would all be, that she was going to give up sitting for the figure⁠—not, of course, that there was any real harm in it, but it was better not⁠—and especially how happy it would make them to feel she intended to live straight for the future. Little Billee was to remain at Barbizon for a little while; but she must promise to come and dine with Taffy and himself that very day, and cook the dinner; and when he went back to his picture, Les Noces du Toréador⁠—saying to her as he left, “à ce soir donc, mille sacrés tonnerres de nong de Dew!”⁠—he left the happiest woman in the whole Latin quarter behind him: she had confessed and been forgiven.

And with shame and repentance and confession and forgiveness had come a strange new feeling⁠—that of a dawning self-respect.

Hitherto, for Trilby, self-respect had meant little more than the mere cleanliness of her body, in which she had always revelled; alas! it was one of the conditions of her humble calling. It now meant another kind of cleanliness, and she would luxuriate in it for evermore; and the dreadful past⁠—never to be forgotten by her⁠—should be so lived down as in time, perhaps, to be forgotten by others.

The dinner that evening was a memorable one for Trilby. After she had washed up the knives and forks and plates and dishes, and put them by, she sat and sewed. She wouldn’t even smoke her cigarette, it reminded her so of things and scenes she now hated. No more cigarettes for Trilby O’Ferrall.

They all talked of Little Billee. She heard about the way he had been brought up, about his mother and sister, the people he had always lived among. She also heard (and her heart alternately rose and sank as she listened) what his future was likely to be, and how rare his genius was, and how great⁠—if his friends were to be trusted. Fame and fortune would soon be his⁠—such fame and fortune as fell to the lot of very few⁠—unless anything should happen to spoil his promise and mar his prospects in life, and ruin a splendid career; and the rising of the heart was all for him, the sinking for herself. How could she ever hope to be even the friend of such a man? Might she ever hope to be his servant⁠—his faithful, humble servant?


Little Billee spent a month at Barbizon, and when he came back it was with such a brown face that his friends hardly knew him; and he brought with him such studies as made his friends “sit up.”

The crushing sense of their own hopeless inferiority was lost in wonder at his work, in love and enthusiasm for the workman.

Their Little Billee, so young and tender, so weak of body, so strong of purpose, so warm of heart, so light of hand, so keen and quick and piercing of brain and eye, was their master, to be stuck on a pedestal and looked up to and bowed down to, to be watched and warded and worshipped for evermore.

When Trilby came in from her work at six, and he shook hands with her and said “Hullo, Trilby!” her face turned pale to the lips, her underlip quivered, and she gazed down at him (for she was among the tallest of her sex) with such a moist, hungry, wide-eyed look of humble craving adoration that the Laird felt his worst fears were realized, and the look Little Billee sent up in return filled the manly bosom of Taffy with an equal apprehension.

Then they all four went and dined together at le père Trin’s, and Trilby went back to her blanchisserie de fin.

Next day Little Billee took his work to show Carrel, and Carrel invited him to come and finish his picture The Pitcher Goes to the Well at his own private studio⁠—an unheard-of favor, which the boy accepted with a thrill of proud gratitude and affectionate reverence.

So little was seen for some time of Little Billee at the studio in the Place St. Anatole des Arts, and little of Trilby; a blanchisseuse de fin has not many minutes to spare from her irons. But they often met at dinner. And on Sunday mornings Trilby came to repair the Laird’s linen and darn his socks and look after his little comforts, as usual, and spend a happy day. And on Sunday afternoons the studio would be as lively as ever, with the fencing and boxing, the piano-playing and fiddling⁠—all as it used to be.

And week by week the friends noticed a gradual and subtle change in Trilby. She was no longer slangy in French, unless it were now and then by a slip of the tongue, no longer so facetious and droll, and yet she seemed even happier than she had ever seemed before.

Also, she grew thinner, especially in the face, where the bones of her cheeks and jaw began to show themselves, and these bones were constructed on such right principles (as were those of her brow and chin and the bridge of her nose) that the improvement was astonishing, almost inexplicable.

Also, she lost her freckles as the summer waned and she herself went less into the open air. And she let her hair grow, and made of it a small knot at the back of her head, and showed her little flat ears, which were charming, and just in the right place, very far back and rather high; Little Billee could not have placed them better himself. Also, her mouth, always too large, took on a firmer and sweeter outline, and her big British teeth were so white and even that even Frenchmen forgave them their British bigness. And a new soft brightness came into her eyes that no one had ever seen there before. They were stars, just twin gray stars⁠—or rather planets just thrown off by some new sun, for the steady mellow light they

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