in the heart of the woods. This the mystery of the sunlight on the height; and every little flower, every delicate fern, and every reed and rush was entrusted with the hidden declaration of this sacrament. For this end, final and perfect rites had been given to men to execute; and these were all the arts, all the far-lifted splendour of the great cathedral; all rich carven work and all glowing colours; all magical utterance of word and tones: all these things were the witnesses that consented in the One Offering, in the high service of the Graal.

To this service also, together with songs and burning torches and dyed garments and the smoke of the bruised incense, were brought the incense of the bruised heart, the magic torches of virtue hidden from the world, the red dalmatics of those whose souls had been martyred, the songs of triumph and exultation chanted by them that the profane had crushed into the dust; holy wells and water-stoups were fountains of tears. So must the Mass be duly celebrated in Cor-arbennic when Cadwaladr returned, when Teilo Agyos lifted up again the Shining Cup.

Perhaps it was not strange that a boy who had listened to such spells as these should heed nothing of the foolish evils about him, the nastiness of silly children who, for want of wits, were “crushing the lilies into the dunghill.” He listened to nothing of their ugly folly; he heard it not, understood it not, thought as little of it as of their everlasting chatter about “brooks” and “quarries” and “leg-hits” and “beaks from the off.” And when an unseemly phrase did chance to fall on his ear it was of no more import or meaning than any or all of the stupid jargon that went on day after day, mixing itself with the other jargon about the optative and the past participle, the oratio obliqua and the verbs in μι. To him this was all one nothingness, and he would not have dreamed of connecting anything of it with the facts of life, as he understood life.

Hence it was that for him all that was beautiful and wonderful was a part of sanctity; all the glory of life was for the service of the sanctuary, and when one saw a lovely flower it was to be strewn before the altar, just as the bee was holy because by its wax the Gifts are illuminated. Where joy and delight and beauty were, there he knew by sure signs were the parts of the mystery, the glorious apparels of the heavenly vestments. If anyone had told him that the song of the nightingale was an unclean thing he would have stared in amazement, as though one had blasphemed the Sanctus. To him the red roses were as holy as the garments of the martyrs. The white lilies were pure and shining virtues; the imagery of the Song of Songs was obvious and perfect and unassailable, for in this world there was nothing common nor unclean. And even to him the great gift had been freely given.

So he stood, wrapped in his meditations and in his ecstasy, by the bridge over the Midland line from Lupton to Birmingham. Behind him were the abominations of Lupton: the chimneys vomiting black smoke faintly in honour of the Sabbath; the red lines of the workmen’s streets advancing into the ugly fields; the fuming pottery kilns, the hideous height of the boot factory. And before him stretched the unspeakable scenery of the eastern Midlands, which seems made for the habitation of English Nonconformists⁠—dull, monotonous, squalid, the very hedgerows cropped and trimmed, the trees looking like rows of Roundheads, the farmhouses as uninteresting as suburban villas. On a field near at hand a scientific farmer had recently applied an agreeable mixture consisting of superphosphate of lime, nitrate of soda and bone meal. The stink was that of a chemical works or a Texel cheese. Another field was just being converted into an orchard. There were rows of grim young apple trees planted at strictly mathematical intervals from one another, and grisly little graves had been dug between the apple trees for the reception of gooseberry bushes. Between these rows the farmer hoped to grow potatoes, so the ground had been thoroughly trenched. It looked sodden and unpleasant. To the right Ambrose could see how the operations on a wandering brook were progressing. It had moved in and out in the most wasteful and absurd manner, and on each bank there had grown a twisted brake of trees and bushes and rank water plants. There were wonderful red roses there in summer time. Now all this was being rectified. In the first place the stream had been cut into a straight channel with raw, bare banks, and then the rose bushes, the alders, the willows and the rest were being grubbed up by the roots and so much valuable land was being redeemed. The old barn which used to be visible on the left of the line had been pulled down for more than a year. It had dated perhaps from the seventeenth century. Its rooftree had dipped and waved in a pleasant fashion, and the red tiles had the glow of the sun in their colours, and the half-timbered walls were not lacking in ruinous brace. It was a dilapidated old shed, and a neat-looking structure with a corrugated iron roof now stood in its place.

Beyond all was the grey prison wall of the horizon; but Ambrose no longer gazed at it with the dim, hopeless eyes of old. He had a Breviary among his books, and he thought of the words: Anima mea erepta est sicut passer de laqueo venantium, and he knew that in a good season his body would escape also. The exile would end at last.

He remembered an old tale which his father was fond of telling him⁠—the story of Eos Amherawdur (the Emperor Nightingale). Very

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