her clandestine suitor. Perhaps Barbara had seen Miss Jane as well, and knew that public opinion was thus watching over her; but at all events she was not at all ashamed of herself, or indignant at being spied upon. On the contrary, it was a kind of apotheosis for Barbara, only second to the grand and crowning triumph which would be accomplished in Carlingford Church under the shadow of that veil of real Brussels, which grew more and more real every day. Thus neither the actors in the drama, nor the principal spectator, were in the smallest degree disturbed by horror or shame or sense of guilt, excepting always the fanciful little Rose, who suffered for everybody; who could have wished that the earth would open and swallow up Barbara and her lover; who could have slaughtered Lucilla on the spot, and given herself over to any kind of torture for her treachery. Naturally nobody paid any sort of attention to Rose. Barbara, for her part, took her admirer’s arm in the twilight with a swelling of exultation, which the gaining of the very highest prize in the department of ornamental art could scarcely have conveyed to the bosom of the little artist; and Lucilla put back her small assailant softly with her hand, and smoothed down her ruffled plumes.

“My dear, it is Miss Hemmings that is spying,” said Lucilla; “and poor Barbara would be so disappointed if I were to go away from the window. Have patience just a little longer⁠—there’s a dear. It is all exactly as I thought.”

And then there followed a pause, which was a terrible pause for Rose. The organ-grinder stopped his doleful ditty, and there was scarcely any sound to be heard in the street except the footsteps approaching and retiring, the measured tread of two people occupied with each other, going now more slowly, now more quickly, as the humour seized them, or as their conversation grew in interest; even the sound of their voices came by times to the auditors⁠—Barbara’s with an occasional laugh or tone of triumph, and the other deeper, with which Rose had but little acquaintance, but which was perfectly known to Lucilla. All this time, while her companion sat panting in the dark corner, Miss Marjoribanks was looking to the joints of her harness, and feeling the edge of her weapons. For, after all, it was no small enterprise upon which she was going forth. She was going to denounce the faithless knight to his face, and take him out of the hands of the enchantress; but then she herself meant to take him in hand, and show him his true dangers, and vindicate his honour. A more disinterested enterprise was never undertaken by any knight-errant. Yet, at the same time, Lucilla could not help entertaining a certain involuntary contempt for the man who had deserted her own standard to put himself under that of Barbara Lake, and who was being paraded up and down here without knowing it, to gratify the vanity of his new sovereign, and make an exhibition of his weakness. Lucilla would have been more than mortal if she had not felt the difference between her own rule, which would have been all to his good, and the purely egotistical sway of Barbara; and even in her magnanimous mind, it was impossible that pity itself should not be mingled with a certain disdain.

She sat quite still for so long that Barbara grew intoxicated with her triumph. “It is perhaps the last time,” Lucilla said to herself, with a movement of compassion; and the breadth of her human sympathy was such that she waited till the very latest moment, and let the deluded young woman have the full enjoyment of her imaginary victory. Then Miss Marjoribanks rose with a certain solemnity, and put on her hat, and gave an unappreciated kiss to Rose, who kept in her corner. “Good night; I am going,” said Lucilla. The words were simple enough, but yet they rang in Rose’s ears like the signal of a conspiracy. When the calm leader of the expedition went forth, sensible of the importance of her mission, but tranquil as great minds always are in a moment of danger, Rose got up too and followed, trembling in every limb. She was capable of having thrown herself upon the spears in her own person in a sudden élan of indignation and passion; but she was not capable of waiting till the right moment, and meeting her antagonists in reasonable combat. Miss Marjoribanks went out deliberately, without any unnecessary haste, sweeping into the dusky twilight with her virginal white draperies. It was a very ordinary scene, and yet, even in the midst of her excitement, Rose could not help observing involuntarily its pictorial qualities⁠—if only any painter could have transferred to his canvas the subdued musical hum of surrounding life, the fragrance of the mignonette, and the peaceful stillness of the summer night. The sky shone out green-blue, lambent and wistful, from the vacant space between Miss Hemmings’s and Mr. Wrangle’s, and there were the dusky twilight shadows below, and the yellow gleam of the lamp, and Barbara’s exulting, triumphant figure, and the white robes of the avenging angel. Rose could not have observed all this if she had not been stilled into a kind of breathless awe by the solemn character of the situation, which struck her as being somehow like one of Millais’s pictures. As for the lovers, they had just turned at the moment that Miss Marjoribanks came out, and consequently met her straight in the face, as she stood suave and smiling at the little garden door.

“It is Mr. Cavendish,” said Lucilla; “I am so glad; I have been hoping and trying to see you for ever so long; and as soon as ever I heard you talking I felt sure it was your voice.”

This was the greeting she addressed to Barbara Lake’s lover. For his part he stood before her,

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