Next morning I said:
“Take Fedelta and be off to Paris! Don’t sell her; I love her. Does she not carry you?”
But he was not deceived; my tone betrayed the storm of feeling which I strove to conceal.
“Trust me!” he replied; and the gesture with which he held out his hand, the glance of his eye, were so full of loyalty that I was overcome.
“What petty creatures women are!” I exclaimed.
“No, you love me, that is all,” he said, pressing me to his heart.
“Go to Paris without me,” I said, and this time I made him understand that my suspicions were laid aside.
He went; I thought he would have stayed. I won’t attempt to tell you what I suffered. I found a second self within, quite strange to me. A crisis like this has, for the woman who loves, a tragic solemnity that baffles words; the whole of life rises before you then, and you search in vain for any horizon to it; the veriest trifle is big with meaning, a glance contains a volume, icicles drift on uttered words, and the death sentence is read in a movement of the lips.
I thought he would have paid me back in kind; had I not been magnanimous? I climbed to the top of the chalet, and my eyes followed him on the road. Ah! my dear Renée, he vanished from my sight with an appalling swiftness.
“How keen he is to go!” was the thought that sprang of itself.
Once more alone, I fell back into the hell of possibilities, the maelstrom of mistrust. There were moments when I would have welcomed any certainty, even the worst, as a relief from the torture of suspense. Suspense is a duel carried on in the heart, and we give no quarter to ourselves.
I paced up and down the walks. I returned to the house, only to tear out again, like a mad woman. Gaston, who left at seven o’clock, did not return till eleven. Now, as it only takes half an hour to reach Paris through the park of St. Cloud and the Bois de Boulogne, it is plain that he must have spent three hours in town. He came back radiant, with a whip in his hand for me, an india-rubber whip with a gold handle.
For a fortnight I had been without a whip, my old one being worn and broken.
“Was it for this you tortured me?” I said, as I admired the workmanship of this beautiful ornament, which contains a little scent-box at one end.
Then it flashed on me that the present was a fresh artifice. Nevertheless I threw myself at once on his neck, not without reproaching him gently for having caused me so much pain for the sake of a trifle. He was greatly pleased with his ingenuity; his eyes and his whole bearing plainly showed the restrained triumph of the successful plotter; for there is a radiance of the soul which is reflected in every feature and turn of the body. While still examining the beauties of this work of art, I asked him at a moment when we happened to be looking each other in the face:
“Who is the artist?”
“A friend of mine.”
“Ah! I see it has been mounted by Verdier,” and I read the name of the shop printed on the handle.
Gaston is nothing but a child yet. He blushed, and I made much of him as a reward for the shame he felt in deceiving me. I pretended to notice nothing, and he may well have thought the incident was over.
May 25th.
The next morning I was in my riding-habit by six o’clock, and by seven landed at Verdier’s, where several whips of the same pattern were shown to me. One of the men serving recognized mine when I pointed it out to him.
“We sold that yesterday to a young gentleman,” he said. And from the description I gave him of my traitor Gaston, not a doubt was left of his identity. I will spare you the palpitations which rent my heart during that journey to Paris and the little scene there, which marked the turning-point of my life.
By half-seven I was home again, and Gaston found me, fresh and blooming, in my morning dress, sauntering about with a make-believe nonchalance. I felt confident that old Philippe, who had been taken into my confidence, would not have betrayed my absence.
“Gaston,” I said, as we walked by the side of the lake, “you cannot blind me to the difference between a work of art inspired by friendship and something which has been cast in a mould.”
He turned white, and fixed his eyes on me rather than on the damaging piece of evidence I thrust before them.
“My dear,” I went on, “this is not a whip; it is a screen behind which you are hiding something from me.”
Thereupon I gave myself the gratification of watching his hopeless entanglement in the coverts and labyrinths of deceit and the desperate efforts he made to find some wall he might scale and thus escape. In vain; he had perforce to remain upon the field, face to face with an adversary, who at last laid down her arms in a feigned complacence. But it was too late. The fatal mistake, against which my mother had tried to warm me, was made. My jealousy, exposed in all its nakedness, had led to war and all its stratagems between Gaston and myself. Jealousy, dear, has neither sense nor decency.
I made up my mind now to suffer in silence, but to keep my eyes open, until my doubts were resolved one way or another. Then I would either break with Gaston or bow to my misfortune: no middle course is possible for a woman who respects herself.
What can he be concealing? For a secret there is, and the secret has to do with a woman. Is it some youthful escapade for which he still blushes? But if
