“Whether I intend?—oh, goodness, Lucilla! how can you speak so? as if I ever intended anything,” said her companion, confused, yet flattered, by the possibility; to which the elder sage answered calmly, with all the composure in the world.
“No, I never supposed you did; I was thinking of myself,” said Lucilla, as if, indeed that was the only reasonable subject of thought. “You know I have seen a good deal of the world, one way and another, with going to spend the holidays, and I could tell you quantities of things. It is quite astonishing how much experience one gets. When I was at Midhurst, at Easter, there was my cousin Tom, who was quite ridiculous; I declare he nearly brought things to an explanation, Fanny—which, of course, of all things in the world I most wanted to avoid.”
“Oh, but why, Lucilla?” cried Fanny, full of delight and wonder; “I do so want to know what they say when they make—explanations, as you call them. Oh, do tell me, Lucilla, why?”
“My dear,” said Miss Marjoribanks, “a cousin of my own! and only twenty-one, and reading for the bar! In the first place, my aunt would never have forgiven me, and I am very fond of my aunt. It’s so nice to like all one’s relations. I know some girls who can’t bear theirs. And then a boy not much older than myself, with nothing but what his mother pleases! Fortunately he did not just say the words, so I escaped that time; but, of course, I could understand perfectly what he meant.”
“But, oh, Lucilla, tell me the words,” cried the persistent questioner; “do, there’s a darling! I am quite sure you have heard them—and I should so like to know exactly what they say;—do they go down on their knees?—or do they try to take your hand as they always do in novels?—or what do they do?—Oh, Lucilla, tell me, there’s a dear!”
“Nonsense,” said Lucilla; “I only want you to understand that I am not likely to fall into any danger of that sort. My only ambition, Fanny, as I have told you often, is to go home to Carlingford and be a comfort to dear papa.”
“Yes,” said Fanny, kissing her devoted companion, “and it is so good of you, dear; but then you cannot go on all your life being a comfort to dear papa,” said the intelligent girl, bethinking herself, and looking again with some curiosity in Lucilla’s face.
“We must leave that to Providence,” said Miss Marjoribanks, with a sense of paying a compliment to Providence in entrusting it with such a responsibility. “I have always been guided for the best hitherto,” she continued, with an innocent and unintentional profanity, which sounded solemn to her equally innocent companion, “and I don’t doubt I shall be so till the end.”
From which it will be perceived that Miss Marjoribanks was of the numerous class of religionists who keep up civilities with heaven, and pay all the proper attentions, and show their respect for the divine government in a manner befitting persons who know the value of their own approbation. The conversation dropped at this point; for Lucilla was too important a person to be left to the undivided possession of an inquisitive innocent like Fanny Middleton, who was only sixteen, and had never had even a flirtation in her own person. There were no Carlingford girls at Mount Pleasant, except poor little Rose Lake, the drawing-master’s second daughter, who had been received on Dr. Marjoribanks’s recommendation, and who heard the little children their geography and reading, and gave them little lessons in drawing, by way of paying for her own education; but then Rose was entirely out of Miss Marjoribanks’s way, and could never count for anything in her designs for the future. The girls at Mount Pleasant were good girls on the whole, and were rather improved by the influence of Lucilla, who was extremely good-natured, and, so long as her superiority was duly acknowledged, was ready to do anything for anybody—so that Rose Lake was not at all badly off in her inferior position. She could be made useful too, which was a great point in her favour; and Miss Marjoribanks, who possessed by nature some of the finest qualities of a ruler, instinctively understood and appreciated the instruments that came to her hand. As for Rose, she had been brought up at the School of Design in Carlingford, of which, under the supervision of the authorities who, in those days, inhabited Marlborough House, Mr. Lake was the master. Rose was the pride of the school in the peaceable days before her mother died; she did not know much else, poor child, except novels, but her copies “from the round” filled her father with admiration, and her design for a Honiton-lace flounce, a spirited composition of dragons’ tails and the striking plant called teazle, which flourishes in the neighbourhood of Carlingford (for Mr. Lake had leanings towards Preraphaelitism), was thought by the best judges to show a wonderful amount of feeling for art, and just missed being selected for the prize. A girl with such a talent was naturally much appreciated in Mount Pleasant. She made the most charming design for Miss Marjoribanks’s handkerchief—“Lucilla,” in Gothic characters, enclosed in a wreath of forget-me-nots, skilfully combined with thistle-leaves, which Rose took great pains to explain were so much better adapted to ornamentation than foliage of a less distinct character; and the young draftswoman was so charmed by Lucilla’s enthusiastic admiration, that she volunteered to work the design in the cambric, which was a much more serious matter. This was on the eve of Miss Marjoribanks’s final departure from school. She was to spend a year abroad, to the envy of all whom she left behind; but for herself Lucilla was not elated. She thought it very probable that she would ascend Mont Blanc as far as the Grands
