Everything had disappeared into a soft blackness; only on the water a faint light was left. It came and went; sometimes there was nothing but darkness and the soft air. The small paper lantern swinging at the bow made a little blot of light that was invisible from the stroke seat. The boat went swiftly and easily. Miriam felt she could go on pulling for hours at the top of her strength through the night. Leaning forward, breasting the featureless darkness, sweeping the sculls back at the full reach of her arms, leaning back and pressing her whole weight upwards from the footboard against the pull of the water, her body became an outstretched elastic system of muscles, rhythmically working against the smooth dragging resistance of the dark water. Her sleeves were rolled up, her collar-stud unfastened, her cool drowsy lids drooped over her cool eyes. Each time she leaned backwards against her stroke, pressing the footboard, the weight of her body dragged at a line of soreness where the sculls pressed her hands, and with the final fling of the water from the sculls a little stinging pain ran along the pads of her palms. Tomorrow there would be a row of happy blisters.
“You needn’t put more beef into it than you like, Mirry.” Gerald’s voice came so quietly out of the darkness that it scarcely disturbed Miriam’s ecstacy. She relaxed her swing, and letting the sculls skim and dip in short easy strokes, sat glowing.
“I’ve never pulled a boat alone before.”
“It shows you can’t be a bluestocking, thank the Lord,” laughed Gerald.
“Who said I was?”
“I’ve always understood you were a very wise lady, my dear.”
“Nobody told you she was a bluestocking, silly. You invented the word yourself.”
“I? I invented bluestocking?”
“Yes, you, silly. It’s like your saying women never date their letters just because your cousins don’t.”
“Vive la reine. The Lord deliver me from bluestockings, anyhow.”
“All right, what about it? There aren’t any here!”
“You’re not one, anyhow.”
The next day after tea Eve arrived home from Gloucestershire.
Miriam had spent the day with Harriett. After breakfast, bounding silently up and downstairs, they visited each room in turn, chased each other about the echoing rooms and passages of the basement and all over the garden. Miriam listened speechlessly to the sound of Harriett’s heels soft on the stair carpet, ringing on the stone floors of the basement, and the swish of her skirts as she flew over the lawn following surrounding responding to Miriam’s wild tour of the garden. Miriam listened and watched, her eyes and ears eagerly gathering and hoarding visions. It could not go on. Presently some claim would be made on Harriett and she would be alone. But when they had had their fill of silently rushing about, Harriett piloted her into the drawing-room and hastily began opening the piano. A pile of duets lay on the lid. She had evidently gathered them there in readiness. Wandering about the room, shifting the familiar ornaments, flinging herself into chair after chair, Miriam watched her and saw that her strange quiet little snub face was lit and shapely. Harriett, grown-up, serene and well-dressed and going to be married in the spring, was transported by this new coming together. When they had played the last of the duets that they knew well, Harriett fumbled at the pages of a bound volume of operas in obvious uncertainty. At any moment Miriam might get up and go off and bring their sitting together on the long cretonne-covered duet stool to an end. “Come on,” roared Miriam gently, “let’s try this”; and they attacked the difficult pages. Miriam counted the metre, whispered it intoned and sang it, carrying Harriett along with shouts “go on, go on” when they had lost each other. They smashed their way along by turns playing only a single note here and there into the framework of Miriam’s desperate counting, or banging out cheerful masses of discordant tones, anything to go on driving their way together through the pages while the sunlight streamed half seen into the conservatory and the flower-filled garden crowded up against the windows, anything to come out triumphantly together at the end and to stop satisfied, the sounds of the house, so long secretly known to them both, low now around them, heard by them together, punctuating their joy. The gong sounded for lunch. “Eve,” Miriam remembered suddenly, “Eve’s coming this afternoon.” The thought set gladness thundering through her as she rose from the piano. “Let’s go for a walk after lunch,” she muttered. Harriett blushed.
“Awri,” she responded tenderly.
The mile of gently rising roadway leading to the Heath was overarched by huge trees. Shadowy orchards, and the silent sunlit outlying meadows and park land of a large estate streamed gently by them beyond the trees as they strode along through the cool leaf-scented air. They strode speechlessly ahead as if on a pilgrimage, keeping step. Harriett’s stylish costume had a strange unreal look in the great lane, under the towering trees. Miriam wondered if she found it dull and was taking it so boldly because they were walking along it together. Obviously she did not want to talk. She walked along swiftly and erect, looking eagerly ahead as if, when they reached the top and the Heath and the windmill, they would find something they were both looking for. Miriam felt she could glance about unnoticed and looked freely, as she had done so many
