tunnels in the cliff⁠—he told everything. It seems that Polucca had the smuggling idea in the first place and he spent years fixing up those caves and tunnels. When everything was ready, he called in Snackley, but Snackley didn’t like to share with anyone who had a right to a voice in the affair, so he killed the old man, took his money, and brought the smuggling gang in there.”

“Yates told all that?”

“He told so much of it that Snackley saw there was no use bluffing any longer, so he admitted the whole story.”

“Gosh!” sighed Chet. “Just my luck! I was there in time to get scared to death by that half-wit, and there in time to get bawled out and chased off the farm by Redhead and his wife, but I missed out on all the fun at the last.”

“Not much fun about it,” declared Joe. “It didn’t seem funny to us when the smugglers caught us in the cave just as we were getting dad free.”

“And it wasn’t any fun hiding in that attic with the bullets coming through the floor, nineteen to the dozen,” added Frank. “I thought every minute was going to be my last.”

“No, I guess it wasn’t any too funny then,” admitted Chet. “You deserve every cent you get out of the reward.”

“We’ll treat the whole gang to a feed as soon as we collect,” Joe promised.

“Whee!” shouted Chet, turning a handspring. “Now you’re talking!”

The Hardy boys kept their word. Soon after they had received their share of the reward, which was presented to them with many glowing words and congratulations from the federal authorities who had long been trying to put Snackley behind the bars, they gave a dinner in the barn that eclipsed any similar “feed” in the history of Bayport.

“I hope the Hardy boys solve a mystery every week,” said Chet, as he confronted his third dish of ice cream. “And I hope they celebrate every success the same way.”

The Hardy boys were not destined to solve a mystery every week, but it was not long before they were plunged into a maze of events which were fully as exciting as those which led to the finding of the tower treasure and those that followed their first visit to the house on the cliff. The story of their adventures will be told in the next volume of this series, called, “The Hardy Boys: The Secret of the Old Mill.”

Tony Prito, conscious of the envying glances of the other lads because he had participated in the eventful climax to the mystery of the house on the cliff, scooped up the last of his ice cream and said:

“Once I wanted my father to buy an automobile and he bought a motorboat instead. Now he wants to sell the boat and buy an automobile. Just let him try it! That boat gave me more fun in one day than I’d ever had since we came to the States.”

Colophon

The Standard Ebooks logo.

The House on the Cliff
was published in 1927 by
Franklin W. Dixon.

This ebook was produced for
Standard Ebooks
by
Elizabeth Miller-Boldt,
and is based on a transcription produced in 2023 by
Greg Weeks, Mary Meehan, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans from the
Internet Archive.

The cover page is adapted from
The House on the Cliff,
a painting completed in 1927 by
Walter S. Rogers.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
October 30, 2023, 3:11 a.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/franklin-w-dixon/the-house-on-the-cliff.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you that you can’t do something. Unlike them, this Uncopyright page exists to tell you that the writing and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. The United States public domain represents our collective cultural heritage, and items in it are free for anyone in the United States to do almost anything at all with, without having to get permission.

Copyright laws are different all over the world, and the source text or artwork in this ebook may still be copyrighted in other countries. If you’re not located in the United States, you must check your local laws before using this ebook. Standard Ebooks makes no representations regarding the copyright status of the source text or artwork in this ebook in any country other than the United States.

Non-authorship activities performed on items that are in the public domain⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means that nobody can claim a new copyright on an item that is in the public domain for, among other things, work like digitization, markup, or typography. Regardless, the contributors to this ebook release their contributions under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the source text or artwork. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.

Вы читаете The House on the Cliff
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату