her own friends; and though there might be persons included in that sacred number who were scarcely worthy of the character, yet Lucilla, like every lofty character, could act but according to her own nature, and could not forsake anyone whom she supposed to be thus mysteriously and darkly assailed.

And she had her reward. There are virtues in this world which go without any recompense, but there are other virtues upon which a prompt guerdon is bestowed; and Lucilla possessed this happier development. Whether it was that little speech of hers which touched the mimic’s heart, or whether the effect was produced by some other secret influence, it is certain that this was the night on which Mrs. Woodburn’s talent came to what may be called a sort of apotheosis. She shook off her languor as by a sudden inspiration, and gave such a sketch of the Archdeacon as up to this day is remembered more clearly in Carlingford than the man himself. She took him off to his very face, and he never found it out, though everybody else did, and the house shook with restrained laughter. And as if this was not enough, Rose Lake had come with her portfolio, with some sketches of her brother’s (who afterwards became so celebrated) in it, which electrified all the people who were fond of art; and by the side of the young Preraphaelite was Barbara, who had come “to spite Lucilla,” and who remained unwittingly to grace her triumph. She stood by herself, all wan and crumpled, all the night, showing her disappointment and rage and jilted state so clearly in her face, as to afford to all the mammas in her neighbourhood a most startling example of the danger of showing your feelings, with which to point a moral to the other young people about. She had come because Rose was coming, and she would not be eclipsed by her younger sister. But nobody took any notice of Barbara on this miserable evening; nobody asked her to sing, or offered her a seat, or even spoke to her, except Lucilla, who in her magnanimity found time to say a word as she passed. She was carelessly dressed, and her hair was hastily arranged, and her eyes were red. She had no desire to look as if she had not been jilted, and had no proper pride, as Rose said; and Mrs. Chiley, who was Lucilla’s partisan and champion, and who thought poor Barbara deserved it all, seized the opportunity, and delivered a little lecture on the subject to the first group of girls who came in her way.

“A disappointment may happen to anyone,” said Mrs. Chiley; “and so long as they had done nothing unbecoming, nobody could blame them; but, my dears, whatever you do, don’t show it like that! It makes me ashamed of my sex. And only look at Lucilla!” said the old lady. Lucilla had the best of it now. Instead of a failure, such as for a moment seemed likely, she had a triumphant success. She, and she only, said a word of kindness to her formerly triumphant rival. She drove her chariot over Barbara, and drew an advantage even from her sullen looks and red eyes. And the only thing that dissatisfied Mrs. Chiley in the entire course of the evening was the trustful confidence with which Miss Marjoribanks left the Archdeacon, the (possible) new candidate for her favour, beside the Lakes and their portfolio of drawings. In this, as in all other things, Lucilla could not but follow the dictates of her magnanimous nature. And even her own prospects, as her old friend lamented, were as nothing to her in comparison with the good of society. Experience ought to have taught her better; but then experience rarely does that amount of practical good which is generally attributed to it in the world. Lucilla gave little Rose the fullest opportunity of showing her drawings to the Archdeacon and awakening his curiosity, and even securing his affections, as the jealous observer thought; and everybody knows how little is necessary, if a young woman likes to exert herself, to lead a poor man to his undoing; and Mr. Beverley, though an archdeacon, was most probably, in this respect at least, no wiser than other men. This was the painful aspect of the case which Mrs. Chiley discussed with her husband when they got home.

“He is not like what clergymen were in our day,” said the old lady, “but still he is very nice, and has a nice position, and it would just suit Lucilla; but to think of her going and leaving him with these Lake girls, notwithstanding the lesson she has had! and I have no doubt the little one is just as designing and nasty as the other. If it should come to anything, she has only herself to blame,” said Mrs. Chiley. As for the Colonel, he took it more calmly, as a gentleman might be expected to do.

“You may trust a parson for that,” said the old soldier. “He knows what he is about. You will never find him make such an ass of himself as young Cavendish did.” But this only made Mrs. Chiley sigh the more.

“Poor Mr. Cavendish!” said the old lady. “I will never blame him, poor fellow. It was all that deceitful thing laying her snares for him. For my part I never like to have anything to do with those artist kind of people⁠—they are all adventurers,” said the Colonel’s wife; and she went to bed with this unchristian persuasion in her mind.

While everyone else regarded the matter with, to some extent, a personal bias, the only person who looked at it abstractly, and contemplated not the accidents of an evening, but the work itself, which was progressing in the face of all kinds of social difficulties, was the mastermind which first conceived the grand design of turning the chaotic elements of society in Carlingford into one

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