a hold on her, that after reading the fragment to the end she was certain that it was no mistake. Here, then, is this confession, in which, according to the critics of Madame de Chavoncourt’s drawing-room, Albert had imitated some modern writers who, for lack of inventiveness, relate their private joys, their private griefs, or the mysterious events of their own life.

Ambition for Love’s Sake

In 1823 two young men, having agreed as a plan for a holiday to make a tour through Switzerland, set out from Lucerne one fine morning in the month of July in a boat pulled by three oarsmen. They started for Fluelen, intending to stop at every notable spot on the lake of the Four Cantons. The views which shut in the waters on the way from Lucerne to Fluelen offer every combination that the most exacting fancy can demand of mountains and rivers, lakes and rocks, brooks and pastures, trees and torrents. Here are austere solitudes and charming headlands, smiling and trimly kept meadows, forests crowning perpendicular granite cliffs, like plumes, deserted but verdant reaches opening out, and valleys whose beauty seems the lovelier in the dreamy distance.

As they passed the pretty hamlet of Gersau, one of the friends looked for a long time at a wooden house which seemed to have been recently built, enclosed by a paling, and standing on a promontory, almost bathed by the waters. As the boat rowed past, a woman’s head was raised against the background of the room on the upper story of this house, to admire the effect of the boat on the lake. One of the young men met the glance thus indifferently given by the unknown fair.

“Let us stop here,” said he to his friend. “We meant to make Lucerne our headquarters for seeing Switzerland; you will not take it amiss, Léopold, if I change my mind and stay here to take charge of our possessions. Then you can go where you please; my journey is ended. Pull to land, men, and put us out at this village; we will breakfast here. I will go back to Lucerne to fetch all our luggage, and before you leave you will know in which house I take a lodging, where you will find me on your return.”

“Here or at Lucerne,” replied Léopold, “the difference is not so great that I need hinder you from following your whim.”

These two youths were friends in the truest sense of the word. They were of the same age; they had learned at the same school; and after studying the law, they were spending their holiday in the classical tour in Switzerland. Léopold, by his father’s determination, was already pledged to a place in a notary’s office in Paris. His spirit of rectitude, his gentleness, and the coolness of his senses and his brain, guaranteed him to be a docile pupil. Léopold could see himself a notary in Paris; his life lay before him like one of the highroads that cross the plains of France, and he looked along its whole length with philosophical resignation.

The character of his companion, whom we will call Rodolphe, presented a strong contrast with Léopold’s, and their antagonism had no doubt had the result of tightening the bond that united them. Rodolphe was the natural son of a man of rank, who was carried off by a premature death before he could make any arrangements for securing the means of existence to a woman he fondly loved and to Rodolphe. Thus cheated by a stroke of fate, Rodolphe’s mother had recourse to a heroic measure. She sold everything she owed to the munificence of her child’s father for a sum of more than a hundred thousand francs, bought with it a life annuity for herself at a high rate, and thus acquired an income of about fifteen thousand francs, resolving to devote the whole of it to the education of her son, so as to give him all the personal advantages that might help to make his fortune, while saving, by strict economy, a small capital to be his when he came of age. It was bold; it was counting on her own life; but without this boldness the good mother would certainly have found it impossible to live and to bring her child up suitably, and he was her only hope, her future, the spring of all her joys.

Rodolphe, the son of a most charming Parisian woman, and a man of mark, a nobleman of Brabant, was cursed with extreme sensitiveness. From his infancy he had in everything shown a most ardent nature. In him mere desire became a guiding force and the motive power of his whole being, the stimulus to his imagination, the reason of his actions. Notwithstanding the pains taken by a clever mother, who was alarmed when she detected this predisposition, Rodolphe wished for things as a poet imagines, as a mathematician calculates, as a painter sketches, as a musician creates melodies. Tenderhearted, like his mother, he dashed with inconceivable violence and impetus of thought after the object of his desires; he annihilated time. While dreaming of the fulfilment of his schemes, he always overlooked the means of attainment. “When my son has children,” said his mother, “he will want them born grown up.”

This fine frenzy, carefully directed, enabled Rodolphe to achieve his studies with brilliant results, and to become what the English call an accomplished gentleman. His mother was then proud of him, though still fearing a catastrophe if ever a passion should possess a heart at once so tender and so susceptible, so vehement and so kind. Therefore, the judicious mother had encouraged the friendship which bound Léopold to Rodolphe and Rodolphe to Léopold, since she saw in the cold and faithful young notary a guardian, a comrade, who might to a certain extent take her place if by some misfortune she should be lost to her son. Rodolphe’s mother, still handsome at three-and-forty, had inspired Léopold with an ardent

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