with a touch of pessimism and exhaustion; as if it really did not pay to take all these things⁠—I mean moral problems⁠—so seriously. I, on the other hand, think that there are no subjects which pay better for being taken seriously; part of this payment is, that perhaps eventually they admit of being taken gaily. This gaiety indeed, or, to use my own language, this joyful wisdom, is a payment; a payment for a protracted, brave, laborious, and burrowing seriousness, which, it goes without saying, is the attribute of but a few. But on that day on which we say from the fullness of our hearts, “Forward! our old morality too is fit material for Comedy,” we shall have discovered a new plot, and a new possibility for the Dionysian drama entitled “The Soul’s Fate”⁠—and he will speedily utilise it, one can wager safely, he, the great ancient eternal dramatist of the comedy of our existence.

8

If this writing be obscure to any individual, and jar on his ears, I do not think that it is necessarily I who am to blame. It is clear enough, on the hypothesis which I presuppose, namely, that the reader has first read my previous writings and has not grudged them a certain amount of trouble: it is not, indeed, a simple matter to get really at their essence. Take, for instance, my Zarathustra; I allow no one to pass muster as knowing that book, unless every single word therein has at some time wrought in him a profound wound, and at some time exercised on him a profound enchantment: then and not till then can he enjoy the privilege of participating reverently in the halcyon element, from which that work is born, in its sunny brilliance, its distance, its spaciousness, its certainty. In other cases the aphoristic form produces difficulty, but this is only because this form is treated too casually. An aphorism properly coined and cast into its final mould is far from being “deciphered” as soon as it has been read; on the contrary, it is then that it first requires to be expounded⁠—of course for that purpose an art of exposition is necessary. The third essay in this book provides an example of what is offered, of what in such cases I call exposition: an aphorism is prefixed to that essay, the essay itself is its commentary. Certainly one quality which nowadays has been best forgotten⁠—and that is why it will take some time yet for my writings to become readable⁠—is essential in order to practise reading as an art⁠—a quality for the exercise of which it is necessary to be a cow, and under no circumstances a modern man!⁠—rumination.

Sils-Maria, Upper Engadine, July 1887.

The Genealogy of Morals

A Polemic

First Essay

“Good and Evil,” “Good and Bad”

1

Those English psychologists, who up to the present are the only philosophers who are to be thanked for any endeavour to get as far as a history of the origin of morality⁠—these men, I say, offer us in their own personalities no paltry problem;⁠—they even have, if I am to be quite frank about it, in their capacity of living riddles, an advantage over their books⁠—they themselves are interesting! These English psychologists⁠—what do they really mean? We always find them voluntarily or involuntarily at the same task of pushing to the front the partie honteuse of our inner world, and looking for the efficient, governing, and decisive principle in that precise quarter where the intellectual self-respect of the race would be the most reluctant to find it (for example, in the vis inertiae of habit, or in forgetfulness, or in a blind and fortuitous mechanism and association of ideas, or in some factor that is purely passive, reflex, molecular, or fundamentally stupid)⁠—what is the real motive power which always impels these psychologists in precisely this direction? Is it an instinct for human disparagement somewhat sinister, vulgar, and malignant, or perhaps incomprehensible even to itself? or perhaps a touch of pessimistic jealousy, the mistrust of disillusioned idealists who have become gloomy, poisoned, and bitter? or a petty subconscious enmity and rancour against Christianity (and Plato), that has conceivably never crossed the threshold of consciousness? or just a vicious taste for those elements of life which are bizarre, painfully paradoxical, mystical, and illogical? or, as a final alternative, a dash of each of these motives⁠—a little vulgarity, a little gloominess, a little anti-Christianity, a little craving for the necessary piquancy?

But I am told that it is simply a case of old frigid and tedious frogs crawling and hopping around men and inside men, as if they were as thoroughly at home there, as they would be in a swamp.

I am opposed to this statement, nay, I do not believe it; and if, in the impossibility of knowledge, one is permitted to wish, so do I wish from my heart that just the converse metaphor should apply, and that these analysts with their psychological microscopes should be, at bottom, brave, proud, and magnanimous animals who know how to bridle both their hearts and their smarts, and have specifically trained themselves to sacrifice what is desirable to what is true, any truth in fact, even the simple, bitter, ugly, repulsive, unchristian, and immoral truths⁠—for there are truths of that description.

2

All honour, then, to the noble spirits who would fain dominate these historians of morality. But it is certainly a pity that they lack the historical sense itself, that they themselves are quite deserted by all the beneficent spirits of history. The whole train of their thought runs, as was always the way of old-fashioned philosophers, on thoroughly unhistorical lines: there is no doubt on this point. The crass ineptitude of their genealogy of morals is immediately apparent when the question arises of ascertaining the origin of the idea and judgment of “good.” “Man had originally,” so speaks their decree,

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