyman seemed not to see anything in these bursts but the indulgence of a gay caprice, though his laughing at them did not alleviate the effect to Colville, who, when he turned to Mrs. Bowen for her alliance, was astonished with a prompt snub, unmistakable to himself, however imperceptible to others.
He found what diversion and comfort he could in the party of children who beset them at a point near the town, and followed the carriage, trying to sell them various light and useless trifles made of straw—fans, baskets, parasols, and the like. He bought recklessly of them and gave them to Effie, whom he assured, without the applause of the ladies, and with the grave question of the young clergyman, that the vendors were little Etruscan girls, all at least twenty-five hundred years old. “It’s very hard to find any Etruscans under that age; most of the grown-up people are three thousand.”
The child humoured his extravagance with the faith in fable which children are able to command, and said, “Oh, tell me about them!” while she pushed up closer to him, and began to admire her presents, holding them up before her, and dwelling fondly upon them one by one.
“Oh, there’s very little to tell,” answered Colville. “They’re mighty close people, and always keep themselves very much to themselves. But wouldn’t you like to see a party of Etruscans of all ages, even down to little babies only eleven or twelve hundred years old, come driving into an American town? It would make a great excitement, wouldn’t it?”
“It would be splendid.”
“Yes; we would give them a collation in the basement of the City Hall, and drive them out to the cemetery. The Americans and Etruscans are very much alike in that—they always show you their tombs.”
“Will they in Fiesole?”
“How you always like to burrow into the past!” interrupted Imogene.
“Well, it’s rather difficult burrowing into the future,” returned Colville defensively. Accepting the challenge, he added: “Yes, I should really like to meet a few Etruscans in Fiesole this morning. I should feel as if I’d got amongst my contemporaries at last; they would understand me.”
The girl’s face flushed. “Then no one else can understand you?”
“Apparently not. I am the great American incompris.”
“I’m sorry for you,” she returned feebly; and, in fact, sarcasm was not her strong point.
When they entered the town they found the Etruscans preoccupied with other visitors, whom at various points in the quaint little piazza they surrounded in dense groups, to their own disadvantage as guides and beggars and dealers in straw goods. One of the groups reluctantly dispersed to devote itself to the new arrivals, and these then perceived that it was a party of artists, scattered about and sketching, which had absorbed the attention of the population. Colville went to the restaurant to order lunch, leaving the ladies to the care of Mr. Morton. When he came back he found the carriage surrounded by the artists, who had turned out to be the Inglehart boys. They had walked up to Fiesole the afternoon before, and they had been sketching there all the morning. With the artist’s indifference to the conventional objects of interest, they were still ignorant of what ought to be seen in Fiesole by tourists, and they accepted Colville’s proposition to be of his party in going the rounds of the Cathedral, the Museum, and the view from that point of the wall called the Belvedere. They found that they had been at the Belvedere before without knowing that it merited particular recognition, and some of them had made sketches from it—of bits of architecture and landscape, and of figure amongst the women with straw fans and baskets to sell, who thronged round the whole party again, and interrupted the prospect. In the church they differed amongst themselves as to the best bits for study, and Colville listened in whimsical despair to the enthusiasm of their likings and dislikings. All that was so far from him now; but in the Museum, which had only a thin interest based upon a small collection of art and archeology, he suffered a real affliction in the presence of a young Italian couple, who were probably plighted lovers. They went before a grey-haired pair, who might have been the girl’s father and mother, and they looked at none of the objects, though they regularly stopped before them and waited till their guide had said his say about them. The girl,